The Ottoman Endgame: War, Revolution, and the Making of the Modern Middle East, 1908-1923 - Hardcover

McMeekin, Sean

 
9781594205323: The Ottoman Endgame: War, Revolution, and the Making of the Modern Middle East, 1908-1923
Hardcover
ISBN 10: 1594205329 ISBN 13: 9781594205323
Verlag: PENGUIN PR, 2015

Inhaltsangabe

An astonishing retelling of twentieth-century history from the Ottoman perspective, delivering profound new insights into World War I and the contemporary Middle East

Between 1911 and 1922, a series of wars would engulf the Ottoman Empire and its successor states, in which the central conflict, of course, is World War I—a story we think we know well. As Sean McMeekin shows us in this revelatory new history of what he calls the “wars of the Ottoman succession,” we know far less than we think. The Ottoman Endgame brings to light the entire strategic narrative that led to an unstable new order in postwar Middle East—much of which is still felt today.

The Ottoman Endgame: War, Revolution, and the Making of the Modern Middle East draws from McMeekin’s years of groundbreaking research in newly opened Ottoman and Russian archives. With great storytelling flair, McMeekin makes new the epic stories we know from the Ottoman front, from Gallipoli to the exploits of Lawrence in Arabia, and introduces a vast range of new stories to Western readers. His accounts of the lead-up to World War I and the Ottoman Empire’s central role in the war itself offers an entirely new and deeper vision of the conflict. Harnessing not only Ottoman and Russian but also British, German, French, American, and Austro-Hungarian sources, the result is a truly pioneering work of scholarship that gives full justice to a multitiered war involving many belligerents. 

McMeekin also brilliantly reconceives our inherited Anglo-French understanding of the war’s outcome and the collapse of the empire that followed. The book chronicles the emergence of modern Turkey and the carve-up of the rest of the Ottoman Empire as it has never been told before, offering a new perspective on such issues as the ethno-religious bloodletting and forced population transfers which attended the breakup of empire, the Balfour Declaration, the toppling of the caliphate, and the partition of Iraq and Syria—bringing the contemporary consequences into clear focus.

Every so often, a work of history completely reshapes our understanding of a subject of enormous historical and contemporary importance. The Ottoman Endgame is such a book, an instantly definitive and thrilling example of narrative history as high art.

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Über die Autorin bzw. den Autor

Sean McMeekin is a professor of history at Bard College. He is the author of July 1914: Countdown to War, which was reviewed on the cover of The New York Times Book Review; The Russian Origins of the First World War, which won the Norman B. Tomlinson Jr. Book Prize and was nominated for the Lionel Gelber Prize; and The Berlin to Baghdad Express: The Ottoman Empire and Germany’s Bid for World Power, 1898–1918, which won the Barbara Jelavich Book Prize; among other books. He previously taught at Koç University, Istanbul; Bilkent University, Ankara; and Yale University.

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SEPTEMBER 7, 1876
________
FROM EVERY CORNER OF THE EMPIRE they came to witness the ceremony. The streets were aglow with the colorful costumes of the empire—red conical fezzes with black silk tassels, white turbans, Arab-style keffiyehs, alongside the elegant formal wear of European diplomats. Witnesses claimed that a hundred thousand souls lined the waterfront, craning to catch a glimpse of the sovereign-to-be as he was rowed in his white-and-gold caïque from the Bosphorus past the teeming multitudes on the Galata Bridge. After docking on the Golden Horn, the thirty-four-year-old heir mounted his white charger and rode through the Imperial Guard to Eyüp mosque, the most sacred in the empire, built by Mehmet the Conqueror after the fall of Constantinople in 1453. Here, beneath the silver shrine to the Prophet’s standard bearer, who fell during the Arab siege of the city in 670, Abdul Hamid II was girded with the Sword of Osman, empowering him as the thirty-fourth sultan of the empire and (following the conquest of the holy places in 1517) twenty-sixth Ottoman caliph of the Islamic faithful.

While most observers agreed that the new sultan conducted himself with great dignity during the proceedings, there were discordant notes that seemed to bode poorly for his reign. Physically, Abdul Hamid was so unprepossessing that the Sword of Osman seemed to dwarf his slight frame. The much taller Sheikh-ul-Islam who invested him with the sword had to bend over sharply in order to kiss the sultan on the left shoulder, as required by tradition. Other portentous incidents transpired elsewhere in the city, where crowding on the Galata Bridge caused it to partially collapse nearly four feet, and to very nearly sink into the Golden Horn. Just a stone’s throw away, a cable snapped in the underground funicular tram linking the quay with Pera, the European quarter up on the hill.1

More ominous still was the news from Europe. The previous October, then-sultan Abdul Aziz, bankrupted by the compounding interest on his own palace extravagances, had suspended payments on Ottoman bond coupons, a default that had alienated thousands of bondholders, of whom a large and vocal number were to be found in Paris and London. When a Christian uprising spread across Ottoman-ruled territory in the Balkans, the government (generally called the Sublime Porte) thus found itself bereft of sympathy. It tried to douse the flames of Balkan unrest, sending in irregular Circassians (the Bashi-Bazouks) in part because pay to the regular army was in arrears. By summer 1876, stories of horrendous atrocities had spread across Europe. Coming out of retirement to chastise the British government of Benjamin Disraeli for its indifference, the former prime minister William Ewart Gladstone worked himself into a state of high moral dudgeon in a soon-to-be world-famous pamphlet denouncing the Bulgarian Horrors, which hit newsstands even as Abdul Hamid was being girded at Eyüp. While Disraeli, condemning both sides as “equally terrible and atrocious,” dismissed Bashi-Bazouk horror stories as “coffee-house babble,”* Gladstone saw in them proof that Turks were “the one great anti-human specimen of humanity,” who should be “clear[ed] out from the province they have desolated and profaned . . . bag and baggage.”2

Gladstone said nothing that pan-Slavist propagandists, many on the tsarist Russian payroll, had not already been saying for months. But he said it with the full fury of English parliamentary eloquence, raising the frightful prospect for Abdul Hamid II that Great Britain, Turkey’s traditional protector against Russian encroachment, would do nothing to help her if the tsarist armies intervened in the Balkans, as looked increasingly likely as volunteers boarded train after train in Moscow that summer, hoping—like Tolstoy’s Vronsky in Anna Karenina—to strike a blow for Slavdom. With (unofficial) Russian encouragement, Serbia had declared war on Turkey in June, placing her army under the command of Russian general Mikhail Grigorievich Chernyaev, recent conqueror of Tashkent. Montenegro had then piled on too. Adding insult to injury, none other than Lord Stratford Canning, the now-retired longtime ambassador to the Porte who had almost single-handedly brought Britain into the Crimean War on the Ottoman side, publicly endorsed Gladstone’s anti-Turkish stance in a letter to the London Times—indeed, Gladstone had dedicated the Bulgarian Horrors to Canning. In an especially embittering touch, Canning was the first foreigner Abdul Hamid, while a sickly and lonely young child, had met, three decades ago, in a chance encounter in the Topkapı Palace gardens—in fact, Canning was the first adult of any nationality to have treated the boy with genuine kindness, such that the future sultan remembered the incident decades later. If Russia’s ambitions to partition the Ottoman Empire—first broached by Tsar Nicholas I in 1853 in conversation with the British ambassador when he called it the “Sick Man” (of Europe)—now had the tacit support of Abdul Hamid’s hero and Britain’s most notorious Turcophile, there would seem to be little hope for the empire’s survival.

Still, despite the litany of disturbing news pouring into the capital, Abdul Hamid had reasons for guarded optimism as he left the Eyüp mosque. He had already achieved more than his immediate predecessor, Murad V. Although hailed by large and enthusiastic crowds as the “Great Reformer” after the violent deposition of Abdul Aziz in May, Murad had never mustered the strength to face the public in an accession ceremony. During his years in the kafes, or gilded confinement, endured by all heirs to the throne, Murad had developed a fatal taste (on a heavily chaperoned trip to Paris) for champagne laced with brandy. Already shaky, within days of his ascension Murad learned that the deposed Abdul Aziz had committed suicide, slashing both wrists with a pair of scissors (a difficult trick, leading to rumors of foul play). Learning of his predecessor’s fate, Murad fainted. When he came to, he fell into a violent fit of vomiting. As if this were not enough, on June 15, to enact vengeance for the “martyred” Abdul Aziz, a young Circassian officer, whose sister Nesrin had been the late sultan’s harem favorite, blasted his way into a cabinet meeting, murdering the conspirator who had deposed him—War Minister Hüseyin Avni, along with the foreign minister, Pasha. Small wonder Murad was a gibbering wreck (diagnosed with “monomania of the suicidal type”), unable to receive the Sword of Osman, meet ambassadors, or carry out any other duties of a sultan. Simply by making it through the girding ceremony unscathed, Abdul Hamid had done much to restore public confidence in the embattled empire.

True, the young sultan was an enigma, an unknown quantity even to his advisers. Until the terrible summer of 1876—known to Turks ever after as the “year of three Sultans”—reformist politicians, led by the great constitutionalist Midhat Pasha, along with Christian minorities and scheming European statesmen, had invested their hopes in the handsome and charming Murad, believing him to be sympathetic to Western liberal values (or at least malleable enough to embrace them upon prodding). Abdul Hamid, by contrast, was painfully shy, socially awkward, and odd-looking. His hook nose was so striking that many Turks believed his mother, Pirimujgan, to be secretly Armenian or Jewish (she was in fact the usual Circassian slave dancing girl, briefly a favorite of Sultan Abdul Mecid, before she...

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Verlag
PENGUIN PR
Erscheinungsdatum
2015
Sprache
Englisch
ISBN 10 
1594205329
ISBN 13 
9781594205323
Einband
Gebundene Ausgabe
Anzahl der Seiten
576
Kontakt zum Hersteller
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Verantwortliche Person
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