The German Expressionist writer August Stramm (1874–1915) began his career as a postmaster aboard luxury liners, traveling between Hamburg and New York, where he made long stays. "[A]round the year 1912, literature overtook him like a sickness…. A demon awoke in him,” as his daughter, Inge, put it. Instead of his previous romantic poetry, he began to write poems and plays in "a strange new style." Despairing because no one would publish him, he was on the verge of destroying this work when his wife, Else, a romance novelist, suggested that he contact Herwarth Walden, the editor of the magazine Der Sturm.
Der Sturm was noted for publishing major international artists of the day (Oskar Kokoschka, Pablo Picasso, Franz Marc, and Wassily Kandinsky), Italian Futurist F. T. Marinetti, and French poet Guillaume Apollinaire. Walden sought a German poet who could compare to these celebrities. Over the next 16 months, he encouraged Stramm to write the 62 poems for which he is best known.
Stramm's influence was enormous, particularly on Dadaists such as Kurt Schwitters and experimentalists such as Gerhard Rühm and Paul Celan. The 32 poems in this book are his largest collection in English.
In World War I, he served as a Captain in the Prussian Army, but had few illusions of patriotism. "We have to go through with it, however much we condemn the war." He was killed in 1915 in what is today Belarus.
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Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
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