Engineer, Agitator, Constructor: The Artist Reinvented: 1918-1938 - Hardcover

 
9781633451087: Engineer, Agitator, Constructor: The Artist Reinvented: 1918-1938

Inhaltsangabe

"We regarded ourselves as engineers, we maintained that we were building things ... we put our works together like fitters." So declared the artist Hannah Höch, describing a radically new approach to art-making in the 1920s and '30s. Such wholesale reinvention of the role of the artist and the functions of art took place in lockstep with that era's shifts in industry, technology, and labor, and amid the profound impact of momentous events: World War I, the Russian Revolution, the collapse of the Austro-Hungarian Empire and the rise of fascism. Highlighting figures such as Aleksandr Rodchenko, Liubov Popova, John Heartfield and Fré Cohen, and European avant-garde of the interwar years-Dada, the Bauhaus, futurism, constructivism and de Stijl-Engineer, Agitator, Constructor: The Artist Reinvented demonstrates the ways in which artists reimagined their roles to create a dynamic art for a new world.

These "engineers," "agitators," "constructors," "photomonteurs," "workers"-all designations adopted by the artists themselves-turned away from traditional forms of painting and sculpture and invented new visual languages. Central among them was photomontage, in which photographs and images from newspapers and magazines were cut, remixed, and pasted together. Working as propagandists, advertisers, publishers, editors, architects, theatre designers and curators, these artists engaged with expanded audiences in novel ways, establishing distinctive infrastructures for presenting and distributing their work.

Published in conjunction with a major exhibition, Engineer, Agitator, Constructor marks the transformative addition to MoMA from the Merrill C. Berman Collection, one of the great private collections of political art. Illuminating the essential role of women in avant-garde activities while mapping vital networks across Europe, this richly illustrated book presents the social engagement, fearless experimentation and utopian aspirations that defined the early 20th century, and how these strategies still reverberate today.

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We regarded ourselves as engineers, we maintained that we were building things’, declared Hannah Höch, describing a radical new approach to artmaking that took shape in the 1920s and 30s, in lockstep with the era’s shifts in industry, technology and labour, and amid the impact of momentous events: World War I, the Russian Revolution, the collapse of the Austro-Hungarian Empire, and the rise of fascism. Artists involved with varied avant-gardes – Dada, the Bauhaus, Futurism, Constructivism and de Stijl – reinvented their roles to create a dynamic art for a new world. This experimentation is richly represented in the Merrill C. Berman Collection, one of the most significant private collections of early-20th-century works on paper.

Published in conjunction with a major exhibition celebrating MoMA’s acquisition of more than 300 works from the collection, this richly illustrated book includes close readings of drawings, propaganda posters, advertising, architecture, exhibition installations, journals and theatre design. Among the themes it explores are the crucial role of collage and photomontage in the interwar period

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