In Yugoslavia's "Third Way" architecture, Brutalism meets the fantastical
Squeezed between the two rival Cold War blocs, Yugoslav architecture consistently adhered to a modernist trajectory. As a founding nation of the Non-Aligned Movement, Yugoslavia became a major exporter of modernist architecture to Africa and the Middle East in a postcolonial world. By merging a variety of local traditions and contemporary international influences in the context of a unique Yugoslav brand of socialism, often described as the "Third Way," local architects produced a veritable "parallel universe" of modern architecture during the 45 years of the country's existence. This remarkable body of work has sparked recurrent international interest, yet a rigorous interpretative study never materialized in the United States until now.
Published in conjunction with a major exhibition on the architectural production of Yugoslavia between 1948 and 1980, this is the first publication to showcase an understudied but important body of modernist architecture. Featuring new scholarship and previously unpublished archival materials, this richly illustrated publication sheds light on key ideological concepts of Yugoslav architecture, urbanism and society by delving into the exceptional projects and key figures of the era, among them Bogdan Bogdanovic, Zoran Bojovic, Drago Galic, Janko Konstantinov, Georgi Konstantinovski, Niko Kralj, Boris Magas, Juraj Neidhardt, Joze Plecnik, Svetlana Kana Radevic, Edvard Ravnikar, Vjenceslav Richter, Milica Steric, Ivan Straus and Zlatko Ugljen.
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Squeezed between the two rival Cold War blocs, Yugoslav architecture consistently adhered to a modernist trajectory. As a founding nation of the Non-Aligned Movement, Yugoslavia became a major exporter of modernist architecture to Africa and the Middle East in a postcolonial world. By merging a variety of local traditions and contemporary international influences in the context of a unique Yugoslav brand of socialism, often described as the ‘Third Way’, local architects produced a veritable ‘parallel universe’ of modern architecture during the forty-five years of the country’s existence. This remarkable body of work has sparked recurrent international interest, yet a rigorous interpretative study never materialized in the United States until now.
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4°. 44 n.n. S. mit XXXVIII Fotografien auf Tafeln, 184 S. mit vielen teils farb. Abb., Plänen und Skizzen. OPappband mit Schutzumschlag. Mit Essays von Tamara Bjazic Klarin, Vladimir Deskov, Ana Ivanovska Deskova, and Jovan Ivanovski, Andrew Herscher, Sanja Horvatinicic, Theodossis Issaias and Anna Kats, Jelica Jovanovic, Juliet Kinchin, Martina Malesic, Maroje Mrduljas, Arber Sadki, Luka Skansi, Lukasz Stanek, Matthew Worsnick, Mejrema Zatric. - Schönes Exemplar. Sprache: englisch. Artikel-Nr. 92642AB
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Buch. Zustand: Neu. Neuware - Published in conjunction with a major survey exhibition on the architectural production of Yugoslavia between 1948 and 1980, this is the first scholarly publication to showcase an understudied but important and exceptional body of modernist architecture. Squeezed between the two rival Cold War blocs, Yugoslav architecture consistently adhered to a modernist trajectory. As a founding nation of the Non-Aligned Movement, Yugoslavia became a major exporter of modernist architecture to Africa and the Middle East in a postcolonial world. By merging a variety of local traditions and contemporary international influences in the context of a unique Yugoslav brand of socialism, often described as the Third Way, local architects produced a veritable parallel universe of modern architecture during the forty-five years of the countrys existence. This remarkable body of work has sparked recurrent international interest, yet a rigorous interpretative study never materialized in the United States until now. Published in conjunction with a major exhibition on the architectural production of Yugoslavia between 1948 and 1980, this is the first scholarly publication to showcase an understudied but important body of modernist architecture. Featuring new scholarship and previously unpublished archival materials, this richly illustrated publication sheds light on key ideological concepts of Yugoslav architecture, urbanism, and society by delving into the exceptional projects and key figures of the era. Artikel-Nr. 9781633450516
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