Slow Homecoming: Peter Handke (New York Review Books Classics) - Softcover

Über die Autorin bzw. den Autor

Peter Handke was born in Griffen, Austria, in 1942. He came to early prominence in the 1960s for such experimental plays as Kaspar and rapidly established himself asone of the most respected German-language writers of his generation, producing fiction, translations, memoirs, screenplays, and essays. Among his best-known novels are The Goalie’s Anxiety at the Penalty Kick, Repetition, and My Year in the No-Man’s Bay. He has directed adaptions of his novels The Left-Handed Woman and Absence and collaborated with filmmaker Wim Wenders on four films, including Wings of Desire. In addition to Slow Homecoming, NYRB Classics has also published Handke’s novel Short Letter, Long Farewell.  Peter Handke won the Nobel Prize for Literature in 2019.

Benjamin Kunkel is the author of the novel Indecision and a founding editor of n+1 magazine.

Ralph Manheim (1907–1992) translated Günter Grass, Louis-Ferdinand Céline, Hermann Hesse, and Martin Heidegger, along with many other German and French authors.

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Short Letter, Long Farewell is one the most inventive and exhilarating of the great Peter Handke's novels. Full of seedy noir atmospherics and boasting an air of generalized delirium, the book starts by introducing us to a nameless young German who has just arrived in America, where he hopes to get over the collapse of his marriage. No sooner has he arrived, however, than he discovers that his ex-wife is pursuing him. He flees, she follows, and soon the couple is running circles around each other across the length of America--from Philadelphia to St. Louis to the Arizona desert, and from Portland, Oregon, to L.A. Is it love or vengeance that they want from each other? Everything's spectacularly unclear in a book that is travelogue, suspense story, domestic comedy, and Western showdown, with a totally unexpected Hollywood twist at the end. Above all, Short Letter, Long Farewell is a love letter to America, its landscapes and popular culture, the invitation and the threat of its newness and wildness and emptiness, with the promise of a new life--or the corpse of an old one--lying just around the corner.