Jerusalem Commands: The Third Volume of the Colonel Pyat Quartet - Softcover

Buch 3 von 4: Colonel Pyat Quartet Series

Moorcock, Michael

 
9781604864939: Jerusalem Commands: The Third Volume of the Colonel Pyat Quartet

Inhaltsangabe

”I will admit I was lured into temptation during the twenties and thirties, and I blame no one for what happened then, least of all myself.”

Unmistakably, this is the voice of Colonel Pyat, addict, inventor, and bizarre Everyman for the twentieth century. In Jerusalem Commands, the third of the Pyat quartet, our hero schemes and fantasises his way from New York to Hollywood, from Cairo to Marrakech, from cult success to the utter limits of sexual degradation, leaving a trail of mechanical and human wreckage in his wake as he crashes towards an inevitable appointment with the worst nightmare this century has to offer.

It is Michael Moorcock’s extraordinary achievement to convert the life of Maxim Pyatnitski into epic and often hilariously comic adventure. Sustained by his dreams and profligate inventions, his determination to turn his back on the realities of his own origins, Pyat runs from crisis to crisis, every ruse a further link in a vast chain of deceit, suppression, betrayal. Yet, in his deranged self-deception, his monumentally distorted vision, this thoroughly unreliable narrator becomes a lens for focusing, through the dimensions of wild farce and chilling terror, on an uneasy brand of truth.

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Über die Autorinnen und Autoren

Born in London in 1939, Michael Moorcock now lives in Texas and Paris, France. A prolific and award-winning writer with more than eighty works of fiction and nonfiction to his name, he is the creator of Elric, Jerry Cornelius, and Colonel Pyat amongst many other memorable characters.



Alan Wall is a novelist, short story writer, poet, and essayist. His novels include Bless the Thief, The Lightning Cage, The School of Night, China, and Sylvie’s Riddle. He is currently Professor of Writing and Literature at the University of Chester.

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Jerusalem Commands

The Third Volume of the Colonel Pyat Quartet

By Michael Moorcock

PM Press

Copyright © 2013 Michael Moorcock
All rights reserved.
ISBN: 978-1-60486-493-9

Contents

INTRODUCTION BY ALAN WALL,
INTRODUCTION BY MICHAEL MOORCOCK,
Jerusalem Commands,
APPENDIX,
ABOUT THE AUTHOR,
BIBLIOGRAPHY,


CHAPTER 1

I AM THE VOICE and the conscience of civilised Europe. I am all that remains. But for me, and a few like me, Christendom and everything she stands for would today be no more than a forbidden memory!

This at least Mrs Cornelius understands. 'Yore a bloody miracle, Ivan,' she says. 'A bleedin' monument ter a bygone bloody age.' But her children are lost to her. Their naive scepticism will not shield them against the coming night. They challenge my 'racialism'. They say that I generalise and that there are many exceptions to every rule. I agree! I have known noble camels and extraordinary horses whom I have respected and admired as my superiors in character and soul. But this did not change the camel into a horse or the horse into a camel and it turns neither into a human being. Equally, I tell them, it is both foolish and unscientific to pretend there are no differences between peoples. This logic defeats them. Few were ever a fair match for my intellect, even during my childhood. I have devoted a lifetime to mental training. But the consequent self-knowledge can, you will understand, be a curse as well as a blessing.

Already, at the age of twenty-four, on August 24, 1924, I had some intimation of my vocation. In the glory of refreshed success, having earned acknowledgement at last of my engineering genius, I was soaring towards New York to reclaim my soulmate. I had begun to sense how I might become a positive force for good in a war-weary world where humiliated enemy and exhausted victor alike were preyed upon by every form of human carrion. (I refer, of course, to those amoral and ubiquitous descendants of Oriental Africa, the minions of a Carthage which has for centuries coveted our dignified wealth.) I rarely thought of God in those days. I attributed everything to myself. It was not until later that God provided me with a salutary lesson in humility and I came to find the wonderful rewards of Faith. In 1924 I was, in almost every sense, 'flying high'. What happiness I anticipated when Esmé and I were at last reunited!

Oh! Wehe! Wehe!
Erwachte ich darum?
Muß ich? — Muß?

Eybic eyberhar? This will not do. They say there is a question of my being mistaken! But I did not become a Musselman! An ethereal Parsifal drifts across the desert. The aeroplane banks and glides over wooded Pennsylvanian hills as wide as the gentle Steppe. I am flying towards my past and my future, towards my Esmé and the East. I will claim my bride and take her back to live forever in der Heim, in Hollywood. We shall build a twelve-bedroomed Beach House and rediscover our passion. I recall and anticipate the delicacy and variety of our love-making! In Constantinople we were Adam and Eve in Eden, the innocent children of Fate. Brother and sister, father and daughter, husband and wife: all these rôles and many variations extended and refined our spirits. I am no stranger to Rasputin's theories. I have personally guided many a young woman to the profoundest realms of sensual fulfilment. But Esmé was more; she was my feminine self, a further dimension. Incubus and succubus as the old Norwegian had it. In Paris a random trick of fate had almost destroyed the being that was our single united soul. Oh, how I longed to know that unity again; that delicious, breathtaking blending of spirituality and sexuality which both threatened and enhanced my reason, taking me to new emotional and intellectual heights beyond those achieved even with the finest cocaine. As the plane, a confident Walkyrie, drew us closer, I could feel her, smell her, touch her, taste her. She rode on the great Atlantic breakers, plunging towards an as yet invisible shore. She was music. She was ecstasy!

Faygeleh? This is nonsense. I was always above such definitions. Es tut vay daw. Besides, these practices are natural in Egypt.

Deliver me from that god that is both male and female. May I not fall under their knives. Shuft, effendi, shuft, shuft, effendi. Aiwa! Murhuuba! Aiwa? Let them tug at me. Let them insult me and rub their hands and sholom-alaichem me as much as they like, those mocking wretches. They have no self-respect. That bastard nation will ever remain a warning symbol to us all. O, Egypt, thou art fallen to Carthage and cruel Arabia lounges in the ruins of thy glory! But Spain, ever our bastion against the Moor, again triumphs! In Spain the sons of Hannibal Barca are destroyed or fled. There is one lamp still burning in the camp of Christ —

Her engine uttering a discreet grunt, the DH4 began a downward curve. I was surprised. I looked at my watch and saw that it had stopped. We were not due to land until New York and we were banking over the chimneys of a small industrial town built at the convergence of three rivers, one of them almost certainly the Delaware. (Like most Cossacks, I have a memory for rivers.)

The late August sunshine, thrusting through clouds of black, yellow and grey smoke, glittered on the lacquered white canvas of the plane as we flew low over a suburban settlement so elegant it rivalled, in its new colonialism, its Tudor dignity, the better parts of Beverly Hills. Levelling out, we headed for the twelve-storey brick towers of a prosperous and familiar-looking business district. We reached the meeting of the rivers and I smelled machine oil in the smoke and the sharp sweetness of summer pines. I at once remembered coming here to Wilmington; my first, startled meeting with that accusing angel, Justice Department Agent Callahan. Wilmington was not a place I associated with tranquillity of mind. Yet, even as behind me Roy Belgrade, a startled sloth in his flying goggles and fur-trimmed helmet, threw out a reassuring gesture and guided the plane towards a green area, probably a public park, I was not excessively nervous. We had already made two routine stops in Colorado and Ohio. I had come to understand that Belgrade was a cautious pilot, obsessed with checking every change in the engine note. Once the young man had satisfied himself that his machine was in perfect order, we should be in the air again within minutes. I still had the best part of the day to reach Esmé in New York. At worst, she was only a few hours away by train. Good engineers that we both were, I assured myself, Belgrade and I had left a considerable margin for error. The story would just be part of another adventure to laugh about when Esmé and I were reunited.

Fairly suddenly, the DH4 banked again, over a stand of oaks, and straightened into a climb, as if Belgrade had missed his mark and was determining another approach. The field, some quarter of a mile from a river bend, backed on to a large building whose windows were suddenly filled with excited faces. I was tempted to wave. The field was full of flowers, a profuse geometry, a kaleidoscope of colours and scents, rich and ordered. It was a glimpse of a perfect world. The plane lifted and I saw the faces again — so many undernourished plants pressed to the glass and gasping for the sun. As we wheeled and were levelling down towards a space between the trees and flowerbeds only a cretin would consider big enough for landing,...

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