Class in the Composition Classroom considers what college writing instructors should know about their working-class students-their backgrounds, experiences, identities, learning styles, and skills-in order to support them in the classroom, across campus, and beyond. In this volume, contributors explore the nuanced and complex meaning of "working class" and the particular values these college writers bring to the classroom.
The real college experiences of veterans, rural Midwesterners, and trade unionists show that what it means to be working class is not obvious or easily definable. Resisting outdated characterizations of these students as underprepared and dispensing with a one-size-fits-all pedagogical approach, contributors address how region and education impact students, explore working-class pedagogy and the ways in which it can reify social class in teaching settings, and give voice to students' lived experiences.
As community colleges and universities seek more effective ways to serve working-class students, and as educators, parents, and politicians continue to emphasize the value of higher education for students of all financial and social backgrounds, conversations must take place among writing instructors and administrators about how best to serve and support working-class college writers. Class in the Composition Classroom will help writing instructors inside and outside the classroom prepare all their students for personal, academic, and professional communication.
Contributors: Aaron Barlow, Cori Brewster, Patrick Corbett, Harry Denny, Cassandra Dulin, Miriam Eisenstein Ebsworth, Mike Edwards, Rebecca Fraser, Brett Griffiths, Anna Knutson, Liberty Kohn, Nancy Mack, Holly Middleton, Robert Mundy, Missy Nieveen Phegley, Jacqueline Preston, James E. Romesburg, Edie-Marie Roper, Aubrey Schiavone, Christie Toth, Gail G. Verdi
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Genesea M. Carter is associate director of composition at Colorado State University. Her work has been published in Open Words: Access and English Studies, the Journal of Teaching Writing, and Composition Studies.
William H. Thelin is professor of English at the University of Akron, where he teaches courses on critical pedagogy, research methods, writing, and other subjects. He is the co-chair of the Working-Class Culture and Pedagogy Standing Group of the CCCC and is also active in Rhetoricians for Peace. He co-founded Open Words and has published in College English, College Composition and Communication, Teaching English in the Two-Year College, Composition Studies, and other journals. He is the co-editor of Blundering for a Change: Errors and Expectations in Critical Pedagogy and author of Writing Without Formulas.
Introduction William H. Thelin and Genesea M. Carter,
Part 1: The Working-Class Student's Region, Education, and Culture,
1 Pedagogy at the Crossroads: Instructor Identity, Social Class Consciousness, and Reflective Teaching Practice Aubrey Schiavone and Anna V. Knutson,
2 No Homo! Toward an Intersection of Sexuality and Masculinity for Working-Class Men Robert Mundy and Harry Denny,
3 Implications of Redefining "Working Class" in the Urban Composition Classroom Aaron Barlow and Patrick Corbett,
4 California Dreams: Working-Class Writers in the California State University System Cassandra Dulin,
5 The Writing Space as Dialectical Space: Disrupting the Pedagogical Imperative to Prepare the "Underprepared" Jacqueline Preston,
6 Changing Definitions of Work and Class in the Information Economy Edie-Marie Roper and Mike Edwards,
Part 2: Pedagogy in the Composition Classroom,
7 Telling Our Story: College Writing for Trade Unionists Rebecca Fraser,
8 Emotional Labor as Imposters: Working-Class Literacy Narratives and Academic Identities Nancy Mack,
9 We're All Middle Class? Students' Interpretation of Childhood Ethnographies to Reflect on Class Difference and Identity Liberty Kohn,
10 Pedagogies of Interdependence: Revising the Alienation Narrative for Cultural Match Holly Middleton,
11 Never and Forever Just Keep Coming Back Again: Class, Access, and Student Writing Performance Missy Nieveen Phegley,
Part 3: What Our Students Say,
12 Social Economies of Literacy in Rural Oregon: Accounting for Diverse Sponsorship Histories of Working-Class Students in and out of School Cori Brewster,
13 Rethinking Class: Poverty, Pedagogy, and Two-Year College Writing Programs Brett Griffiths and Christie Toth,
14 Retrograde Movements and the Educational Encounter: Working-Class Adults in First-Year Composition James E. Romesburg,
15 "Being Part of Something Gave Me Purpose": How Community Membership Impacts First-Year Students' Sense of Self Genesea M. Carter,
16 Literacy Development as Social Practice in the Lives of Four Working-Class Women Gail G. Verdi and Miriam Eisenstein Ebsworth,
17 An Afterword to Class in the Composition Classroom: First-Year Writing as a Social Class Enterprise James T. Zebroski,
Bibliography,
About the Authors,
Index,
PEDAGOGY AT THE CROSSROADS
Instructor Identity, Social Class Consciousness, and Reflective Teaching Practice
Aubrey Schiavone and Anna V. Knutson
While composition instructors are frequently encouraged to recognize the intersectional identities of their students, including social class identity, we assert in this chapter that it is equally critical to recognize the identities of composition instructors. Too often we assume instructors of college composition classes are universally middle- and upper-class individuals who must be attentive to the needs of their working-class students. While this, in many cases, may be true, we would like to make two related assertions: (1) socioeconomic diversity exists in the ranks of composition instructors, and by overlooking that, we miss a major puzzle piece central to our understanding of class in the composition classroom; and (2) regardless of socioeconomic status, instructors must be reflective about how their own social class background might influence their relationships with their students. In other words, we challenge all composition instructors to consider rigorously the role socioeconomic status plays in how they empathize (or, conversely, don't empathize) with their students.
As two teacher-scholars of writing who identify with working-class identity in varying ways, we believe reflections on the role of social class in our own teaching practice may provide a useful example for other composition instructors. We both recently transitioned from teaching at universities with high concentrations of working-class students, with whom we largely identified, to teaching at a more privileged institution with a low concentration of working-class students. In light of our assertion that composition instructors should reflect rigorously on the role of their own social class identity in their relationships with their students, we believe our transition into a more privileged institution provides a unique exigence for reflecting on how we interact with various student populations.
In this chapter, we explore the intersections of our identities and students' identities across specific classroom and institutional contexts in order to advocate for teaching practices that are at once reflective and contextually sensitive. We discuss the demographic profiles of three institutions, analyzing the contexts in which we have taught and presenting parallel trajectories of instructors who began teaching writing in universities particularly hospitable to working-class students before moving to Midwest University (MU), where the campus climate tends not to recognize or welcome working-class students. We then use student texts composed at these different institutions to reflect on the results of transferring our respective pedagogical approaches from one institution to the other. Ultimately, we advocate for pedagogies responsive to student demographics and for self-reflective teaching practices that view class-based tension as a potentially generative site of teaching and learning. We argue that these two goals — reflective teaching practice and contextually sensitive pedagogy — are linked: reflective teaching practice allows instructors to consider their own identities as well as how these identities may be enacted within the local conditions of particular institutions. As we argue for broader adoption of reflective teaching practices, we also demonstrate this practice throughout our chapter, reflecting on our own teaching and learning narratives.
THEORETICAL FRAMEWORK
As teacher-scholars of writing, we recognize there is much work to be done in helping working-class students make connections between their experiences in higher education and their experiences in their home communities. We are particularly interested in helping students reflect on and value both these spheres of experience even though they are at times disparate and even conflicting. More specifically, we seek to learn from our students how they use the strengths they bring with them to their college environments even as those environments might overlook or discount working-class students' strengths. In essence, we view students as experts on their own identities, home communities, and attendant literacy practices, and we organize our pedagogical approaches so as to access and encourage that student expertise. Through narrative and reflective writing assignments, we hope to make space for students to reflect on and express their home literacies and to view those literacies as strengths that can aid them in their college experiences.
Working-Class Students
Existing literature recognizes working-class students' experiences as distinct from those of their upper- and middle-class peers. For example, literacy learning can be especially fraught for working-class students who may perceive that they cannot successfully draw from...
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