2025 Pulitzer Prize Finalist
2024 National Book Critics Circle Award Finalist
2026 Kingsley Tufts Award WINNER
An Authentic Life is an exacting and fearless interrogation of the education one receives from the institutions of academia and family.
Sprawling yet urgent, meditative yet lucid, the poems in Jennifer Chang's anticipated third collection, An Authentic Life, offer a bold examination of a world deeply influenced by war and patriarchy. In dialogues against literature, against philosophy, and against God, Chang interrogates the “fathers" who stand at the center of history. Poems navigate wounds opened by explorations of family and generational trauma, and draw on the author's experiences as a mother, as the daughter of immigrants, and as a citizen of our deeply divided nation.
Here, the patriarchal violence of history becomes intimate, brought down to a domestic scale. A woman sweeping the floor cannot escape thoughts of war, or her dying mother, while another scene shows friends questioning the “despite-ness" of love. In poems where the lyric is reimagined as porous, discursive, and bursting open, Chang fearlessly confronts the forms of knowledge that hold power. Meticulous and masterful, An Authentic Life creates a world where we can begin “to unlearn everything."
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Poet and scholar Jennifer Chang is the author of two previous collections. Her debut, The History of Anonymity (2008), was an inaugural selection for the Virginia Quarterly Review Poetry Series and a finalist for the Shenandoah/Glasgow Prize for Emerging Writers. Her second book, Some Say The Lark (Alice James Books), was longlisted for the 2018 PEN Open Book Award and won the 2018 William Carlos Williams Award. Her poems have appeared in The Nation, The New Yorker, American Poetry Review, Best American Poetry, and Poetry. Chang holds a BA from the University of Chicago and earned an MFA and Ph.D. from the University of Virginia. Since 2003, she has been the co-chair of the advisory board for Kundiman, a nonprofit organization dedicated to supporting Asian American literature. She teaches at the Michener Center for Writers in Austin, Texas.
from AN AUTHENTIC LIFE For most of my life I did not know or understand the names of things I saw every day. Sugar maple, crape myrtle. I mistook ignorance for wonder, wonder for grace. As a child I watched a friend as she rode English style, not knowing English was not the same as American. It was a lesson. From a bench I watched my friend play master, envied her riding crop, her khaki jodhpurs. I loved horses only in theory, by watching. No horses hid in my toy chest, no lessons my parents would've strained to pay for. I had not been taught to ask questions. What is this. Who are you. Why. I had not been taught to want. THE LONELY HUMANS A type of hickory, it grows by water. So are we fools to drive to the river the day after our most savage storms have finally stopped to see a tree we've never seen before? To hike in cold mud through a leafless forest, to behold clearings now cluttered by whatever fell last night—mostly oaks, no hickory—to attend the mad performance of a newly roaring current. I do not want to call it singing, the wounded poet's head howling downriver. Remember we scorned his broken heart, broken rashly by himself, some say, for wanting love too soon. You say I am unfair, that too much rain is what makes the river rush (there is no “we" in what you say, dear): we hear it as mythology. We hear it outside ourselves, a surfeit of music quickening wind against winter trees, branch-taps I mistake for premonitions. Of what? That the tree is here, ready to spring to life again. I am unfair. I want to love honestly; I want love honest. Every tree is the wrong tree. This is the direction we get lost in. Beech, sweetgum, more oak. But she was impatient too, you say, it is possible she willed him to look back. We do not love alone is what I think you mean. When I walk behind you, the back of your head is golden, ungovernable light I cannot look away from. Is it love that to follow you I find myself choosing this unexpected path; should we find the tree, will it be I who led us there or you? Long gone are the leaves alternate, compounded, each an arrow, the thrust of a green thought; somewhere along the forest floor centuries crack and turn to dust. We have children, grudges, a Dionysian mortgage, habits mostly bad, and yet every December I imagine spring, our time past and to come, how when you follow me I track the blazes to reach the river, and often I have to stop myself from looking back. To stay together, look away, some god said. Here in these trees, our voices have no faces, we've walked like this for an eternity.
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Taschenbuch. Zustand: Neu. Neuware - 2025 Pulitzer Prize Finalist2024 National Book Critics Circle Award Finalist2026 Kingsley Tufts Award WINNERAn Authentic Life is an exacting and fearless interrogation of the education one receives from the institutions of academia and family.Sprawling yet urgent, meditative yet lucid, the poems in Jennifer Chang's anticipated third collection, An Authentic Life, offer a bold examination of a world deeply influenced by war and patriarchy. In dialogues against literature, against philosophy, and against God, Chang interrogates the "fathers' who stand at the center of history. Poems navigate wounds opened by explorations of family and generational trauma, and draw on the author's experiences as a mother, as the daughter of immigrants, and as a citizen of our deeply divided nation.Here, the patriarchal violence of history becomes intimate, brought down to a domestic scale. A woman sweeping the floor cannot escape thoughts of war, or her dying mother, while another scene shows friends questioning the "despite-ness' of love. In poems where the lyric is reimagined as porous, discursive, and bursting open, Chang fearlessly confronts the forms of knowledge that hold power. Meticulous and masterful, An Authentic Life creates a world where we can begin "to unlearn everything.'. Artikel-Nr. 9781556596995
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