In Film and Comic Books contributors analyze the problems of adapting one medium to another; the translation of comics aesthetics into film; audience expectations, reception, and reaction to comic book-based films; and the adaptation of films into comics.
A wide range of comic/film adaptations are explored, including superheroes (Spider-Man), comic strips (Dick Tracy), realist and autobiographical comics (American Splendor, Ghost World), and photo-montage comics (Mexico's El Santo).
Essayists discuss films beginning with the 1978 Superman. That success led filmmakers to adapt a multitude of comic books for the screen including Marvel's Uncanny X-Men, the Amazing Spider-Man, Blade, and the Incredible Hulk as well as alternative graphic novels such as From Hell, V for Vendetta, and Road to Perdition.
Essayists also discuss recent works from Mexico, France, Germany, and Malaysia.
Essays from Timothy P. Barnard, Michael Cohen, Rayna Denison, Martin Flanagan, Sophie Geoffroy-Menoux, Mel Gibson, Kerry Gough, Jonathan Gray, Craig Hight, Derek Johnson, Pascal Lef?vre, Paul M. Malone, Neil Rae, Aldo J. Regalado, Jan van der Putten, and David Wilt
Ian Gordon is associate professor of history and convenor of American studies at the National University of Singapore. Mark Jancovich is professor of film and television studies at the University of East Anglia. Matthew P. McAllister is associate professor of film, video, and media studies at Pennsylvania State University.
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Ian Gordon has taught history and media studies for many years at the National University of Singapore. His publications include Superman: The Persistence of an American Icon, Ben Katchor: Conversations, Film and Comic Books, and The Comics of Charles Schulz: The Good Grief of Modern Life, the latter three published by University Press of Mississippi.
Mark Jancovich is professor of film and television studies at the University of East Anglia.
Matthew P. McAllister is associate professor of film, video, and media studies at Pennsylvania State University.
Essays that explore how comic books inspire film and create new realms of visual art
Essays that explore how comic books inspire film and create new realms of visual art
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Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9781578069781. Artikel-Nr. 9646193
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Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9781578069781. Artikel-Nr. 9959557
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Zustand: New. Explores the problems of adapting one visual media into another - specifically looking at the challenge of translating comic aesthetics into film, audience expectations, fan reception, and the reverse-adaptation of films into comics. This book discusses the rise in popularity of comic/film adaptations, which began with "Superman" (1978). Editor(s): Gordon, Ian; Jancovich, Mark; McAllister, Matthew. Num Pages: 304 pages, 25 b&w illustrations. BIC Classification: AKLC; APF. Category: (G) General (US: Trade). Dimension: 229 x 152 x 22. Weight in Grams: 562. . 2007. 1st. Paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9781578069781
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