Über die Autorin bzw. den Autor

Mark Hodder is the author of The Strange Affair of Spring Heeled Jack--winner of the Philip K. Dick Award 2010--and its sequel, The Curious Case of the Clockwork Man. He's the creator and caretaker of the Blakiana website (http://www.sextonblake.co.uk), which he designed to celebrate, record, and revive Sexton Blake, the most written-about fictional detective in English publishing history. A former BBC writer, editor, journalist, and Web producer, Mark has worked in all the new and traditional medias and was based in London for most of his working life until 2008, when he relocated to Valencia in Spain to de-stress and write novels. He has a degree in cultural studies and loves British history (1850 to 1950, in particular), good food, cutting-edge gadgets, cult TV (ITC forever!), Tom Waits, and a vast assortment of oddities.

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Expedition to the mountains of the moon

Prometheus Books

Chapter One

"The future influences the present just as much as the past." —FRIEDRICH NIETZSCHE

Sir Richard Francis Burton wriggled beneath a bush at the edge of a thicket in the top western corner of Green Park, London, and cursed himself for a fool. He should have realised that he'd lose consciousness. He should have arrived earlier to compensate. Now the whole mission was in jeopardy.

He lay flat for a moment, until the pain in his side abated, then hefted his rifle and propped himself up on his elbows, aiming the weapon at the crowd below. He glanced at the inscription on its stock. It read: Lee-Enfield Mk III. Manufactured in Tabora, Africa, 1918.

Squinting through the telescopic sight, he examined the faces of the people gathering around the path at the bottom of the slope.

Where was his target?

His eyes blurred. He shook his head slightly, trying to dispel an odd sense of dislocation, the horrible feeling that he was divided into two separate identities. He'd first experienced this illusion during fevered bouts of malaria in Africa back in '57, then again four years later, when he was made the king's agent. He thought he'd conquered it. Perhaps he had. After all, this time there really were two of him.

It was the afternoon of the 10th of June, 1840, and a much younger Richard Burton was currently travelling from Italy through Europe, on his way to enrol at Trinity College, Oxford.

Recalling that wayward, opinionated, and ill-disciplined youngster, he whispered, "Time changed me, thank goodness. The question is, can I return the favour?"

He aimed from face to face, seeking the man he'd come to shoot.

It was a mild day. The gentlemen sported light coats and top hats, and carried canes. The ladies were adorned in bonnets and dainty gloves and held parasols. They were all waiting to see Queen Victoria ride past in her carriage.

He levelled the crosshairs at one person after another. Young Edward Oxford was somewhere among the crowd, an insane eighteen-year-old with two flintlock pistols under his frock coat and murder on his mind. But Burton was not here to gun down the queen's would-be assassin.

"Damnation!" His hands were shaking. Lying stretched out like this would have been uncomfortable for any man his age—he was forty-seven years old—but it was made far worse by the two ribs the prime minister's man, Gregory Hare, had broken. They felt like a knife in his side.

He shifted cautiously, trying not to disturb the bush. It was vital that he remain concealed.

A face caught his attention. It was round, decorated with a large moustache, and possessed a palpable air of arrogance. Burton had never seen the individual before—at least not with this appearance—but he knew him: Henry de La Poer Beresford, 3rd Marquess of Waterford, called by many the "Mad Marquess." The man was the founder of the Libertines, a politically influential movement that preached freedom from social shackles and which passionately opposed technological progress. Three years from now, Beresford was going to lead a breakaway group of radicals, the Rakes, whose anarchic philosophy would challenge social propriety. The marquess believed that the human species was restricting its own evolution; that each individual had the potential to become a trans-natural man, a being entirely free of restraint, with no conscience or self-doubt, a thing that did whatever it wanted, whenever it wanted. It was a dangerous idea—the Great War had proved that to Burton—but not one that concerned him at this particular moment.

"I'll be dealing with you twenty-one years from now," he murmured.

A distant cheer echoed across the park. The gates of Buckingham Palace had opened and the royal carriage was steering out onto the path.

"Come on!" Burton whispered. "Where are you?"

Where was the man he'd come to kill?

Where was Spring Heeled Jack?

* * *

He peered through the 'scope. The scene he saw through its lens was incomprehensible. Shapes, movement, shadows, deep colours; they refused to coalesce into anything of substance. The world had shattered, and he was splintered and scattered among its debris.

Dead. Obviously, he was dead.

No. Stop it. This won't do. Don't submit to it. Not again.

He closed his eyes, dug his fingernails into his palms, and pulled his lips back over his teeth. By sheer force of will, he located the disparate pieces of himself and drew them together, until:

Frank Baker. My name is Frank Baker.

Good. That felt familiar.

He smelled cordite. Noise assaulted his ears. The air was hot.

Frank Baker. Yes. The name had slipped from his mouth in response to a medic's query.

"And what are you, Mr. Baker?"

A strange question.

"An observer."

An equally strange answer. Like the name, it had come out of nowhere, but the overworked medics were perfectly satisfied with it.

Spells of nothingness had followed. Fevers. Hallucinations. Then recovery. They'd assumed he was with the civilian Observer Corps, and placed him under the charge of the short squeaky-voiced individual currently standing at his side.

What else? What else? What were those things I was looking at?

He opened his eyes. There wasn't much light.

He became aware of something crushed in his fist, opened his hand, looked down at it, and found that he was holding a red poppy. It felt important. He didn't know why. He slipped it into his pocket.

Pushing the brim of his tin helmet back, he wiped sweat from his forehead, then lifted the top of his periscope over the lip of the trench and peered through its viewfinder again. To his left, the crest of a bloated sun was melting into a horizon that quivered in the heat, and ahead, in the gathering gloom, seven towering, long-legged arachnids were picking their way through the red weed that clogged no-man's-land. Steam was billowing from their exhaust funnels, pluming stark white against the darkening purple sky.

Harvestmen, he thought. Those things are harvestmen spiders bred to a phenomenal size by the Technologists' Eugenicist faction. No, wait, not Eugenicists—they're the enemy—our lot are called Geneticists. The arachnids are grown and killed and gutted and engineers fit out their carapaces with steam-driven machinery.

He examined the contraptions more closely and noted details that struck him as different—but different from what? There were, for instance, Gatling guns slung beneath their small bodies, where Baker expected to see cargo nets. They swivelled and glinted and flashed as they sent a hail of bullets into the German trenches, and their metallic clattering almost drowned out the chug of the vehicles' engines. The harvestmen were armour-plated, too, and each driver, rather than sitting on a seat fitted inside the hollowed-out body, was mounted on a sort of saddle on top of it, which suggested that the space inside the carapace was filled with bigger, more powerful machinery than—than—

What am I comparing them with?

"Quite a sight, isn't it?" came a high-pitched voice.

Baker cleared his throat. He wasn't ready to...