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First published by Hudson Street Press, a member of Penguin Group (USA), 2013
LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA
Deutsch, Bob (Robert D.)
2013021130
Acknowledgments
IN A SENSE I began writing this book at birth, even before I had language. It is my personal story reflected upon and then turned outward as a parable for everyone, to make of it whatever they will. Yes, my story—just like everyone’s story—is unique. But if you look at your own life’s narratives and the narratives that informed them, you can abstract certain universal principles. I have done that in hopes that others would be motivated to find their own story—what I call “self-story”—and use that to evoke their own ongoing self-expansion.
Many have helped me to consider and continue to create my own self-story. To all those unwitting coauthors I am indebted to you for my life—for what is a life other than the narratives that make up “I”?
The impetus for this book came as a result of a process I write about in these pages: directed serendipity. I have a plan, I start enacting that plan, then the plan meets up with the world, and I go careening off in this direction and that direction depending on my own mass and velocity, seeing what excites and attracts me or does not.
As a result of some writings I did, I once got a call to give a speech. Diane McArter, who was in that audience, later called and asked me to talk at an event she was organizing. It sounded interesting, so I agreed to participate. After that speech a man came over to me and introduced himself. His name is Peter Miller. Peter became my literary agent. He is good, in every sense of the word. He then introduced me to Lou Aronica, who helped me write this book. At Peter’s behest I met Lou for breakfast one morning in New York, and before our oatmeal was served I already felt he was like a brother. We were simpatico in so many ways, and complementary in many others. My brain works by symbolic association and metaphor. That has its benefits (I hope), and it has its downside. Lou, by his graceful intelligence and book-producing skills, found a way to take my deficits and help make them artful. Regardless of what comes of this book, meeting Peter and Lou has already made writing it a success for me. These now buddies of mine helped me give voice to what was already in me but was loosely formed. They helped me expand myself. Also in the process of writing this book, Sydney Olshan provided research support that always showed initiative and intelligence, regardless of the difficulty of the research request. Her persistence consistently encouraged the feeling of forward motion in the writing pace. That’s important.
Caroline Sutton, my editor, not only took on this project with enthusiasm, but after the first draft was completed, she made a recommendation that changed the structure of the book. I immediately knew her suggestion was right, and true, and necessary to make this book better than what was on the page at that moment. She pointed to the need to make the idea of self-story the fulcrum of The 5 Essentials. In doing so, Caroline Sutton became an everlasting part of my self-story.
Others, each by contributing in their unique way to my continuing search for my own way, prepared me for my eventual union with agent and cowriter.
Family first. After my father’s early death at age thirty-five, my mother sacrificed much to see that I had plenty. My father, I am told, even at thirty-five, had already given me all he had to give: He was a dreamer; so am I. His sister, Molly, was also of that kind. Just by her way of being, she added to my dreaming. My mother’s sister, Pearl, her husband, Milton, and their son, Martin, always looked out for me, especially when I most needed looking out for. I owe them so much. And as I suspect is not too uncommon in families, in addition to learning from our elders we gain from our youngers. My daughter (and only child), Phoebe, inspired me to do the opposite of what most new parents do: Because of her intrinsic joy, she made me less responsible. Her happiness, positive expectations, and playfulness made me discover the deeper dreamer in me. For that, she was “parent” to me. She remains a total joy. Kathy Drasher, my wife now of seven years, has stimulated a journey we have taken together that has been fun, especially in the midst of the hopscotch directions we have traveled to find a home in a place we both love. She has also taught me about beauty. She is it and she has an eye for it. Her artistry captures my attention on a daily basis.
Many colleagues and friends have also been crucial in my life. Albert Scheflen and Robert Plutchik, at Albert Einstein College of Medicine, first helped me thwack out a career path that excited and challenged me. Ada Reif Esser then taught me something about how to add depth to that path. She often read me the riot act, and I trusted her enough to take her admonitions to heart. She is still with me in my heart. Next I met Lionel Tiger, the Charles Darwin professor of anthropology and sociology at Rutgers. His brilliance, gentlemanly manner, and fierce commitment to truth and to mankind continue to influence me. Lionel indirectly guided me to all manner of things that eventually led me to the Max Planck Institute in Seewiesen, Germany, and to Dr. Iraneus Eibl-Eibesfeldt, Nobel Laureate Konrad Lorenz, and Dr. Wulf Schiefenhovel. My years working with them and under the auspices of the institute were vital to my developing self-story. These three bighearted men gave me the gift of showing me that science and the artistry of science could be made one. They helped me find me.
George Scribner, first a colleague and very soon thereafter a friend, has it all, a softness that can be strong, and a feeling for the everyday life of people that is as genuine as it is insightful. I value him greatly. I was introduced to Tom McCaffery by someone who wanted to hire me as a consultant, but before she would, she said I would have to “get through” Tom. Well, I don’t know if I got through Tom, but he sure got to me. He got to me as someone who is doing justice to what is and what could be. He is someone to be reckoned with. And I reckon he is also now my friend. I take meeting Jeffrey Rayport as an example of how the seeming chaos of the cosmos can work directly for one’s betterment. A decade before I met Jeffrey, someone I was working with introduced me to someone else, who introduced me to Jeffrey. Jeffrey is singular: the best a friend can be and the best a brain can be. I adore him. I met Michael Spiessbach through a fleeting encounter I had with a mutual acquaintance. These many years later I still think of Michael the same way I did after our first meeting—he’s fun, knows about what comprises a life, is Mr. Curiosity, and stands as a living totem to personal integrity.
To all the people I interviewed for this book, some world renowned and some known only in their world, I owe a great deal. Each opened their hearts and minds to me, and in doing so, opened me. The audio recordings and printed transcripts I have of those sessions are to me nothing less than ritual incantations and sacred texts. To highlight just two I interviewed—Wynton Marsalis and Debra Byrd—their ways of being and their ways of expressing their being have no time tag. Their way is age-old and ageless, wise.
Two other people I quoted in this book had a similarly huge effect on me: Paul Simon and Bruce Springsteen. Paul Simon speaks eloquently about collaboration when talking about the making of his award-winning album Graceland. His way of fusing impulses from different cultures into a singular vision that...
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