* Winner of the 2014 Pulitzer Prize in Poetry *
The long-awaited third poetry book by Vijay Seshadri, "one of the most respected poets working in America today" (Time Out New York)
Vijay Seshadri's new poetry is assured and expert, his line as canny as ever. In an array of poetic forms from the rhyming lyric to the philosophical meditation to the prose essay, 3 Sections confronts perplexing divisions of contemporary life―a wayward history, an indeterminate future, and a present condition of wanting to outthink time. This is an extraordinary book, witty and vivacious, by one of America's best poets.
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Vijay Seshadri is the author of two previous poetry collections, Wild Kingdom and The Long Meadow, the winner of the James Laughlin Award. He teaches at Sarah Lawrence College and lives in Brooklyn, New York.
Imaginary Number, 3,
Rereading, 4,
Trailing Clouds of Glory, 5,
The Dream I Didn't Have, 7,
Memoir, 8,
This Morning, 9,
Surveillance Report, 10,
Hell, 12,
Purgatory, the Film, 13,
Purgatory, the Sequel, 14,
Heaven, 15,
Three Urdu Poems, 16,
Mixed-Media Botanical Drawing, 19,
New Media, 20,
Script Meeting, 21,
Secret Police, 23,
Guide for the Perplexed, 25,
Family Happiness, 26,
Elegy, 27,
As If, 28,
Nursing Home, 29,
Life of Savage, 32,
Thought Problem, 33,
Yet Another Scandal, 34,
Bright Copper Kettles, 35,
A School Day in October, 36,
Visiting Paris, 37,
Three Persons, 38,
The Descent of Man, 39,
Knowing, 40,
The People I Know, 41,
Pacific Fishes of Canada, 43,
Personal Essay, 56,
Light Verse, 72,
Imaginary Number
The mountain that remains when the universe is destroyed
is not big and is not small.
Big and small are
comparative categories, and to what
could the mountain that remains when the universe is destroyed
be compared?
Consciousness observes and is appeased.
The soul scrambles across the screes.
The soul,
like the square root of minus 1,
is an impossibility that has its uses.
Rereading
Remember that family who lived in a boat
run aground and capsized
by the creamy dunes where the plovers nest?
Sea, sun, storm, and firmament
kept their minds occupied.
David Copperfield came and went,
and their sympathy for him was such
that they pitied him almost as much
as he pitied himself. But their story
is not like the easy one
where you return to me and
lift my scarred eyes to the sun
and stroke my withered hand
and marry me, distorted as I am.
He was destined to dismantle their lives,
David Copperfield, with his
treacherous friend and insipid wives,
his well-thought-out position
on the Corn Laws and the constitution.
They were stillness and
he was all motion.
They lived in a boat upside down on the strand,
but he was of the kind who couldn't understand
that land was not just land
or ocean ocean.
Trailing Clouds of Glory
Even though I'm an immigrant,
the angel with the flaming sword seems fine with me.
He unhooks the velvet rope. He ushers me into the club.
Some activity in the mosh pit, a banquet here, a panhandler there,
a gray curtain drawn down over the infinitely curving lunette,
Jupiter in its crescent phase, huge,
a vista of a waterfall, with a rainbow in the spray,
a few desultory orgies, a billboard
of the snub-nosed electric car of the future—
the inside is exactly the same as the outside,
down to the m.c. in the yellow spats.
So why the angel with the flaming sword
bringing in the sheep and waving away the goats,
and the men with the binoculars,
elbows resting on the roll bars of jeeps,
peering into the desert? There is a border,
but it is not fixed, it wavers, it shimmies, it rises
and plunges into the unimaginable seventh dimension
before erupting in a field of Dakota corn. on the F train
to Manhattan yesterday, I sat across
from a family threesome Guatemalan by the look of them—
delicate and archaic and Mayan—
and obviously undocumented to the bone.
They didn't seem anxious. The mother was
laughing and squabbling with the daughter
over a knockoff smart phone on which they were playing a
video game together. The boy, maybe three,
disdained their ruckus. I recognized the scowl on his face,
the retrospective, maskless rage of inception.
He looked just like my son when my son came out of his mother
after thirty hours of labor—the head squashed,
the lips swollen, the skin empurpled and hideous
with blood and afterbirth. out of the inflamed tunnel
and into the cold room of harsh sounds.
He looked right at me with his bleared eyes.
He had a voice like Richard Burton's.
He had an impressive command of the major English texts.
I will do such things, what they are yet I know not,
but they shall be the terrors of the earth, he said.
The child, he said, is father of the man.
The Dream I Didn't Have
I woke up on the stainless-steel autopsy table.
My chest was weighted down.
Bodily fluids stained my paper hospital gown.
My life readings were stable,
though. They were, in fact, decisive—
one round number and one simple line.
A cop gave the coroner a form to sign,
but he lingered undecided over me,
murmuring to himself,
"That must have been a dream, or was it a vision?"
I felt along my length his long riverine incision.
Outside it was chicago—
city of world-class museums,
handsome architecture, marvelous elevated trains—
rising from the plains
by the impossibly flat lake.
Memoir
...
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