James Baldwin: The FBI File - Softcover

 
9781628727371: James Baldwin: The FBI File

Inhaltsangabe

Available in book form for the first time, the FBI's secret dossier on the legendary and controversial writer.

Decades before Black Lives Matter returned James Baldwin to prominence, J. Edgar Hoover’s FBI considered the Harlem-born author the most powerful broker between black art and black power. Baldwin’s 1,884-page FBI file, covering the period from 1958 to 1974, was the largest compiled on any African American artist of the Civil Rights era. This collection of once-secret documents, never before published in book form, captures the FBI’s anxious tracking of Baldwin’s writings, phone conversations, and sexual habits—and Baldwin’s defiant efforts to spy back at Hoover and his G-men.

James Baldwin: The FBI File reproduces over one hundred original FBI records, selected by the noted literary historian whose award-winning book, F.B. Eyes: How J. Edgar Hoover’s Ghostreaders Framed African American Literature, brought renewed attention to bureau surveillance. William J. Maxwell also provides an introduction exploring Baldwin's enduring relevance in the time of Black Lives Matter along with running commentaries that orient the reader and offer historical context, making this book a revealing look at a crucial slice of the American past—and present.

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Über die Autorin bzw. den Autor

William J. Maxwell is a professor of English and African American studies at Washington University in St. Louis. He is the author of the widely acclaimed F.B. Eyes: How J. Edgar Hoover’s Ghostreaders Framed African American Literature, winner of a 2016 American Book Award, and New Negro, Old Left: African-American Writing and Communism Between the Wars. He is also the creator and curator of the F.B. Eyes Digital Archive, which presents high-resolution copies of dozens of FBI files on African American authors and literary institutions obtained through the Freedom of Information Act. He lives with his family in St. Louis, Missouri.

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James Baldwin The FBI File

By William Maxwell

Skyhorse Publishing

Copyright © 2017 William J. Maxwell
All rights reserved.
ISBN: 978-1-62872-737-1

Contents

Introduction: Baldwin and His File after Black Lives Matter,
Born-Again Baldwin,
Filed-Again Baldwin,
What's in — and Not in — This Edition of the Baldwin File,
Sources of Quotations in the Introduction,
Permissions,
Acknowledgments,
James Baldwin's FBI File, Sampled and Explained,
1 Graphic Evidence: 1963, 1964, and 1966,
2 Baldwin's "Frech Accent" on African Independence: June 1961,
3 Malcolm X and Elijah Muhammad Praise Brother Baldwin: July 1961,
4 Another Country as Obscene Specimen: September and October 1962,
5 "What Do Our Files Show on James Baldwin?": May 1963,
6 Baldwin as Homosexual — and Public Enemy: May 1963,
7 The White House Listens In: June 1963,
8 The Bureau Prepares Its Counterattack: June 1963,
9 Buckley versus Baldwin: June 1963,
10 Another Country's "Value to Students of Psychology and Social Behavior": June, August, and September 1963,
11 "Better Qualified to Lead a Homo-Sexual Movement than a Civil Rights Movement": September 1963,
12 Baldwin Baits J. Edgar Hoover — and Bureaucratic Hell Breaks Loose: September 1963,
13 "Negroes Are Thinking Seriously of Assassinating Martin Luther King": September 1963,
14 The Bureau Reviews The Fire Next Time: October 1963,
15 Photos of Baldwin in Selma: October 1963,
16 A Falling Out with "Sexual Proclivities": October 1963,
17 The USIA Censors Baldwin: October 1963,
18 Ask J. Edgar Hoover — Is Baldwin "A Known Communist?": October 1963,
19 J. Edgar Hoover Asks "Is Baldwin on Our Security Index?": December 1963,
20 The Biography of James Arthur Baldwin, "Security Matter": December 1963,
21 "A Dangerous Individual Who Could Be Expected to Commit Acts Inimical to the National Defense": December 1963,
22 "Hello, Baby, How Are You?" — FBI Sexual Linguistics: January 1964,
23 Baldwin Meets a Deadline: January 1964,
24 Baldwin Speaks — after "Robert Dillon [the] Beatnik Type Entertainer": January 1964,
25 Public Shaming through Public Sources: January 1964,
26 The FBI Combs Baldwin's Passport: February 1964,
27 Signifying Nothing: February 1964,
28 "An Attempt to Interview Him Could Prove Highly Embarrassing": March 1964,
29 Baldwin as COINTELPRO Audience: April 1964,
30 The Bureau Stalks Baldwin on Broadway: May 1964,
31 Baldwin and His "Aliases": June 1964,
32 The Blood Counters and Baldwin Countersurveillance, Part 1: June and July 1964,
33 The Blood Counters and Baldwin Countersurveillance, Part 2: July 1964,
34 "Isn't Baldwin a Well Known Pervert?" — Hoover Weighs In: July 1964,
35 Baldwin the Riot-Starter: July and August 1964,
36 The Blood Counters and Baldwin Countersurveillance, Part 3: August 1964,
37 Trashing Baldwin: September 1964,
38 "Baldwin Will Quit U.S. if Goldwater Wins": October 1964,
39 Citizen Literary Criticism, Part 1: Texas on Another Country: January 1965,
40 Citizen Literary Criticism, Part 2: Mississippi on Blues for Mister Charlie: April and May 1965,
41 Buckley on "The Baldwin Syndrome": June 1965,
42 Where in the World Was James Baldwin?: March, April, and October 1966,
43 Baldwin Reported to the Secret Service — the Author as Assassin: April 1966,
44 White House Visits and Name Checks: May 1966,
45 Sharing with the State Department — and the CIA: November and December 1966,
46 FBI Internationalism in Action — Baldwin Traced and Translated in Turkey: November and December 1966,
47 An Airline Source and a Pretext Interview: January 1967,
48 Bureaucratic Discipline and the "Subject's Eviction from an Apartment in Turkey for Homosexual Activities": March and April 1967,
49 Back in the USA — with a "Lookout" Waiting: September 1967,
50 Of London, Baldwin's New York "Wife," and "Foreign Auto Sales": December 1967,
51 Baldwin and Other "Independent Black Nationalist Extremists": January 1968,
52 The Bureau of Accurate Statistics: February 1968,
53 Clippers and Informers on The Life of Malcolm X: March 1968,
54 "Two Separate Films on the Life of the Subject": March 1968,
55 The Problem with Paraphrase: April 1968,
56 Baldwin the Black Panther: May 1968,
57 Truman Capote, FBI Source, and James Baldwin, "Negro": May and June 1968,
58 Returning on a Jet Plane: July 1968,
59 "Hostesses for This Party Wore Long African Style Clothes" — Baldwin Speaks for SNCC: August 1968,
60 Flying the Coop and "Presently Checking His Baggage through Customs": February and April 1969,
61 Indiscreet Book Buying: July 1969,
62 Baldwin in Other FBI Files: July 1969,
63 "Baldwin's Method of Working Is Strange": December 1969,
64 Citizen Literary Criticism, Part 3: California on The Fire Next Time: April 1970,
65 Baldwin Testifies for "Sister Angela" — and the Bureau Relaxes Its Vigil: January, May, June, and August 1971,
66 Rapping on A Rap on Race: April and September 1971,
67 From the Security to the Administrative Index: April 1972,
68 The Last Book Purchase-No Name in the Street: July 1972,
69 The Last Translation — "L'Express Continues with James Baldwin": August 1972,
70 Baldwin off the Administrative Index — The FBI Says Goodbye: March 1974,
Sources of Quotations in the Commentaries,
Index to the Introduction and Commentaries,


CHAPTER 1

GRAPHIC EVIDENCE

1963, 1964, AND 1966


James Baldwin is the twentieth-century African American author most honored in the twenty-first. All the same, his FBI dossier begins like a common criminal case file with an envelope of graphic evidence. The first significant item in the envelope is an identifying photo of Baldwin at age thirty-nine, fresh from the success of The Fire Next Time, his now-classic reflection on the religion of the Civil Rights Movement and its Black Muslim skeptics, initially published in January 1963. Surprisingly, the FBI or another police force did not take the photo, distorted by Bureau reproduction, though later documents in the file prove that Bureau agents quietly photographed Baldwin as he protested in Selma that October. Instead, the photo was borrowed from a positive article in The Militant, the newspaper of the Socialist Workers Party, run as Baldwin lectured across the American South in support of the Congress of Racial Equality (CORE) and its philosophy of nonviolent but dynamic confrontation with racism. A flattering publicity portrait repurposed as a mugshot prefaces Baldwin's FBI file — not the only time the Bureau turned the tools and fruits of his literary success into investigative weapons against him.

The second item in the envelope is a copy of an impassioned 1964 fundraising letter Baldwin wrote for the Mississippi Freedom Project led by the Student Nonviolent Coordinating Committee (SNCC), a group he joined well after his student days. This highly choreographed, often mythologized voter registration project drew over a thousand out-of-state volunteers, 90 percent of them white, into contact with experienced SNCC organizers and thousands of local African American citizens risking their lives for voting rights...

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