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Echoes from the Set: Shadows From the Underground: Cinema Under the Influence: 1967-1977 (2) - Softcover

Wilson, Katherine

 
9781634243551: Echoes from the Set: Shadows From the Underground: Cinema Under the Influence: 1967-1977 (2)

Inhaltsangabe

A deep dive into the underground film scene that shaped a generation. Katherine Wilson explores the untold stories of the New Hollywood era, from the Merry Pranksters to the poetic cinema movement. Discover the bicultural forces that fueled a revolution in filmmaking and American culture.

Echoes From The Set Volume II uncovers:

  • The origins of the 1960s counterculture and its influence on cinema
  • The untold stories of female filmmakers and their struggles
  • The impact of Ken Kesey and the Merry Pranksters on popular culture
  • The role of biculturalism in shaping Oregon's distinctive cinematic voice
Perfect for film buffs, history enthusiasts, and anyone seeking to understand the roots of modern American cinema. Join the journey to understand the shadows from the underground and their lasting impact.

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Über die Autorin bzw. den Autor

Katherine Wilson attended the University of Oregon as an English major and soon became an actress for Ken Kesey's 16mm Poetic Cinema Pranksters. Concurrently, she was discovered by director Mark Rydell for his film Cinderella Liberty. Mark brought her to Hollywood and encouraged her to attend film school at the University of California; however, she wanted to continue as a filmmaker in Oregon. Her first major film as location scout and casting director was for the notorious Animal House. She provided these services for the next 20 years on many films, including Stand by Me, and was the governor's liaison to the set of One Flew Over the Cuckoo's Nest. Steven Rust grew up in the small town of Sandpoint, Idaho and has called the Pacific Northwest home his entire life. He earned a BS degree in Secondary Education from Idaho State University and completed an MA in English with a focus on Film Studies at OSU in 2006. While working on his MA, he spent three years as Assistant Editor of Cinema Journal. In 2011, he completed a PhD in English with a focus in Film History and Environmental Criticism at the University of Oregon.

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