Published together for the first time, Eliza Haywood’s Anti-Pamela and Henry Fielding’s An Apology for the Life of Mrs. Shamela Andrews are the two most important responses to Samuel Richardson’s novel Pamela. Anti-Pamela comments on Richardson’s representations of work, virtue, and gender, while also questioning the generic expectations of the novel that Pamela establishes, and it provides a vivid portrayal of the material realities of life for a woman in eighteenth-century London. Fielding’s Shamela punctures both the figure Richardson established for himself as an author and Pamela’s preoccupation with virtue.
This Broadview edition also includes a rich selection of historical materials, including writings from the period on sexuality, women’s work, Pamela and the print trade, and education and conduct.
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Catherine Ingrassia is an Associate Professor of English at Virginia Commonwealth University, Richmond. She is the author of Authorship, Commerce and Gender in Early Eighteenth-Century England: A Culture of Paper Credit (Cambridge University Press, 1998).
Published together for the first time, Eliza Haywood’s Anti-Pamela and Henry Fielding’s An Apology for the Life of Mrs. Shamela Andrews are the two most important responses to Samuel Richardson’s novel Pamela.Anti-Pamela comments on Richardson’s representations of work, virtue, and gender, while also questioning the generic expectations of the novel that Pamela establishes, and it provides a vivid portrayal of the material realities of life for a woman in eighteenth-century London. Fielding’s Shamela punctures both the figure Richardson established for himself as an author and Pamela’s preoccupation with virtue.
This Broadview edition also includes a rich selection of historical materials, including writings from the period on sexuality, women’s work, Pamela and the print trade, and education and conduct.
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