Wry, generous, lucid poems from one of contemporary poetry’s living masters.
Following Pulitzer Prize finalist Ron Padgett's 2013's Collected Poems (winner of the Los Angeles Times Book Prize and the William Carlos Williams Prize), Alone and Not Alone offers new poems that see the world in a clear and generous light.
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Ron Padgett grew up in Tulsa and has lived mostly in New York City since 1960. Among his many honors are a Guggenheim Fellowship, the American Academy of Arts and Letters poetry award, the Shelley Memorial Award, and grants from the National Endowment for the Arts. Padgett’s How Long was Pulitzer Prize finalist in poetry and his Collected Poems won the William Carlos Williams Award from the Poetry Society of America and the Los Angeles Times prize for the best poetry book of 2013. In addition to being a poet, he is also the translator of Guillaume Apollinaire, Pierre Reverdy, and Blaise Cendrars. His own work has been translated into eighteen languages.
What Poem, 1,
The Roman Numerals, 2,
Butterfly, 4,
Reality, 6,
The Chinese Girl, 8,
Smudges, 10,
It Takes Two, 11,
The First Time, 12,
Circles, 13,
Grandpa Brushed His Teeth, 14,
Coffee Man, 15,
Where Is My Head?, 16,
Survivor Guilt, 18,
The Young Cougar, 20,
Radio in the Distance, 21,
Face Value, 22,
The Plank and the Screw, 25,
102 Today, 27,
The Pounding Rabbit, 28,
Mountains and Songs, 29,
It All Depends, 30,
The Elevation of Ideals, 35,
Birgitte Hohlenberg, 37,
Pep Talk, 39,
Preface to Philosophy, 40,
You Know What, 42,
A Bit about Bishop Berkeley, 44,
The Step Theory, 45,
My '75 Chevy, 48,
For A., 49,
Art Lessons, 50,
A Few Ideas about Rabbits, 51,
The Value of Discipline, 54,
Pea Jacket, 55,
The Ukrainian Museum, 57,
The 1870s, 59,
One Thing Led to Another, 61,
The Rabbi with a Puzzle Voice, 62,
Syntactical Structures, 64,
The World of Us, 65,
Curtain, 68,
Homage to Meister Eckhart, 69,
The Incoherent Behavior of Most Lawn Furniture, 72,
This Schoolhouse Look, 73,
The Street, 74,
Paris Again, 75,
London, 1815, 76,
Of Copse and Coppice, 77,
Manifestation and Mustache, 80,
Shipwreck in General, 81,
French Art in the 1950s Three Poems in Honor of Willem de Kooning, 82,
I Felt, 83,
The Door to the River, 84,
Zot, 85,
Alone and Not Alone, 86,
What Poem
What poem
were you thinking of,
my dear,
as you breezed out the door
in your long coat fur-tipped
at the top?
What animal
once wore that fur
and licked it
with a long, raspy tongue
that lolled to one side
in the afternoon shade?
If only you too
could lope across
the Serengeti Plain
and grab something
in your powerful jaws,
instead of pausing
at the door and saying,
as if in afterthought,
"Write a poem
while I'm out."
The Roman Numerals
It must have been hard
for the Romans to multiply
— I don't mean reproduce,
but to do that computation.
Step inside a roman numeral
for a moment, a long one
such as MDCCLIX. Look
at the columns and pediments
and architraves: you cannot move them,
but how beautiful they are
and august! However, try to multiply
MDCCCLXIV by MCCLVIII.
How did they do it?
I asked this question some years ago
and never found an answer
because I never looked for one,
but it is pleasant,
living with this question.
Perhaps the Romans weren't good at math,
unlike the Arabs, who arrived
with baskets of numerals, plenty
for everyone. We still have
more than we need today.
I have a 6 and a 7 that,
when put side by side, form my age.
Come to think of it,
I'd rather be LXVII.
Butterfly
Chaung Tzu wrote about the man
who dreamed he was a butterfly
and when he woke up
wondered if he weren't now
a butterfly dreaming he was a man.
I love this idea
though I doubt that Chaung Tzu
really thought that a man would
think he is a butterfly,
for it's one thing to wake up
from a dream in the night
and another to spend your whole life
dreaming you are a man.
I have spent my whole life
thinking I was a boy, then a man,
also a person and an American
and a physical entity and a spirit
and maybe a little bit butterfly.
Maybe I should be more butterfly,
that is, lurch into a room
with bulging eyes and big flapping wings
that throw a choking powder
onto people who scream and fall dead,
almost. For I would rescue them
with the celestial music of my beauty
and my utter harmlessness,
my ætherial disregard of what they are.
Reality
Reality has a transparent veneer
that looks exactly like the reality beneath it.
If you look at anything,
your hands, for instance, and wait,
you will see it. Then
it will flicker and vanish,
though it is still there.
You must wait a day or two
before attempting to see it again,
for each attempt uses up
your current allotment of reality viewing.
Meanwhile there is a coffee shop
where you can sit and drink coffee,
and where you will be tempted
to look down at the cup and see
the transparent veneer again,
but that is only because you are overstimulated.
Do not order another cup. Or do.
It will have no effect on the veneer.
Sometimes the veneer becomes detached
and moves slightly away from reality,
as when you look up and see a refrigerator
in refrigerator heaven, cold and quiet.
But then the veneer snaps back
to its former position and vanishes.
...
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