The Age of Conversation - Softcover

"Craveri, an Italian professor of French literature, argues that the Marquise de Rambouillet fomented a revolution when she offered her famed salon as a place for the French nobility to gather in the early 17th century. This entertaining book explores a golden age of conversation in France (from 1610 to 1789), in which the aristocracy established a new order, away from the strictures of the royal court." --The New York Times Book Review

"Craveri argues that when, in the sixteen-twenties, the Marquise de Rambouillet offered her home as a place for the French nobility to gather she was unwittingly fermenting a revolution. The next century and a half constituted the golden age of conversation, which allowed the aristocracy to establish a new order, based not on the strictures of church or crown but on manners. Craveri's narrative paints a series of brilliant portraits of those (mostly women) who presided over the new sphere."-The New Yorker

"Benedetta Craveri's The Age of Conversation is a well-researched study of the French salon...the book offers shrewd portraits of intellectual society's leading ladies, or salonnières, and of the world they created...[Craveri's] book is essential for understanding the world of the salon and the reasons for its appeal to so many writers and statesmen."-The Wall Street Journal

"In her thoughtful book, Craveri...draws effectively on the vast range of recent scholarship in this field, which is listed and discussed in a substantial and extremely useful bibliographical essay. But the main part of the book is not so much a study as an attractive story, written in a style 'unburdened by academic language.'"-The New York Review of Books

"Craveri has resurrected in tantalizing, inviting detail the supreme age of talk embodied in the great salons of Paris...and the fascinating women at the center of those salons...With an effortless grasp of the complex period that starts with the reign of Louis XIV and ends with the murder of Louis XVI in the Revolution, Craveri easily insinuates us into this world and its compelling figures."-The Los Angeles Times

"Entertaining...Craveri, an Italian professor of French literature, helpfully highlights the most influential, literate and scandalous of these irrepressible women."-The New York Times

"Craveri's summary essay on the seduction, deception, and power of the spoken word shows how this movement among France's noble classes laid groundwork for the coming revolution."-Booklist

In the seventeenth and eighteenth centuries, between the reign of Louis XIII and the Revolution, the French nobility of the ancien regime turned their energies to developing the art of sociability, a refined code of manners, and an ideal of gallant, spirited conversation that became a model for social and intellectual life.
Benedetta Craveri's history of this leisured, worldly society begins in the 1620s with the celebrated Blue Room of the Marquise de Rambouillet, one of the first in a long series of women who resided over conversations among nobles, writers, prelates, and diplomats. The women Craveri profiles played a significant part in the development of new literary forms such as the novel and the maxim, the codification of language, taste, and behavior, and debates over religion, philosophy, and science. Some, like Madame de Lafayette and Madame de Stael, were gifted writers themselves. Some were involved in the major events of their time, like the Grande Mademoiselle and the Duchesse de Longueville during the Fronde rebellion. Later, the Marquise de Lambert, Madeame de Tencin, and Julie de Lespinasse opened their salons to intellectuals such as Fontenelle, Montesquieu, d'Alembert, and Diderot, thus helping to spread the ideas of the Enlightenment.
In demonstrating the diversity of these women's accomplishments, Benedetta Craveri brings to life this brilliant, vanished culture that perfected the pleasure of living. In her pages, the world of La Rochefoucauld, Louis XIV, and Voltaine, of Jansenism, preciosity, Mlle de Scudery's literary portraits, and Mme de Sevigne's letters, appears in all its fascinating complexity.