New York Times "100 Notable Books of 2022"
NPR "Best Books of 2022"
“Levin's luminous latest reckons with the disorientation of contemporary America. . . . Through the fog of doubt, Levin summons ferocious intellect and musters hard-won clairvoyance."—Publishers Weekly, starred review
Dana Levin's fifth collection is a brave and perceptive companion, walking with the reader through the disorientations of personal and collective transformation. Now Do You Know Where You Are investigates how great change calls the soul out of the old lyric, “to be a messenger―to record whatever wanted to stream through." Levin works in a variety of forms, calling on beloveds and ancestors, great thinkers and religions―convened by Levin's own spun-of-light wisdom and intellectual hospitality―balancing clear-eyed forensics of the past with vatic knowledge of the future. “So many bodies a soul has to press through: personal, familial, regional, national, global, planetary, cosmic― // 'Now do you know where you are?'"
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Dana Levin is the author of four collections of poetry. Her debut, In the Surgical Theater, was selected by Louise Glück for the American Poetry Review/Honickman First Book Prize. The New Yorkercalled her third book, Sky Burial (Copper Canyon), “utterly her own and utterly riveting.” A Guggenheim and Rona Jaffe Fellow, Levin currently serves as Distinguished Writer-in-Residence at Maryville University in St. Louis.
According to the Gospel of Yes
It’s a thrill to say No.
The way it smothers
everything that beckons―
Any baby in a crib
will meet No’s palm
on its mouth.
And nothing sweet
can ever happen
―
to No―
who holds your tongue captive
behind your teeth, whose breath
whets the edge
―
of the guillotine―
N, head of Team Nothing,
and anti-ovum O.
And so the pit can never
engender
―
the cherry―
in No, who has drilled a hole
inside your body―
No.
Say it out loud.
Why do you love the hole
No makes.
Instructions for Stopping
Say Stop.
Keep your lips pressed together
after you say the p:
(soon they’ll try
and pry
your breath out―)
―
Whisper it
three times in a row:
Stop Stop Stop
In a hospital bed
like a curled up fish, someone’s
gulping at air―
How should you apply
your breath?
―
List all of the people
you would like
to stop.
Who offers love,
who terror―
Write Stop.
Put a period at the end.
Decide if it’s a kiss
or a bullet.
2016, A Biography
I had wanted to think that America
was incidental, that I could go on with the same
lyric project, to lament the soul
in exile, having to endure the jail
of the body, what was
a president
to me.
How to Hold the Heavy Weight of Now
She said, “You just made this gesture with your body―” and
opened her arms as if she could barely fit them around an
enormous ball―
“Make that shape again.” she said, and so I did. “Now let it
change.” she said, and I did―
slowly closing the space between my arms, fingertips converging
until they touched―
I watched my hands turn together―
I watched my wrists and forearms touch, side by side, I watched
my palms up and open, pushing gently forward, leading my body
forward, I watched them
let the bird go, I watched my hands
make
an offering―
No
Hoping to just live quietly unnoticed―holed up
smoking pot and listening to old music
after work, trying to wait out
the regime―dreaming of tyrants in exhausted
sleep, sick
of having to think―
Trying the long view―in which years breathe
and the Great Wheel always turns, but
so much damage done as ash and seed
change places, as they always do―was that
still true? When you could
see the fires of ending spreading, would you
get to live―in greater days when No
would blossom into Yes and Closed
pried―open-hearted -throated -minded, would you
get to live―as you thought you once
did―
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