Bending genre as a planetary body might bend spacetime, Bashir’s poems live as music and film, as memoir, observation, and critique, as movement across both cosmic and poetic fields.
I Hope This Helps reflects on the excruciating metamorphosis of an artist, “a twinkle-textured disco-ball Jenga set” constrained and shaped by the limits of our reality: time, money, work, not to mention compounding global crises. Think of a river constrained by levees, a bonsai clipped and bent, a human body bursting through shapewear. Begging the question, what can it mean to thrive in the world as it is, Bashir says, “Rats thrive in sewers so / maybe I'm thriving.” In these moving, sometimes harrowing meditations, Bashir reveals her vulnerable inner life, how she has built herself brick by brick into an artist.
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Samiya Bashir is a poet, performer, and multimedia artist whose work, both solo and collaborative, has been widely published, performed, installed, printed, screened, and experienced internationally. Bashir is the author of three poetry collections, most recently Field Theories, winner of the 2018 Oregon Book Award’s Stafford/Hall Award for Poetry. Samiya’s honors include the Rome Prize in Literature, the Pushcart Prize, Oregon’s Arts & Culture Council Individual Artist Fellowship in Literature, plus numerous other awards, grants, fellowships, and residencies including MacDowell, the Atlantic Center for the Arts, and the New York Council on the Arts. She lives in Harlem.
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