Dr Reggie Lee, a new arrival at the National Gallery, is organizing a small exhibition around three Caravaggio paintings depicting "St Cecilia and the Angel". One is at the Getty, one at the Louvre, and she assumes it won't be too hard to track down the third. But inexplicable obstacles keep getting in her way - and then, unexpectedly, a fourth Caravaggio turns up. One of them must be a fake. But which?
When people start to die, it's horribly clear that someone doesn't want Reggie's show to go ahead. Why, she can't imagine. But her career is at stake, and she's damned if she'll let herself be intimidated by these unseen forces. So Reggie sets out to discover the truth, on a trail that leads her from Surrealist suicides to Italian art dealers, from seventeenth-century painting techniques to modern French politics. By the end it seems as though nobody in the world of international art can truly be deemed incorruptible - perhaps not even Reggie herself.
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