Roy Orbison's music - whether heard in his own recordings or in cover versions of his songs - is a significant part of contemporary American culture despite the fact that he died almost a generation ago. Here, Peter Lehman looks at the long span of Orbison's career and probes into the uniqueness of his songs, singing and performance style, arguing that singer/songwriters no less than filmmakers can be considered as auteurs.
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Peter Lehman is Director of the Interdisciplinary Humanities Program at Arizona State University. He is the author of Running Scared: Masculinity and the Representation of the Male Body (Temple), and the editor of Masculinity Bodies/Movies/Culture.
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