WPAs in Transition shares a wide variety of professional and personal perspectives about the costs, benefits, struggles, and triumphs experienced by writing program administrators making transitions into and out of leadership positions. Contributors to the volume come from various positions, as writing center directors, assistant writing program administrators, and WPAs; mixed settings, including community colleges, small liberal arts colleges, and research institutions; and a range of career stages, from early to retiring. They recount insightful anecdotes and provide a scholarly context in which WPAs can share experiences related to this long-ignored aspect of their work.
During such transitions, WPAs and other leaders who function as both administrators and faculty face the professional and personal challenges of redefining who they are, the work they do, and with whom they collaborate. WPAs in Transition creates a grounded and nuanced experiential understanding of what it means to navigate changing roles, advancing the dialogue around WPAs’ and other administrators’ identities, career paths, work-life balance, and location, and is a meaningful addition to the broader literature on administration and leadership.
Contributors: Mark Blaauw-Hara, Christopher Blankenship, Jennifer Riley Campbell, Nicole I. Caswell, Richard Colby, Steven J. Corbett, Beth Daniell, Laura J. Davies, Jaquelyn Davis, Holland Enke, Letizia Guglielmo, Beth Huber, Karen Keaton Jackson, Rebecca Jackson, Tereza Joy Kramer, Jackie Grutsch McKinney, Kerri K. Morris, Liliana M. Naydan, Reyna Olegario, Kate Pantelides, Talinn Phillips, Andrea Scott, Paul Shovlin, Bradley Smith, Cheri Lemieux Spiegel, Sarah Stanley, Amy Rupiper Taggart, Molly Tetreault, Megan L. Titus, Chris Warnick
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Courtney Adams Wooten is assistant professor and director of Composition at George Mason University. She currently serves as a member of the Council of Writing Program Administrators' Executive Board and she is the book review editor for the journal WPA: Writing Program Administration. She studies feminist rhetorics, writing program administration, and first-year composition. Her work has been published in Composition Studies, Harlot, WPA, and Peitho as well as several edited collections. .
Jacob Babb is assistant professor of English at Indiana University Southeast and the associate editor of WPA. His research focuses on composition theory and pedagogy, writing program administration, and rhetoric. He has published articles in Harlot, WPA, and Composition Forum and chapters in several edited collections.
Brian Ray is assistant professor of rhetoric and writing at the University of Arkansas at Little Rock, where he also directs the composition program. He is the author of Style: An Introduction to History, Theory, Research, and Pedagogy. His articles have appeared in Written Communication, Rhetoric Review, Computers and Composition, and Composition Studies.
Acknowledgments,
Introduction: Travels, Transitions, and Leadership Courtney Adams Wooten and Jacob Babb,
SECTION 1: POWER AND AGENCY,
1. A State of Permanent Transition: Strategies for WPA Survival in the Ever-Present Marginal Space of HBCUs Karen Keaton Jackson,
2. Suddenly WPA: Lessons from an Early and Unexpected Transition Chris Blankenship,
3. Servers, Cooks, and the Inadequacy of Metaphor Jennifer Riley Campbell and Richard Colby,
4. "An Exercise in Cognitive Dissonance": Liminal WPA Transitions Talinn Phillips, Paul Shovlin, and Megan L. Titus,
SECTION 2: IDENTITIES AND SUBJECTIVITIES,
5. Defining Disciplinarity at Moments of Transition: The Dappled Expertise of the Multidisciplinary WPA Andrea Scott,
6. The Joys of WPAhood: Embracing Interruption in the Personal and the Professional Kate Pantelides,
7. Metaphors We Work By: New Writing Center Directors' Labor and Identities Rebecca Jackson, Jackie Grutsch McKinney, and Nicole I. Caswell,
8. Get Offa My Lawn! Generational Challenges of WPAs in Transition Beth Huber,
9. Performance Attribution and Administrative (Un)Becoming: Learning to Fail While Trying to Fly Steven J. Corbett,
10. Reseeing the WPA Skill Set: GenAdmins Transitioning from WPA to University Pedagogical Leadership Amy Rupiper Taggart,
SECTION 3: COLLABORATIONS AND DIALOGUES,
11. "You Say Goodbye, I Say Hello": Transitions as Two Programs Consolidate Letizia Guglielmo and Beth Daniell,
12. Command and Collaboration: Leading as a New WPA Laura J. Davies,
13. The Collaborative WPA: Bringing a Writing Center Ethos to WAC Tereza Joy Kramer, Jaquelyn Davis, Holland Enke, and Reyna Olegario,
14. There and Back Again, Sort Of: Returning as WPA (and Preparing to Leave) Chris Warnick,
SECTION 4: DISRUPTION AND ACTIVISM,
15. Revolving Doors and Settled Locks: Staying Put in an Undesirable Place Sarah Stanley,
16. Connection, Community, and Identity: Writing Programs and WPAs at the Community College Mark Blaauw-Hara and Cheri Lemieux Spiegel,
17. Fostering Ethical Transitions: Creating Community as Writing Program Administrators Bradley Smith and Kerri K. Morris,
18. Writing Center Professionals, Marginalization, and the Faculty/Administrator Divide Molly Tetreault,
19. Transitioning from Contingent to Tenure-Track Faculty Status as a WPA: Working toward Solidarity and Academic-Labor Justice through Hybridity Liliana M. Naydan,
Conclusion: Transitions and Transfer Brian Ray,
About the Authors,
Index,
A STATE OF PERMANENT TRANSITION
Strategies for WPA Survival in the Ever-Present Marginal Space of HBCUs
Karen Keaton Jackson
Full-time faculty member. Part-time administrator. Fundraiser. Fund seeker. Conference-proposal organizer. Advisor. Mentor. Hustler. Semistalker (I'll explain). Othermother. Big Sister. Auntie. Godmother. Data gatherer. Survey creator. Advocate. Report writer. Assessment coordinator. Tutor trainer. Faculty resource. Cheerleader. Manager. Leader.
I can recall early in my career being pointed to the Portland Resolution, that wonderful document from 1992 that spells out the acceptable work conditions and roles we all should expect as WPAs at our institutions. When I was hired at my institution as a tenure-track assistant professor over ten years ago, I had no idea that just a few short months later, I would be asked to revitalize the then-writing center and oversee the first-year writing program. But, I did not fear, for I armed myself with "The Portland Resolution" (1992), feeling confident my department chair would see these guidelines and ensure my responsibilities were delegated accordingly.
I was so naïve.
Ten years later, I chuckle at the wonderful descriptions of what should have been in place when I accepted the dual, really triple, role of directing the writing center, which included designing and implementing a campus-wide writing-intensive program and directing first-year composition, all in the second year of my tenure-track journey. (It wasn't until after I received tenure that I was relieved of first-year writing.) In truth, none of those guidelines from the Portland Resolution were fulfilled for me: "clear job descriptions or role statements ... clearly defined administrative structure ... informed guidelines for assessing the work of a WPA fairly ... access to those individuals and units that influence their programs ... the power to request, receive,and allocate funds sufficient for the funding of the program" ("The Portland Resolution" 1992, 88–91; my emphasis). As a junior faculty member and lone compositionist, I struggled with saying no, for I didn't want to be seen as uncollegial or unwilling to do the work given to me. Many junior faculty members often confront this very issue, as even Liliana M. Naydan discusses in chapter 20 of this edited collection. In her chapter, she points out that "many WPAs engage in administration prior to or sometimes at the expense of attaining tenure and the greater job security that accompanies it" (284–85). So, I knew I had to work smarter, not harder, and find ways to make this new arrangement work. And in terms of the writing program itself, I had to figure out how to be a visionary in creating this new presence on campus while simultaneously managing the day-to-day operations of the program and the new Writing Studio (formerly writing center).
The editors of this collection asked for submissions from colleagues moving into or out of various roles within the academy, implying that one role is left behind when a new one is added. The purpose is for WPAs to engage in dialogue about the experience of moving from one role to the next, thus ensuring an increased chance of success. But, what about those colleagues, such as myself, who essentially live in a state of transition, constantly moving between the aforementioned roles consistently, simultaneously, and permanently? Colleagues at large research institutions often have the luxury of focusing on one, at most two, formal job roles at a time with ample resources to support each one. However, for those of us at smaller institutions, especially historically black universities (HBCUs) such as mine that are teaching centered and have fewer funding options, wearing multiple hats becomes the norm. This phenomenon causes us to have questions such as what current leadership research exists that can be applicable to WPAs in this position? What is both gained and lost by existing in a marginal leadership space on a consistent basis? What are some best practices and effective strategies used by WPAs in this position to ensure success?
To help frame this discussion, I cite John Kotter's 2001 article "What Leaders Really Do" to help define our ideas of leadership. What his article essentially shows is that occupying these multiple roles forces individuals to be both managers and leaders, which at its core is problematic as the two roles often are in opposition. In this article, I also draw from the works of Donna Strickland (2011) and Tony Scott (2009) to critically deconstruct notions of managers and leaders to work toward a new philosophy that helps WPAs more successfully navigate between...
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