"If Goldbarth belongs to a school, he is surely its sole member. He's simply . . . one of our most generous working poets." —Rumpus
And you
perhaps don't like this poem: its free verse
or its narrative or the way it uses
gender or the heavy-handed
word-play of its title.
Like I care.
I wrote this for me.
—from "‘Try the Selfish'"
In his latest collection, the incomparable Albert Goldbarth explores all things "self-ish": the origins of identity, the search for ancestry, the neurology of self-awareness, and the line between "self" and "other." Whether one line long or ten pages, whether uproariously comic or steeped in gravitas, these are poems that address our human essence.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Albert Goldbarth is the author of more than twenty-five books of poetry, including Everyday People and The Kitchen Sink. He has twice won the National Book Critics Circle Award in Poetry. He lives in Wichita, Kansas.
Lineage(s),
Snow, 3,
Lineage, 4,
On the Way, 7,
Metonymy, 9,
Liquid, 11,
His Creatures, 14,
The Stem, 15,
The Disappearance of the Nature Poem into the Nature Poem, 18,
Keats's Phrase, 20,
Smith's Cloud, 22,
Snow and Air and Irving, 24,
Song, 29,
Everyday Life on Planet Albert,
Secondary, 33,
Noon, 34,
Jung / Malena / Darwin, 35,
Deep Ink, 37,
Big Things, 39,
Our Reference, 41,
To This, 42,
"An isosceles triangle was the same on Earth or Mars.", 43,
Oh, 44,
Ong / Eugene / Monet, 47,
215 N. Fountain, 48,
The Point at Which My Wife Enters a Poem about the National Geographic Cover Story(November 2009) "Are We Alone?", 50,
Wings, 52,
The Song of Us against Vaster Patterns, 53,
Go Too, 55,
Doozie, 56,
Away, 58,
The Song of What We See, 60,
Benny, 62,
Midnight, 66,
Selfish,
After the Broken Shoulder,, 69,
My Personal Mythology, 70,
The Story of My Life, 73,
"What Would Darwin Say?", 75,
Dub, 77,
Mapped, 79,
Being Norman Dubie, 81,
Two Brothers, 84,
The Neutron Bomb, 88,
"Try the selfish,", 93,
Other Lives,
Encyclopedia Brittany, 97,
Her One Good Dress, 98,
22, 99,
"If you saw even the first rocket take-off for Mars,, 100,
Of the Generality, 102,
Silences, 103,
Etc.'s Wife, 104,
Detective / Woody / Sci-Fi, 106,
World, 107,
"The Pulses, 108,
Lepidopteran, 110,
Street Signs, 113,
"Who carries a telephone book with them when they are running from a war?", 116,
Summary: Kinetic vs. Potential, 117,
Left Behind, 119,
As the World Turns, 123,
A Gold Coin of Kumaragupta I (Minted AD 415-450), 125,
I Remember the Look of My Ex-Wife Sitting Quietly in the Window on a Certain Day, 127,
We Focus on Love, When It's Death; We Focus on Death, When It's Love; Etc., 129,
The Clothes, 131,
Paintings, Poems, Surveys, Songs,and Other Lyric Flights,
Busy, 137,
Song, 138,
Migration Song, 139,
Song: Lore, 140,
Tables, 141,
Survey: The Lingering, 143,
Survey: It's a Small World, 145,
Survey: Unacknowledged Sex, 147,
Survey: Frankenstein under the Front Porch Light, 151,
Survey: An Explanation of the Mechanics of Her Marvelous Invention, 153,
O'Neill, 155,
1,000 (Exactly), 159,
The Song of the Lark, Jules Adolphe Breton (1827–1906), 165,
Snow
Is anybody flabbergasted anymore?
Does anyone get the willies or the heebie-jeebies?
Is anyone floored? Or saying "Great Caesar's ghost!"
Does anyone have his socks knocked off six ways from Sunday?
Language is ever being born, is struggling out
of some cultural pupal case and drying its wings.
Hey, I was there to witness when "shizzle" and "phat"
undertook their initial flights. Of course, the law is
language needs to die, to make room—like anyone.
"Carbon footprint" yes and "carbon paper" no.
"Phlebotomy." "Manufactory." "Ceinture."
Good-bye. And names. Lavonda lately, Tayvon lately.
But Fannie? Irving? There they are
on my parents' stones, under a veiling snowfall.
Lineage
In Jewish tradition the rule seems to be that a name is not
only powerful but singular: one soul per name. A newborn
is never named for a living family member: the soul might
have to choose between them.
My wife is online, branching back in time
through a US census genealogy site, a little
like astronomy: the stars are dead and yet
their light is examinable on Earth.
At some point, the blood of the Cherokee
enters the stream ... at another, one couple
owned slaves ... a father and son were lynched
by the KKK for holding anti-secessionist views ...
Arvonia ... Ophra ... Zaphora ...
haughty, drafty 16th century castle life....
It may be that the infant Moses,
swaddled in a basket in the bulrushes,
simply appeared from out of nowhere, unconnected
to a family tree ... well, not my wife!
* * *
And she enters "Goldbarth," but everything stops
for me at my grandparents' generation. What
a holocaust does.
That night, I have a dream, a kind of postmodern dream:
I dream I'm sleeping. My wife is sleeping.
And as we sleep, her laptop keeps on doing its virtual
retroprogressional business, branching back
along the central river, back against the current
of its tributaries, feathering, fractaling, back
through the veins and the capillaries,
the source, the bud, and I awake
confused and enhanced and seminal,
having the eyes of something
just stumped out of the waters, learning to first breathe air.
* * *
A spaceman from the future (and when I speak with him later
he specifies the future is 2515 AD) is windmill-armed
in fisticuffs with a coonskin-capped and buckskin-fringed
frontiersman straight from Booneville (who's no slouch
at trading haymakers), and they seem to be determining
who earns the right to accompany Miss Silver Spandex (later
I'll learn she's a self-created superfemmefatale she calls
Mysteria) to the costume ball; across the hall
a World-War-IIesque Wonder Woman appears, and
Captain Nanobot from the 22nd century, they join
this popcult free-for-all—this achronological
dice-and-resplice American shmooshed-up evernow.
No wonder the laws of counterbalance require my wife
establishing a history of sequential links.
* * *
Oh I know how corny it sounds, but
there are mornings I wake and turn to see my wife
...
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Anbieter: Magers and Quinn Booksellers, Minneapolis, MN, USA
paperback. Zustand: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages. Artikel-Nr. 1468391
Anzahl: 9 verfügbar
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
First Edition. First edition. Softcover. 168 pages. A paperback original collection of poems from this two time winner of that National Book Critics Circle Award. A near fine copy in wrappers with some very minor wear. Signed and nicely inscribed by Goldbarth to a bookstore owner. Signed. Artikel-Nr. 200478
Anzahl: 1 verfügbar
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Num Pages: 172 pages. BIC Classification: DCF. Category: (G) General (US: Trade). Dimension: 230 x 178 x 17. Weight in Grams: 328. . 2015. Paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9781555977085
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Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - 'If Goldbarth belongs to a school, he is surely its sole member. He's simply . . . one of our most generous working poets.' -RumpusAnd youperhaps don't like this poem: its free verseor its narrative or the way it usesgender or the heavy-handedword-play of its title.Like I care.I wrote this for me. -from ''Try the Selfish''In his latest collection, the incomparable Albert Goldbarth explores all things 'self-ish': the origins of identity, the search for ancestry, the neurology of self-awareness, and the line between 'self' and 'other.' Whether one line long or ten pages, whether uproariously comic or steeped in gravitas, these are poems that address our human essence. Artikel-Nr. 9781555977085
Anzahl: 2 verfügbar
Anbieter: moluna, Greven, Deutschland
Zustand: New. Über den AutorrnrnAlbert GoldbarthKlappentextrnrn If Goldbarth belongs to a school, he is surely its sole member. He s simply . . . one of our most generous working poets. -RumpusA. Artikel-Nr. 36961803
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