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An Authentic Life - Softcover

Chang, Jennifer

 
9781556596995: An Authentic Life

Inhaltsangabe

2025 Pulitzer Prize Finalist
2024 National Book Critics Circle Award Finalist
2026 Kingsley Tufts Award WINNER

An Authentic Life is an exacting and fearless interrogation of the education one receives from the institutions of academia and family.

Sprawling yet urgent, meditative yet lucid, the poems in Jennifer Chang's anticipated third collection, An Authentic Life, offer a bold examination of a world deeply influenced by war and patriarchy. In dialogues against literature, against philosophy, and against God, Chang interrogates the “fathers" who stand at the center of history. Poems navigate wounds opened by explorations of family and generational trauma, and draw on the author's experiences as a mother, as the daughter of immigrants, and as a citizen of our deeply divided nation.

Here, the patriarchal violence of history becomes intimate, brought down to a domestic scale. A woman sweeping the floor cannot escape thoughts of war, or her dying mother, while another scene shows friends questioning the “despite-ness" of love. In poems where the lyric is reimagined as porous, discursive, and bursting open, Chang fearlessly confronts the forms of knowledge that hold power. Meticulous and masterful, An Authentic Life creates a world where we can begin “to unlearn everything."

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Über die Autorin bzw. den Autor

Poet and scholar Jennifer Chang is the author of two previous collections. Her debut, The History of Anonymity (2008), was an inaugural selection for the Virginia Quarterly Review Poetry Series and a finalist for the Shenandoah/Glasgow Prize for Emerging Writers. Her second book, Some Say The Lark (Alice James Books), was longlisted for the 2018 PEN Open Book Award and won the 2018 William Carlos Williams Award. Her poems have appeared in The Nation, The New Yorker, American Poetry Review, Best American Poetry, and Poetry. Chang holds a BA from the University of Chicago and earned an MFA and Ph.D. from the University of Virginia. Since 2003, she has been the co-chair of the advisory board for Kundiman, a nonprofit organization dedicated to supporting Asian American literature. She teaches at the Michener Center for Writers in Austin, Texas.

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from AN AUTHENTIC LIFE

For most of my life

I did not know or understand

the names of things

I saw every day. Sugar maple, crape

myrtle. I mistook ignorance for wonder,

wonder for grace.


As a child

I watched a friend as she rode

English style, not knowing

English was not the same as

American. It was a lesson. From a

bench

I watched my friend play master,

envied her riding crop, her khaki jodhpurs.


I loved horses

only in theory,

by watching. No horses

hid in my toy chest, no lessons

my parents would've strained

to pay for.

I had not been taught to ask

questions. What is this. Who are

you. Why. I had not been taught to

want.


THE LONELY HUMANS

A type of hickory, it grows by water.

So are we fools to drive to the river

the day after our most savage storms

have finally stopped

to see a tree we've never seen before?

To hike in cold mud through a leafless

forest, to behold clearings now cluttered

by whatever fell last night—mostly oaks,

no hickory—to attend the mad

performance of a newly roaring current.

I do not want to call it singing,

the wounded poet's head howling

downriver. Remember we scorned

his broken heart, broken rashly

by himself, some say, for wanting love

too soon. You say I am unfair, that too much

rain is what makes the river rush (there is no

“we" in what you say, dear): we hear it

as mythology. We hear it outside

ourselves, a surfeit of music

quickening wind against winter

trees, branch-taps

I mistake for premonitions. Of what? That the

tree is here, ready to spring to life again. I am

unfair. I want to love honestly; I want love

honest. Every tree is the wrong tree.

This is the direction we get lost in.

Beech, sweetgum, more oak. But she

was impatient too, you say, it is possible she

willed him to look back. We do not love alone is

what I think you mean. When I walk behind

you, the back of your head is golden,

ungovernable light I cannot look away from. Is

it love that to follow you I find myself choosing

this unexpected path; should we find the tree,

will it be I who led us there or you? Long gone

are the leaves alternate, compounded, each an

arrow, the thrust of a green thought; somewhere

along the forest floor centuries crack and turn

to dust. We have children, grudges,

a Dionysian mortgage, habits

mostly bad, and yet every December

I imagine spring, our time past

and to come, how when you follow me

I track the blazes to reach the river, and

often

I have to stop myself from looking back.

To stay together, look away, some god

said. Here in these trees, our voices have

no faces, we've walked like this for an

eternity.

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