Video within and beyond art: a survey of the medium’s political meanings
Video is everywhere. Since its debut as a consumer medium in the 1960s, video has shaped our opinions, our politics and our societies. On our phones and computer screens, walls and streets, it defines new spaces and experiences—spreading memes, lies, fervor, fact and fiction. In other words, video has transformed the world.
Featuring works from the collection of the Museum of Modern Art, New York, this illuminating exhibition catalog—MoMA’s first major publication on video art in nearly 30 years—explores the ways in which artists have both championed and questioned video’s promise, some hoping to create new networks of communication, democratic engagement and public participation, others protesting commercial and state control over information, vision and truth itself. Lavishly illustrated essays by esteemed scholars and artists—including Ina Blom, Aria Dean, David Joselit, Pamela M. Lee, Glenn Ligon and Ravi Sundaram—highlight video’s widely varied formats, contexts and global reach. Signals is a manual for understanding the present, an era in which video has pervaded all aspects of life.
Artists include: Ant Farm, Gretchen Bender, Dara Birnbaum, Black Audio Film Collective, Tony Cokes, Harun Farocki and Andrei Ujica, Kit Galloway and Sherrie Rabinowitz, Dan Graham, Mona Hatoum, Every Ocean Hughes, Mako Idemitsu, Emily Jacir, Amar Kanwar, Victor Masayesva Jr., Marta Minujín, Carlos Motta, Fujiko Nakaya, New Red Order, Nam June Paik, Sondra Perry, Howardena Pindell, Walid Raad and Souheil Bachar, Raindance Corporation, Marlon Riggs, Martha Rosler, Julia Scher, Richard Serra and Carlota Fay Schoolman, Tiffany Sia, Frances Stark, Martine Syms, TVTV, Stan VanDerBeek, Videofreex, Ming Wong, Nil Yalter and Artur Zmijewski.
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Having become widely accessible as a consumer technology in the 1960s, video is ever-present today―on our phones and our screens, defining new spaces and experiences, shaping our ideas and politics, and spreading disinformation, documentation, evidence, fervor. Signals: The Politics of Video charts the ways in which artists have both championed and questioned the promise of video, revealing a history that has been planetary, critical, and activist from its very beginnings. The Museum of Modern Art has been at the forefront of bringing video into museums―pioneering the collection, conservation, and definition of a new artistic medium. Signals aims to renew and revise our understanding of art and video, both within and outside the museum.
A companion to the exhibition, this catalogue―the Museum’s first major publication on the subject in twenty-five years―includes an introductory essay by the curators and six thematic texts by leading scholars and artists that investigate the range of artistic engagements with video, media, and the public sphere. Here, video is posed not as a traditional medium but as a pervasive and fluid media network that is thoroughly global, social, and interactive: a means of politics.
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Kartoniert / Broschiert. Zustand: New. Über den AutorrnrnStuart Comer is the Lonti Ebers Chief Curator of Media and Performance at The Museum of Modern Art. Michelle Kuo is the Marlene Hess Curator of Painting and Sculpture at The Museum of Modern Art. Erika Ba. Artikel-Nr. 438755570
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Taschenbuch. Zustand: Neu. Neuware - Signals: The Politics of Video aims to renew and revise our understanding of art and video, posing video not as a traditional medium but as a pervasive and fluid media network that is thoroughly global, social, and interactive: a means of politics. Artikel-Nr. 9781633451230
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Taschenbuch. Zustand: Neu. Signals: How Video Transformed the World | Michelle Kuo (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 2023 | Museum of Modern Art | EAN 9781633451230 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu. Artikel-Nr. 119567984
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