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So, You Want to Be a Comic Book Artist?: The Ultimate Guide on How to Break Into Comics! (Be What You Want) - Softcover

Buch 2 von 10: Be What You Want

Amara, Philip

 
9781582703572: So, You Want to Be a Comic Book Artist?: The Ultimate Guide on How to Break Into Comics! (Be What You Want)
Softcover
ISBN 10: 1582703574 ISBN 13: 9781582703572
Verlag: Aladdin, 2012

Inhaltsangabe

Find success as a comic book artist with this step-by-step guide to creating, publishing, and marketing your very own comics.

The secrets to comic book creation are at your fingertips! This comprehensive guide details the steps to becoming a hit comic book maker—from creating compelling characters and illustrations to getting published and marketing a finished product—and is full of insights from world-famous artists from such companies as DC, Marvel, and Dark Horse. In addition to highlighting tips from seasoned pros, inspiring success stories from young artists are sprinkled throughout along with a resource list of potential publishers to help you hit the ground running.
      So, You Want to Be a Comic Book Artist? also features in-depth chapters on adapting a storyline for video games and movies, using social media to promote a finished product, and self-publishing your own comic. Whether you’re just starting out or have been drawing comics for years, this book will get you where you want to go.

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Über die Autorinnen und Autoren

Phil Amara is cocreator of the Nevermen and Sky Ape comics. As an editor, his books have won Eisner Awards in the comics industry, as well as an American Illustration Award and a Society of Illustrators Silver Medal. His first children’s picture book is called Treehouse Heroes. As a schoolteacher, his Mighty Writers program uses comic books and movies to inspire young storytellers.

A Simon & Schuster author. 

Auszug. © Genehmigter Nachdruck. Alle Rechte vorbehalten.

So, You Want to Be a Comic Book Artist? 1


SO, YOU WANT TO BE A COMIC BOOK ARTIST?

You are sitting at your very own table at a comics convention. Behind you is a huge sign with your name written across it. Everything is quiet and seems to be moving in slo-mo. Suddenly—CRACK!—the doors at the end of the hall burst open, and a huge crowd of people rushes in, straight toward you. They all want you to sign the latest copy of your comic book creation. Some of them are even dressed up as your characters!

“Wow,” you think as you whip out your pen and begin signing, “This is unreal, dude.”

Have you ever imagined creating your own comic? With just a few tools and materials, a little guidance, some effort, and a whole bunch of imagination, you can!

I attend comic book conventions whenever I can. Artist friends send me samples of their work for feedback. As a young artist who’s just starting out in comics, you’ll want to have someone look at your work. It might be a brother or sister, a friend, or a teacher. Eventually, you’ll have the chance to show your work to comics professionals, and they’ll want to see that your love of comics shines on the page.

COMICS: A WORK OF ART?

Your parents may threaten to throw your comics in the trash, but you guard them with your life and make your friends swear to keep them in mint condition whenever they borrow them. Sound familiar? Even in the days of downloads and apps, comics fans still like to buy, read, and collect the genuine article right from our local comics shops. As with all forms of art, comics are looked at in different ways by different kinds of people. Some people (not me or you!) consider comics to be a low form of art. Others pay lots of money to collect rare issues of popular comics. It all depends on how you look at it.

Art historians often classify comics as pop art (short for popular art). Pop art is found everywhere in modern culture and mass media: in computer-rendered art for video games, cartoons, Japanese animated movies (anime), magazine illustrations, comic strips, and advertisements.

Did you ever think that you could change the world with a comic book? Just because comics are considered pop art doesn’t mean that you can’t make a serious statement with them. Some comics are so good that you could claim them as fine art or literature. Countless comic book artists have been recognized and awarded for groundbreaking achievements. Comics have their own language, just like music and film, for conveying emotion, theme, style, and story. They can persuade, entertain, and inform. And just like music and film, comics have the ability to transform the way people think.

If you’re going to be a comic book artist, it’s important to know that comic books are a form of sequential art. This definition includes graphic novels, manga (Japanese comic books), and comic strips. In this book, I’ll often refer to all these forms of sequential art as comics, but it’s helpful to understand some differences between them.

Comic books: You know what they are when you see them—Superman, Thor, Bakuman, and the list goes on. But, if you want to get technical, comic books come in every style and format you can imagine. Traditional comic books are usually twenty-two to thirty-two pages long and about 61/2 inches wide by 101/2 inches high, but this can vary a little . . . or a lot. Some comic books are oversize magazines that stretch tall, while others are tiny and more horizontal. Some take years to complete, and some are done in twenty-four hours.

Comic strips: Though we get our news by computer more and more each day, you should still know what a comic strip is. They’re usually just a few panels long, in a horizontal format, and tell a quick story or joke. Some famous comic strips are Calvin and Hobbes and Peanuts. Years ago, comic strips like Little Nemo in Slumberland, Prince Valiant, and Tarzan took up a whole page in the newspaper. Nowadays, we’d probably call those web comics or eComics, and they might never be published on paper. If you go to a comics publisher’s website, you can usually find plenty of eComics in lots of different genres and art styles. It’s great inspiration.

Sequential art, a.k.a. comics, is a series of repetitious drawings of characters that are used to tell a story. There’s a passage of time, and a beginning, middle, and end. Will Eisner uses the phrase in his book Comics and Sequential Art (W. W. Norton, 2008).



Graphic novels: Typically, squarebound comics close to or over one hundred pages are called graphic novels (or trade paperbacks). They focus on one story or main character. Sometimes this is a collection of a bunch of comics in one book, and sometimes it’s an original book all by itself. Koge-Donbo’s Kamichama Karin ran in a magazine called Nakayoshi before it was made into collections. Craig Thompson’s 672-page Habibi was originally published all at once in book form. Don’t drop that one on your foot!

Zines: Zines are inexpensively produced, self-published publications. The best part about zines is that they can cover just about anything—your zine can include everything from comics, articles, and reviews to poetry and photos. Because zines are so cheap to make, they are a great way to showcase your talents, get feedback on your work from friends, and experiment with new ideas.

Manga: Manga means “comic” in Japanese. Manga characters can be magical creatures, pets, sports teams, or ordinary kids off on an extraordinary adventure. Sometimes manga are split into shonen (for boys) and shojo (for girls) in a Japanese comic shop, but you can read what you like, of course. Some of the most popular manga, like Naruto, Fullmetal Alchemist, One Piece, and Case Closed starring Detective Conan, have become animated series in Japan and around the world.



BRYAN LEE O’MALLEY

From: London, Ontario, Canada

Job: Full-time cartoonist

His Comic: Scott Pilgrim

What was your first or favorite comic when you were younger?

My favorite comic was X-Men! I started reading it in grade five and would read it on and off through high school. It had a lot of imagination and the most compelling characters. It felt like it took place in a real, vibrant, exciting world.



Scott Pilgrim © Bryan Lee O’Malley



Kim Pine © Bryan Lee O’Malley

When did you know you wanted to make comics?

I always made comics. I still have comics from when I was three years old (my mom saved them). I really never considered doing anything else, except a brief period when I wanted to be a “real writer” when I was about seventeen to eighteen. I even used to make comics for school assignments whenever my teachers would allow it.

What kinds of things inspire your comic book creations?

Everything! Books (fiction and nonfiction), comics (especially old, weird Japanese ones), movies, music, video games, friends, family, life, walking down the street.

What tools do you use to create your comics?

I use a mix of computer stuff and old-school stuff. Lately I do my sketching on the computer, then print it out and finish it up using a very old-school technique: dipping a brush in ink. It seems like something from long ago, and it took me a long time to learn, but I really like how it looks.

What are great ways for kids to create comics right now?

The great thing about comics is that you can use any tool that happens to be lying around. When I was a kid, I used markers, pencil crayons, ballpoint pens, lined paper, the margins of my school notes, whatever was around....

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Verlag
Aladdin
Erscheinungsdatum
2012
Sprache
Englisch
ISBN 10 
1582703574
ISBN 13 
9781582703572
Einband
Taschenbuch
Anzahl der Seiten
176
Kontakt zum Hersteller
Nicht verfügbar
Verantwortliche Person
Simon and Schuster Netherlands BV
info@simonandschuster.nl

Herculesplein 96
Utrecht
3584 AA
Niederlande

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