Why Work? is a provocative collection of essays and illustrations by writers and artists from the nineteenth century through to today, dissecting “work,” its form under capitalism, and the possibilities for an alternative society. It asks: Why do some of us still work until we drop in an age of vast automated production, while others starve for lack of work? Where is the leisure society that was promised?
Edited by Freedom Press, this collection includes contributions from luminaries of the past such as William Morris and Bertrand Russell, contemporary theorists such as David Graeber and Juliet Schor, and illustrated examinations of workplace potentials and pitfalls from Clifford Harper and Prole.info.
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Freedom Press is an anarchist publishing house and bookshop based in London. Founded in 1886, it is the largest anarchist publisher in the United Kingdom and the oldest of its kind in the English-speaking world.
Nina Power is a senior lecturer in philosophy at Roehampton University and tutor in Critical Writing in Art & Design at the Royal College of Art. She is the author of One-Dimensional Woman and has written widely on politics, philosophy, feminism, and culture.
INTRODUCTIONS,
Beyond Waged Labour | Nina Power (written 2016),
In Praise of Idleness | Bertrand Russell (1932),
Useful Work versus Useless Toil | William Morris (1885),
THE PROBLEMS OF WORK,
The Tyranny of the Clock | George Woodcock (1944),
The Problem of Work | Camillo Berneri (1938),
The Art of Shovelling | Ifan Edwards (1947),
Measuring Misery | John Hewetson (1954),
The Wage System | Peter Kropotkin (1888),
'Who will do the Dirty Work?' | Tony Gibson (1952),
The Dominant Idea | Voltarine de Cleyre (1910),
ALTERNATIVES AND FUTURES,
Reflections on Utopia | SP (1962),
Collectives in the Spanish Revolution | Gaston Leval (1975),
Significance of the "Self-Build" Movement (1952),
Leisure in America | August Heckscher II (1961),
The Other Economy: The Possibilities of Work Beyond Employment | Denis Pym (1981),
Visions: Six Drawings | Cliff Harper (1975),
PRODUCTION: NEED VS PROFIT,
Editorials from Freedom Newspaper (1958–1962),
CHANGING TIMES,
Wrinklies and Crumblies Discuss Punks and Joblessness | Colin Ward (1996),
Beyond an Economy of Work and Spend | Juliet Schor (1997),
Dark Satanic Cubicles: It's Time to Smash the Job Culture! | Claire Wolfe (2005),
On the Phenomenon of Bullshit Jobs | David Graeber (2013),
Work | Prole.info (2005),
Index,
THE PROBLEMS OF WORK
THE TYRANNY OF THE CLOCK
George Woodcock
Woodcock (1912–1995) was a well-known poet, essayist and critic from Canada, who founded the journal Canadian Literature. He was a member of the Freedom Press editorial group from 1941–1949 and published several books with the collective. This article was first published in War Commentary in March 1944.
In no characteristic is existing society in the West so sharply distinguished from the earlier societies, whether of Europe or the East, than in its conception of time. To the ancient Chinese or Greek, to the Arab herdsman or Mexican peon of today, time is represented in the cyclic processes of nature, the alternation of day and night, the passage from season to season. The nomads and farmers measured and still measure their day from sunrise to sunset, and their year in terms of seedtime and harvest, of the falling leaf and the ice thawing on the lakes and rivers. The farmer worked according to the elements, the craftsman for so long as he felt it necessary to perfect his product. Time was seen in a process of natural change, and men were not concerned in its exact measurement.
For this reason civilisations highly developed in other respects had the most primitive means of measuring time, the hour glass with its trickling sand or dripping water, the sundial, useless on a dull day, and the candle or lamp whose unburnt remnant of oil or wax indicated the hours. All these devices were approximate and inexact, and were often rendered unreliable by the weather or the personal laziness of the tender. Nowhere in the ancient or medieval world were more than a tiny minority of men concerned with time in the terms of mathematical exactitude.
Modern, Western man, however, lives in a world which runs according to the mechanical and mathematical symbols of clock time. The clock dictates his movements and inhibits his actions.
The clock turns time from a process of nature into a commodity that can be measured and bought and sold like soap or sultanas. And because, without some means of exact time keeping, industrial capitalism could never have developed and could not continue to exploit the workers, the clock represents an element of mechanical tyranny in the lives of modern men more potent than any individual exploiter or than any other machine. It is valuable to trace the historical process by which the clock influenced the social development of modern European civilisation.
It is a frequent circumstance of history that a culture or civilisation develops the device that will later be used for its destruction. The ancient Chinese, for example, invented gunpowder, which was developed by the military experts of the West and eventually led to the Chinese civilisation itself being destroyed by the high explosives of modern warfare. Similarly, the supreme achievement of the ingenuity of the craftsmen in the medieval cities of Europe was the invention of the mechanical clock, which, with its revolutionary alteration of the concept of time, materially assisted the growth of exploiting capitalism and the destruction of the medieval culture.
There is a tradition that the clock appeared in the eleventh century, as a device for ringing bells at regular intervals in the monasteries which, with the regimented life they imposed on their inmates, were the closest social approximation in the middle ages to the factory of today. The first authenticated clock, however, appeared in the thirteenth century, and it was not until the fourteenth century that clocks became common as ornaments of the public buildings in the German cities.
These early clocks, operated by weights, were not particularly accurate, and it was not until the sixteenth century that any great reliability was attained. In England, for instance, the clock at Hampton Court, made in 1540, is said to have been the first accurate clock in the country. And even the accuracy of the sixteenth century clocks are relative, for they were equipped only with hour hands. The idea of measuring time in minutes and seconds had been thought out by the early mathematicians as far back as the fourteenth century, but it was not until the invention of the pendulum in 1657 that sufficient accuracy was attained to permit the addition of a minute hand, and the second hand did not appear until the eighteenth century. These two centuries, it should be observed, were those in which capitalism grew to such an extent that it was able to take advantage of the industrial revolution in technique in order to establish its domination over society.
The clock, as Lewis Mumford has pointed out, represents the key machine of the machine age, both for its influence on technics and for its influence on the habits of men. Technically, the clock was the first really automatic machine that attained any importance in the life of men. Previous to its invention, the common machines were of such a nature that their operation depended on some external and unreliable force, such as human or animal muscles, water or wind. It is true that the Greeks had invented a number of primitive automatic machines, but these were used, like Hero's steam engine, either for obtaining "supernatural" effects in the temples or for amusing the tyrants of Levantine cities. But the clock was the first automatic machine that attained a public importance and a social function. Clock-making became the industry from which men learnt the elements of machine making and gained the technical skill that was to produce the complicated machinery of the industrial revolution.
Socially the clock had a more radical influence than any other machine, in that it was the means by which the regularisation and regimentation of life necessary for an exploiting system of industry could best be attained.
The clock provided a means by which time — a category so elusive that no philosophy has yet determined its nature — could be measured...
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Taschenbuch. Zustand: Neu. Neuware - 'Why Work is a provocative collection of essays and illustrations by writers and artists from the nineteenth century through to today, dissecting 'work,' its form under capitalism, and the possibilities for an alternative society. It asks: Why do some of us still work until we drop in an age of vast automated production, while others starve for lack of work Where is the leisure society that was promised '--Page 4 of cover. Artikel-Nr. 9781629635767
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