The Making of Markova: Diaghilev's Baby Ballerina to Groundbreaking Icon - Hardcover

Sutton's sense of wonderment lights up every page of this utterly transporting story of discipline, commitment, hardship, and steely self- reliance. Sutton brings Markova and her world to scintillating life in this ravishing biography of perpetual motion, limelight and darkness, courage and creativity.

Chock-full of colorful, telling details, fascinating insights, and charming anecdotes that it makes for a thoroughly engaging read. Sutton's book is a captivating portrait of a remarkable life to savor slowly.

The pas de deux would seem the most unlikely topic to yield a page-turner, but Sutton has done it with her fascinating portrait of Alicia Markova. Sutton's poignant, playful Markova shatters the stereotype of the pampered aesthete and deftly places her at the center of an era of breathtaking artistic ferment.--Greg Dawson, author of Hiding in the Spotlight: A Musical Prodigy's Story of Survival

... after a childhood plagued by flat feet, knock knees and wobbly legs, a doctor told her mother to try ballet lessons and low and behold she was discovered to be the most amazing dance protegee... she started her professional career at age ten and never stopped.... Considered the greatest ambassador of ballet!--Biographies: ... "The Making of Markova"

The Making of Markova is both a surprisingly intimate portrait of one of Britain's and ballet's truly great souls and a sweeping depiction of the kinetic, star-studded world of international ballet in the first half of the twentieth century. Tina Sutton's lucid, deft and limber style admirably suits her subject.--Paul Thomas Murphy, author of Shooting Victoria, a New York Times Notable Book

In pre-World WarI England, a frail Jewish girl – so shy she barely spoke a word until age sixand so sickly she needed to be homeschooled – is diagnosed with flat feet,knock knees and weak legs. In short order, Lilian Alicia Marks would become adance prodigy, the cherished baby ballerina of Sergei Diaghilev, and theyoungest ever soloist at his famed Ballets Russes. It was there that GeorgeBalanchine choreographed his first ballet for her, Henri Matisse designed hercostumes, and Igor Stravinsky taught her music - all when the re-christenedAlicia Markova was just 14. But the timid British dancer would be forced to overcomepoverty, jealousy, anti-Semitism, and prejudices against her unconventional looksto become the greatest classical ballerina of her generation - and one of the most celebrated, self-reliant, and adventurous. A true ambassador ofballet, Markova co-founded touring companies, traveled to the far corners ofthe world, and was the first ballerina to appear on television. Givenunprecedented access to Dame Markova’s intimate journals and correspondence, TinaSutton paints a full picture of the dancer’s astonishing life and times in1920s Paris and Monte Carlo, 1930s London, and wartime in New York and Hollywood.Ballet lovers and readers everywhere will be fascinated by the story of one ofthe 20th century’s great artists. 60 photographs