An enthralling anthology of introspective thoughts from today's most highly esteemed artists, poets, and critics regarding the elusive subject of the contemporary Sublime. A companion to the critically acclaimed Uncontrollable Beauty, Sticky Sublime pushes the polemic on beauty even further, speculating where the beautiful and the Sublime will be situated in our post-postmodern, new technology era. Readers will discover intriguing essays by such respected creators and critics as Harold Bloom, David Hickey, Barbara Maria Stafford, and Anthony Haden-Guest, many of which were composed exclusively for this extraordinary guide. Art history lovers, academics, and anyone else interested in art appreciation will be surprised and entertained by what these internationally acclaimed authors have to say on an idea that has captivated and tangled the minds of great thinkers for centuries.
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Bill Beckley is an artist who has exhibited extensively in America and Europe since 1970. His works are in the collections of the Museum of Modern Art, the Whitney Museum, and the Guggenheim Museum in New York; the Museum of Fine Arts in Boston; and the Sammlung Hoffmann Museum in Berlin. He teaches semiotics, literature, and film at the School of Visual Arts in New York and is the editor for the Aesthetics Today series from Allworth Press, which includes Beauty and the Contemporary Sublime by Jeremy Gilbert-Rolfe, Redeeming Art and The Dialectic of Decadence by Donald Kuspit, Sculpture in the Age of Doubt by Thomas McEvilley, and Out of the Box: The Reinvention of Art, 1965-1975 by Carter Ratcliff. He lives in New York City.
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