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Toxic - Softcover

Kang, Lydia

 
9781640634244: Toxic

Inhaltsangabe

She's an illegally created girl abandoned in deep space. He's a boy on a death mission. Created by her geneticist mother in secret, Hana’s grown up alone, cared for by the biological spaceship Cyclo. She’s never even left her room. When the entire crew flees overnight and Hana is abandoned, she realizes something is terribly, violently wrong with Cyclo. Cyclo is the first of its kind to die, and Fenn is a young mercenary tasked with recording the dying process―but exposure to the toxic ship will kill him. The money for the death mission is the only way his sister will survive. And then he discovers Hana―a girl who’s never really had the chance to live. She’s hell-bent on saving Cyclo and her own life, but if Fenn and the ship don’t die, he can’t save his sister. They only have two weeks before Cyclo implodes―but two weeks isn't nearly enough for Hana or for the life Fenn is finally wishing he could have.

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Über die Autorin bzw. den Autor

Lydia Kang is an author of young adult fiction, poetry, and narrative non-fiction. She is a practicing physician who has gained a reputation for helping fellow writers achieve medical accuracy in fiction. She believes in science and knocking on wood, and currently lives in Omaha with her husband and three children. www.lydiakang.com

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Toxic

By Lydia Kang, Kate Brauning

Entangled Publishing, LLC

Copyright © 2018 Lydia Kang
All rights reserved.
ISBN: 978-1-64063-424-4

CHAPTER 1

HANA


Where is Mother?

Where is she?

Inside my room, my tiny bubble of a room, I pace like the tigers in their tiny iron enclosures from Earth's old menageries — what did they call them in the vids? Zoological parks? Mother is never missing at breakfast. Never. And she is always here when I wake up. I have never begun my day without her warm presence, her crinkling, smiling eyes.

Where is Mother?

To make things even more worrying, I've been asleep for too long.

It had been one entire week that I was embedded in Cyclo's matrix of the ship's walls, held down by her soothing chemicals while I slept. But normally, I sleep only for forty-eight or seventy-two hours at a time. One week is far too long.

Usually, there is breakfast on the table, perhaps some rice. Usually, there is Mother, waiting for me after a long shift in her incubation labs.

But there was no breakfast waiting for me.

No Mother, for that matter.

My stomach growls, and I press my hand against my belly, willing it to be quiet, but what I want to do is quiet my mind. My thoughts are spinning, crashing, shattering with everything that is wrong. My eyes are trained on the door, hoping that it will open and she will be here and this will all be a mistake.

Please, please be a mistake. Maybe an embryo in the lab needed desperate attention for days, and she had to leave me alone for longer than usual. My stomach grumbles again, and I wring my hands, hissing at myself.

"Silence!"

It's a familiar saying in our room. Not that anyone could hear me — the gel walls and the bony endoskeleton make it sound proof, but Mother was not born on Cyclo. She was born on Earth, where walls are made of things like trees — no, wood — and pigment — no, paint — and could readily hear conversations right through them. But maybe if I say the word again — a word that always seems to simultaneously cut and suffocate me — maybe it will bring normal back, like a prayer of wishes.

Silence.

In my thin robe, I continue to pace, my bare feet pressing against the blue gel-like matrix of the floor. It's already been over an hour since I've awoken.

"Where is she?" I demand.

No answer.

Cyclo has been taught never to answer questions not directly asked of her. Otherwise, she would answer everything. When she was a young creature, before she grew into the enormity of this three-kilometer-wide diatom in space, she would answer all the questions in her color language, and it was chaos. Crew members got headaches from the nonstop, vibrant displays. So, for their benefit, each room on the ship has a color translator to help the crew.

I don't need a translator. I understand her color language far better than the crew, and with more subtlety than the translators. I can see beyond the color spectrum that others can, thanks to Mother's genetic tinkering with my retinal cells. So Cyclo's nuances are only seen by me, not her. Other humans are like pigs trying to communicate with jellyfish; their interpretations are so primitive.

But, as a favor, Cyclo has learned to phonate air bubbles and actually speak to me, particularly when I'm lonely. I try again.

"Cyclo, where is Mother? Where is she?" My hands are now grabbing at my ponytail, clawing in agitation.

The matrix on the wall warps, involutes on itself, and a face appears. It's a woman's face, like Mother's but different. Like an ajumma, or auntie. An ajumma made of shimmering blue glass.

"Your mother is not here," Cyclo says in her vibrating, watery voice.

I stand there, not knowing what to do. Somewhere inside of me, a seed of doubt and fear grows steadily into a tree, strong as stone. Where could she be? I can't call her or communicate to her — it's strictly forbidden. After all, no one knows of my existence on the ship except for Cyclo and Mother.

Mother is the ship's reproductive engineer, in charge of making sure the crew's population on Cyclo stays steady and functional. New embryos are decided upon by the leaders of the ship, not the needs of a human who wishes to have their own child. Mother carefully tends these new crops of fetal crew members with a calm expectancy. And yet, I was not needed for the census, or for stability. I would be considered expendable. But she made me anyway, in secret. Kept me in secret. And when she couldn't be here, Cyclo cared for me.

Mother was the only person required to report census data, so she could hide me. And Cyclo, who is programmed to care for all of us, had no issue with taking care of me, too. My caloric and nutrient needs were accounted for via Mother's personal lab records, and easily hidden. There was never a reason for a random crew member to ask, "Cyclo, is there an unsanctioned, extra human aboard this ship?" So Cyclo never had to answer the question.

I stare at the membrane door. She must be busy tending to something in the labs. That has to be the reason. To search her out would be to put my very existence, and my mother, in danger. After several moments, while Cyclo pulsates a gentle, light lavender on the walls (patience, waiting), I decide.

I shall wait.

So I wait another hour. It feels like a very long time. I knit some more of a little afghan I started last week. I read some Shakespeare, The Tempest. I'll reread the story of Cyclo's genetic creation and birth, down to the details of which percentages of her genes have been synthesized, which were knocked out, which were enriched via cisgenesis or transgenesis. I'll read Mother's diary, filled with stories of when I was smaller and her delight over every milestone of my childhood. I eat a precooked, synthetic yam porridge that I find in our food cupboard. My mind is whirling so fast with thoughts I don't want to consider. The panic is there, simmering under my skin, but I cannot unravel over what I don't know yet. So I wait.

Mother doesn't come.

* * *

My heart is beating so fast I can barely stay standing. I have clawed my robe until it has holes in the edges.

It has been six hours now. I am absolutely forbidden to leave my room, a room that does not exist in the consciousness of any crew member except my mother, hidden as it is in the most unused part of Cyclo's body, the northeast quadrant, alpha ring.

For the last two hours, I've raised my hand countless times, poised a few inches from the door, before dropping it. Even touching the door is strictly forbidden. But I can't wait here for much longer. Where is Mother? Where could she be? I'd even read the last entry in her diary, looking to see if anything was off, but there was nothing but our last discussion on why hedgehogs are not related to sea urchins. My eyes are full of tears, and I've already cried several times out of sheer panic.

I keep my voice steady and say, "Cyclo. Please open the door."

Cyclo, not bothering to speak because the message is too urgent, blanches with white that moves in waves over the door.

Forbidden.

"Cyclo. Please open the door," I say again, this time my voice cracking. I'll only just peep my head outside, just a little look. I won't step a foot out there. I know people will be walking the hallways. But if no one is there ... maybe I can make my way to her lab and see why she's delayed. I know exactly where it is. I've spent much of my life studying Cyclo's every detail — the story of her birth, the way she harvests starlight energy,...

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