How We Got to Now: Six Innovations That Made the Modern World - Softcover

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Steven Johnson is the bestselling author of eleven books, including Where Good Ideas Come From, Wonderland, and The Ghost Map. He's the host and co-creator of the Emmy-winning PBS/BBC series How We Got To Now, and the host of the podcast American Innovations. He lives in Brooklyn and Marin County, California with his wife and three sons.

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Introduction

A little more than two decades ago, the Mexican-American artist and philosopher Manuel De Landa published a strange and wonderful book called War in the Age of Intelligent Machines. The book was, technically speaking, a history of military technology, but it had nothing in common with what you might naturally expect from the genre. Instead of heroic accounts of submarine engineering written by some Naval Academy professor, De Landa’s book wove chaos theory, evolutionary biology, and French post-structuralist philosophy into histories of the conoidal bullet, radar, and other military innovations. I remember reading it as a grad student in my early twenties and thinking that it was one of those books that seemed completely sui generis, as though De Landa had arrived on Earth from some other intellectual planet. It seemed mesmerizing and deeply confusing at the same time.

De Landa began the book with a brilliant interpretative twist. Imagine, he suggested, a work of history written sometime in the future by some form of artificial intelligence, mapping out the history of the preceding millennium. “We could imagine,” De Landa argued, “that such a robot historian would write a different kind of history than would its human counterpart.” Events that loom large in human accounts—the European conquest of the Americas, the fall of the Roman Empire, the Magna Carta—would be footnotes from the robot’s perspective. Other events that seem marginal to traditional history—the toy automatons that pretended to play chess in the eighteenth century, the Jacquard loom that inspired the punch cards of early computing—would be watershed moments to the robot historian, turning points that trace a direct line to the present. “While a human historian might try to understand the way people assembled clockworks, motors and other physical contraptions,” De Landa explained, “a robot historian would likely place a stronger emphasis on the way these machines affected human evolution. The robot would stress the fact that when clockworks once represented the dominant technology on the planet, people imagined the world around them as a similar system of cogs and wheels.”

There are no intelligent robots in this book, alas. The innovations here belong to everyday life, not science fiction: lightbulbs, sound recordings, air-conditioning, a glass of clean tap water, a wristwatch, a glass lens. But I have tried to tell the story of these innovations from something like the perspective of De Landa’s robot historian. If the lightbulb could write a history of the past three hundred years, it too would look very different. We would see how much of our past was bound up in the pursuit of artificial light, how much ingenuity and struggle went into the battle against darkness, and how the inventions we came up with triggered changes that, at first glance, would seem to have nothing to do with lightbulbs.

This is a history worth telling, in part, because it allows us to see a world we generally take for granted with fresh eyes. Most of us in the developed world don’t pause to think how amazing it is that we drink water from a tap and never once worry about dying forty-eight hours later from cholera. Thanks to air-conditioning, many of us live comfortably in climates that would have been intolerable just fifty years ago. Our lives are surrounded and supported by a whole class of objects that are enchanted with the ideas and creativity of thousands of people who came before us: inventors and hobbyists and reformers who steadily hacked away at the problem of making artificial light or clean drinking water so that we can enjoy those luxuries today without a second thought, without even thinking of them as luxuries in the first place. As the robot historians would no doubt remind us, we are indebted to those people every bit as much as, if not more than, we are to the kings and conquerors and magnates of traditional history.

But the other reason to write this kind of history is that these innovations have set in motion a much wider array of changes in society than you might reasonably expect. Innovations usually begin life with an attempt to solve a specific problem, but once they get into circulation, they end up triggering other changes that would have been extremely difficult to predict. This is a pattern of change that appears constantly in evolutionary history. Think of the act of pollination: sometime during the Cretaceous age, flowers began to evolve colors and scents that signaled the presence of pollen to insects, who simultaneously evolved complex equipment to extract the pollen and, inadvertently, fertilize other flowers with pollen. Over time, the flowers supplemented the pollen with even more energy-rich nectar to lure the insects into the rituals of pollination. Bees and other insects evolved the sensory tools to see and be drawn to flowers, just as the flowers evolved the properties that attract bees. This is a different kind of survival of the fittest, not the usual zero-sum competitive story that we often hear in watered-down versions of Darwinism, but something more symbiotic: the insects and flowers succeed because they, physically, fit well with each other. (The technical term for this is coevolution.) The importance of this relationship was not lost on Charles Darwin, who followed up the publication of On the Origin of Species with an entire book on orchid pollination.

These coevolutionary interactions often lead to transformations in organisms that would seem to have no immediate connection to the original species. The symbiosis between flowering plants and insects that led to the production of nectar ultimately created an opportunity for much larger organisms—the hummingbirds—to extract nectar from plants, though to do that they evolved an extremely unusual form of flight mechanics that enables them to hover alongside the flower in a way that few birds can even come close to doing. Insects can stabilize themselves midflight because they have fundamental flexibility to their anatomy that vertebrates lack. Yet despite the restrictions placed on them by their skeletal structure, hummingbirds evolved a novel way of rotating their wings, giving power to the upstroke as well as the downstroke, enabling them to float midair while extracting nectar from a flower. These are the strange leaps that evolution makes constantly: the sexual reproduction strategies of plants end up shaping the design of a hummingbird’s wings. Had there been naturalists around to observe the insects first evolving pollination behavior alongside the flowering plants, they would have logically assumed that this strange new ritual had nothing to do with avian life. And yet it ended up precipitating one of the most astonishing physical transformations in the evolutionary history of birds.

The history of ideas and innovation unfolds the same way. Johannes Gutenberg’s printing press created a surge in demand for spectacles, as the new practice of reading made Europeans across the continent suddenly realize that they were farsighted; the market demand for spectacles encouraged a growing number of people to produce and experiment with lenses, which led to the invention of the microscope, which shortly thereafter enabled us to perceive that our bodies were made up of microscopic cells. You wouldn’t think that printing technology would have anything to do with the expansion of our vision down to the cellular scale, just as you wouldn’t have thought that the evolution of pollen would alter the design of a hummingbird’s wing. But that is the way change happens.

This may sound, at first blush, like a variation on the famous “butterfly effect” from chaos theory, where the flap of...