Investigations into the temporal experiences in contemporary experimental and minimal music.
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Richard Glover is a Reader in Music at the University of Wolverhampton, UK, and divides his time between composing, and writing and presenting on the perception, construction and notation of experimental musics. He has received many international performances of his music, and has recently published book chapters on Phill Niblock and technology in minimalism.
Bryn Harrison is a Senior Lecturer and Head of Composition at the University of Huddersfield. He has an international reputation as a composer and has received commissions, performances and broadcasts by many leading ensembles including the LSO, London Sinfonietta, ensemble recherche, Klangforum Wien and ELISION.
Jennie Gottschalk (born 1978 in Stanford, CA) is a composer based in Boston. She holds a bachelor's degree in composition from The Boston Conservatory (2001), and a master's degree and doctorate from Northwestern University (2008). Teachers have included Larry Bell, Yakov Gubanov, Jay Alan Yim, Augusta Read Thomas, and Aaron Cassidy. Recent performances in Los Angeles (Dog Star Orchestra) and Chicago (Northwestern University Symphony Orchestra and Contemporary Music Ensemble). Her dissertation and current work explore connections between American pragmatist thought and experimental music. Current projects include a string quartet, a children's book, an experimental music blog (soundexpanse.com), and a residency at the Conway School of Landscape Design. For additional resources related to this book, please visit the author's website at soundexpanse.com.
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