The New York Times bestselling novel that has been called "a tour de force" (Wall Street Journal), "unputdownable" (The Washington Post), "a delicious hothouse of a novel" (USA Today), "effortless" (The Economist), "seductive" (Vanity Fair) and "pitch perfect" (Salon)
"Superb, bewitching...Forget about Fifty Shades of Grey; this novel is one of the most sensual you will ever read, and all without sacrificing either good taste or a "G" rating" - NPR
"One of the year's most engrossing and suspenseful novels...a love affair, a shocking murder, and a flawless ending ... Will keep you sleepless for three nights straight and leave you grasping for another book that can sustain that high." - Entertainment Weekly (A rating)
"Volcanically sexy, sizzingly smart, plenty bloody and just plain irresistible." -USA Today (4 stars)
It is 1922, and London is tense. Ex-servicemen are disillusioned; the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa-a large, silent house now bereft of brothers, husband, and even servants-life is about to be transformed as impoverished widow Mrs. Wray and her spinster daughter, Frances, are obliged to take in lodgers.
With the arrival of Lilian and Leonard Barber, a modern young couple of the "clerk class," the routines of the house will be shaken up in unexpected ways. Little do the Wrays know just how profoundly their new tenants will alter the course of Frances's life-or, as passions mount and frustration gathers, how far-reaching, and how devastating, the disturbances will be.
Short-listed for the Man Booker Prize three times, Sarah Waters has earned a reputation as one of our greatest writers of historical fiction, and here she has delivered again. A love story, a tension-filled crime story, and a beautifully atmospheric portrait of a fascinating time and place, The Paying Guests is Sarah Waters's finest achievement yet.
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Sarah Waters is the New York Times&;bestselling author of The Paying Guests, The Little Stranger,The Night Watch, Fingersmith, Affinity, and Tipping the Velvet. She has three times been short-listed for the Man Booker Prize, has twice been a finalist for the Orange Prize, and was named one of Granta&;s best young British novelists, among other distinctions. Waters lives in London.
Sarah Waters is the New York Times–bestselling author of The Little Stranger,The Night Watch, Fingersmith, Affinity, and Tipping the Velvet. She has three times been short-listed for the Man Booker Prize, twice been a finalist for the Orange Prize, and was named one ofGranta’s best young British novelists, among other distinctions. Waters lives in London.
This excerpt is from an advance uncorrected proof
Copyright © 2014 Sarah Waters
One
The Barbers had said they would arrive by three. It was like waiting to begin a journey, Frances thought. She and her mother had spent the morning watching the clock, unable to relax. At half-past two she had gone wistfully over the rooms for what she'd supposed was the final time; after that there had been a nerving-up, giving way to a steady deflation, and now, at almost five, here she was again, listening to the echo of her own footsteps, feeling no sort of fondness for the sparsely furnished spaces, impatient simply for the couple to arrive, move in, get it over with.
She stood at a window in the largest of the rooms-the room which, until recently, had been her mother's bedroom, but was now to be the Barbers' sitting-room-and stared out at the street. The afternoon was bright but powdery. Flurries of wind sent up puffs of dust from the pavement and the road. The grand houses opposite had a Sunday blankness to them-but then, they had that every day of the week. Around the corner there was a large hotel, and motor-cars and taxi-cabs occasionally came this way to and from it; sometimes people strolled up here as if to take the air. But Champion Hill, on the whole, kept itself to itself. The gardens were large, the trees leafy. You would never know, she thought, that grubby Camberwell was just down there. You'd never guess that a mile or two further north lay London, life, glamour, all that.
The sound of a vehicle made her turn her head. A tradesman's van was approaching the house. This couldn't be them, could it? She'd expected a carrier's cart, or even for the couple to arrive on foot-but, yes, the van was pulling up at the kerb, with a terrific creak of its brake, and now she could see the faces in its cabin, dipped and gazing up at hers: the driver's and Mr Barber's, with Mrs Barber's in between. Feeling trapped and on display in the frame of the window, she lifted her hand, and smiled.
This is it, then, she said to herself, with the smile still in place.
It wasn't like beginning a journey, after all; it was like ending one and not wanting to get out of the train. She pushed away from the window and went downstairs, calling as brightly as she could from the hall into the drawing-room, 'They've arrived, Mother!'
By the time she had opened the front door and stepped into the porch the Barbers had left the van and were already at the back of it, already unloading their things. The driver was helping them, a young man dressed almost identically to Mr Barber in a blazer and a striped neck-tie, and with a similarly narrow face and ungreased, week-endy hair, so that for a moment Frances was uncertain which of the two wasMr Barber. She had met the couple only once, nearly a fortnight ago. It had been a wet April evening and the husband had come straight from his office, in a mackintosh and bowler hat.
But now she recalled his gingery moustache, the reddish gold of his hair. The other man was fairer. The wife, whose outfit before had been sober and rather anonymous, was wearing a skirt with a fringe to it and a crimson jersey. The skirt ended a good six inches above her ankles. The jersey was long and not at all clinging, yet somehow revealed the curves of her figure. Like the men, she was hatless. Her dark hair was short, curling forward over her cheeks but shingled at the nape of her neck, like a clever black cap.
How young they looked! The men seemed no more than boys, though Frances had guessed, on his other visit, that Mr Barber must be twenty-six or -seven, about the same age as herself. Mrs Barber she'd put at twenty-three. Now she wasn't so sure. Crossing the flagged front garden she heard their excited, unguarded voices. They had drawn a trunk from the van and set it unsteadily down; Mr Barber had apparently caught his fingers underneath it. 'Don't laugh!' she heard hi
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Hardback. Zustand: Good. The volcanically sexy (USA Today) bestseller about a widow and her daughter who take a young couple into their home in 1920s London. It is 1922, and London is tense. Ex-servicemen are disillusioned; the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa--a large, silent house now bereft of brothers, husband, and even servants--life is about to be transformed, as impoverished widow Mrs. Wray and her spinster daughter, Frances, are obliged to take in lodgers. With the arrival of Lilian and Leonard Barber, a modern young couple of the clerk class, the routines of the house will be shaken up in unexpected ways. Little do the Wrays know just how profoundly their new tenants will alter the course of Frances's life--or, as passions mount and frustration gathers, how far-reaching, and how devastating, the disturbances will be. Short-listed for the Man Booker Prize three times, Sarah Waters has earned a reputation as one of our greatest writers of historical fiction. Artikel-Nr. 00100441700
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