From early cinema to the digital era, Color in Motion explores the vibrant history of color on screen
Published with Academy Museum of Motion Pictures.
The art of producing color in movies is a fascinating process with a long history. Many people don’t realize that, as early as the 1890s, much of silent cinema was in color. They also may not know that women were the main workforce behind the techniques that first produced these effects, a tradition that continued as the practice evolved. Breakthroughs in color technology have created ongoing opportunities for filmmakers to experiment with new forms of narrative and emotional storytelling. Spectacular, psychological and sensory, color has become an integral part of the cinematic experience.
From the earliest hand-painted films to Technicolor and today’s digital cinema, Color in Motion takes readers on a journey through the evolution and significance of color in film. Presenting insightful analysis, engaging case studies and inspiring conversations with scholars and experts in the field, with topics ranging from animation to the intersections of color and race in cinema, it traces the historical development of color technologies and their impact onscreen. Incorporating vivid images of color films throughout history―Serpentine Dance, The Cabinet of Dr. Caligari, Fantasia, The Red Shoes, Vertigo, West Side Story, 2001: A Space Odyssey, Moonlight and more, as well as new multispectral scans of rare silent-era film prints―this essential volume celebrates color’s enduring influence on the medium of film.
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From early cinema to the digital era, Color in Motion explores the vibrant history of color on screen.
The art of producing color in movies is a fascinating process with a long history. Many people don't realize that, as early as the 1890s, much of silent cinema was in color. They also may not know that women were the main workforce behind the techniques that first produced these effects, a tradition that continued as the practice evolved. Breakthroughs in color technology have created ongoing opportuni
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272 pages, illustrated in colour throughout. Hardback 28 x 24cms. ISBN: 9781636811307. This catalogue explores the history and the art of producing colour on screen. 12 essays look at the practice of tinting film, the materiality and technology of film colours, conversations about the science of colour with colour experts Laurens Orij, Charles Poynton, and Andrew Stockman, women's role in the development of colour technologies, the application of 'leader lady images' for calibration, the aesthetic and political use of colour by Black filmmakers, intermedial dialogues in 1960s Bombay cinema, colour in American animation, and colour experiments in films without a narrative. 7 essays specifically examine the advantage of restricted colour palettes to create particular effects; red and 'In the mood for love', orange and 'Blade runner 2049', yellow and 'Traffic', green and 'Vertigo', blue and 'Moonlight', purple and 'Cabaret', pink and 'But I'm a cheerleader'. Also includes a selected timeline of historical film colours. Artikel-Nr. 124975
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