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Inhaltsangabe

How does place impact prose? Here: Women Writing on Michigan’s Upper Peninsula explores that very question, drawing on the work of Upper Peninsula authors past and present to create a vibrant kaleidoscope of voices and experiences. Bame-wa-wa-ge-zhik-aquay, Janet Loxley Lewis, Lorine Niedecker, Catie Rosemurgy, and thirty-one other authors important to the region appear in this exceptional and diverse volume. In poetry (“Spring” by Beverly Matherne, “For Those Who Dream of Cranes” by Elinor Benedict, and “Skin on Skin” by Sally Brunk), short fiction (“North Country” by Roxane Gay, “For the Healing of All Women” by April Lindala, and “Winter Mines” by Sharon Dilworth), and novel excerpts (from Once on This Island by Gloria Whelan, South of Superior by Ellen Airgood, and Dandelion Cottage by Carroll Watson Rankin), the unique character of the U.P. materializes on the page. The book also shines a spotlight on powerful emerging voices such as Lisa Fay Coutley, Charmi Keranen, and Saara Myrene Raappana. The first of its kind, this is an anthology for all seasons, an homage to the rich literary heritage of the region.

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Über die Autorin bzw. den Autor

Ronald Riekki is an award-winning poet, novelist, and playwright. Since 2010, he has headed the U.P./MI Book Tour, which has scheduled literary events throughout the state of Michigan, particularly in rural communities.

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Women Writing on Michigan's Upper Peninsula

By Ronald Riekki

Michigan State University Press

Copyright © 2015 Michigan State University
All rights reserved.
ISBN: 978-1-61186-163-1

Contents

FOREWORD by Alison Swan,
INTRODUCTION,
Summer/Niibin,
Bame-wa-wa-ge-zhik-aquay | [Here in my native inland sea],
Elinor Benedict | Announcement,
Ellen Airgood | South of Superior excerpt,
Fall/Automne,
Elinor Benedict | For Those Who Dream of Cranes,
Saara Myrene Raappana | All I know of white,,
Catie Rosemurgy | Lake Superior Confesses to the Shore of Keweenaw Bay,
Barbara Henning | Lopsided,
Charmi Keranen | Seney,
Lorine Niedecker | Lake Superior,
Stellanova Osborn | Dusk,
Elinor Benedict | Sudden Calm at Maywood Shores,
Amy Mcinnis | The Next Thing that Begins,
Gloria Whelan | Once on This Island excerpt,
Mary Biddinger | My Upper Peninsula,
Clara Corbett | Sweet Grass Spirit,
Emily Van Kley | You Aren't Sure & I May Not,
Emily Van Kley | Vital Signs,
Roxane Gay | North Country,
Catie Rosemurgy | Love, with Trees and Lightning,
Mary Biddinger | Copper Harbor,
Sharon Dilworth | Mad Dog Queen,
Lisa Fay Coutley | My Lake,
Winter/Talvi,
Sharon Dilworth | Winter Mines,
Manda Frederick | Evacuations,
Bonnie Jo Campbell | The Solutions to Brian's Problem,
Manda Frederick | Absent In Its Arrival,
Ellen Airgood | Winter Wind,
Bame-Wa-Wa-Ge-Zhik-Aquay | Jane's Christmas Gift 25 Dec 1841,
Carroll Watson Rankin | Dandelion Cottage excerpt,
Anne Ohman Youngs | How to Draw a Crow,
Janeen Rastall | Imprinting,
Anne Sexton | The Lost Lie,
Anne Sexton | The Break Away,
Anne Sexton | The Inventory of Goodbye,
Jane Piirto | Eighteen Maple Trees,
Roxane Gay | I Am a Knife,
Sally Brunk | Skin on Skin,
Janet Loxley Lewis | The Rocky Islands,
Gloria Whelan | Incomer,
Jane Piirto | Here,
Sally Brunk | Authority Figure,
Manda Frederick | Waiting on Bats at Dusk,
Catie Rosemurgy | Winter in Gold River,
Catie Rosemurgy | New Year's Eve,
Catie Rosemurgy | Billy Recalls It Differently,
Andrea Scarpino | Persephone,
Echoe Deibert | Bones: Okaniman,
Lorine Niedecker | [What horror to awake at night],
Emily Walter | Paradoxical Undressing,
Lisa Fay Coutley | Errata,
Bame-Wa-Wa-Ge-Zhik-Aquay | Mishosha, or the Magician of the Lakes,
Spring/Primavera,
Bame-wa-wa-ge-zhik-aquay | Lines Written Under Severe Pain and Sickness,
Caitlin Horrocks | The Sleep,
Stellanova Osborn | Censors,
Beverly Matherne | Spring,
Diane Sautter | Sleeping in Spirit's Room,
Janet Loxley Lewis | The Grandmother Remembers,
Janet Loxley Lewis | The Village,
Julie Brooks Barbour | The Baby Discovers,
Beverly Matherne | The Poet's Vision,
Stellanova Osborn | Postscript,
Elinor Benedict | For the Chinese People, Who See the Same Stars,
Elinor Benedict | In a Far City,
Sally Brunk | Lac Vieux Desert,
Summer/Niibin,
Amy Mcinnis | If One Stands Next to Lake Superior,
Catie Rosemurgy | Summer in Gold River,
Judith Minty | Ironing,
April Lindala | For the Healing of All Women,
ACKNOWLEDGMENTS,
PERMISSIONS,
CONTRIBUTORS,


CHAPTER 1

[Here in my native inland sea]

Bame-wa-wa-ge-zhik-aquay



Here in my native inland sea
From pain and sickness would I flee
And from its shores and island bright
Gather a store of sweet delight.
Lone island of the saltless sea!
How wide, how sweet, how fresh and free
How all transporting—is the view
Of rocks and skies and waters blue
And all unites in sweetest strains
To tell, here nature only reigns.
Ah, nature! here forever sway
Far from the haunts of men away
For here, there are no sordid fears,
No crimes, no misery, no tears
No pride of wealth; the heart to fill,
No laws to treat my people ill.

But all is glorious, free, and grand,
Fresh from the great Creator's hand.


Announcement

Elinor Benedict


Friends, for better or worse, white birches
and blue waters have taken me. Even
that half-year of ice got me under
its cover and made me give in. You ask
in a whisper, Why does she surrender
like this, wherever she goes? I answer,
Let's face it: I lose my head with my
body
. Once it was blue mountains
that took my breath, the way they kept
reaching for sky. Then single green oaks,
bright in black fields. Here, after sleeping
with snow, white trillium and starflowers
wink among hemlocks, wild raspberries
taste of perfume, lemony aspens and birch
beckon toward fall. I suppose you could say
fidelity means nothing to me. But listen:
faith and geography are no blood enemies,
no blood kin. To the north wind's music,
I've married the country again.


South of Superior excerpt

Ellen Airgood


The next afternoon Madeline popped the Buick's hood and wiggled the battery cable, a trick Arbutus had suggested, saying she'd never owned a car under twenty years old in her life and knew all the tricks. The engine turned over and Madeline felt a rush of satisfaction. She shut the engine off again and headed across the empty lots to see Mary.

Mary was lounging beside her display, her feet propped on a crate, carrying on a conversation with a man Madeline had waited on at lunch. He was an investment banker from Manhattan who'd come north for the trout fishing. "Pull up a stump," Mary told Madeline, pointing at a spare lawnchair. "You want a pop, there's some in with the fish. Jack, you keep away from there."

All perfectly illegal, Madeline thought contentedly. No way was it USDA approved to sell home-caught fish from an iced-down cooler you had to swat your dog away from, but one good thing about McAllaster was, nobody cared, or almost nobody. The tourists loved the local color, and the locals would live and let live, mostly. The Bensons and people like them, people who wanted things more modern, more homogenized, more like wherever it was they'd come from, well, to Hell with them. Maybe they were within their rights—and Madeline had to admit she still thought that cutting off credit on delinquent accounts was not unreasonable, no matter what Gladys said and no matter how much she herself disliked them personally—but the Bensons' influence didn't extend this far, at least. Not yet.

Maybe McAllaster could resist gentrification. The north side of Chicago hadn't, as Madeline knew from Emmy's own experience struggling to stay in their apartment as the price of everything soared. A working-class neighborhood went upscale and pretty soon the people who'd made it what it was had to leave, unable to afford the cost of living and the homes they'd grown up in, homes where they'd raised families of their own. But here—maybe the harshness of the landscape and weather and economy would stop some of that, or slow it down. And besides, it wasn't all bad. She liked pesto and hummus, and if Gladys hadn't been at war with the Bensons, she'd have been in there buying those things.

Madeline shucked off her shoes. It had been busy today, challenging, and she felt pleasantly worn out. She smiled at the banker but didn't join in the conversation. Working at Garceau's, she...

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