An exciting new strand in The Television Series, the 'Moments in Television' collections celebrate the power and artistry of television, whilst interrogating key critical concepts in television scholarship. Each 'Moments' book is organised around a provocative binary theme. Epic / everyday explores the presence within television of the epic and the everyday. It argues that attention to ideas of the epic and notions of the everyday can illuminate television programmes in new ways. The book explores an eclectic range of TV fictions, including Game of Thrones, Lost and Dr Who. Contributors from diverse perspectives come together to expand and enrich the kind of close analysis most commonly found in television aesthetics. Sustained, detailed programme analyses are sensitively framed within historical, technological, institutional, cultural, creative and art-historical contexts.
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Sarah Cardwell is Honorary Fellow in the School of Arts at the University of Kent
Jonathan Bignell is Professor of Television and Film at the University of Reading Lucy Fife Donaldson is Senior Lecturer in Film Studies at the University of St. AndrewsThe ‘Moments in Television’ collections celebrate the power and artistry of television and the excitement that particular televisual moments can engender, while simultaneously interrogating current concepts and debates within TV studies.
Each book is organised around a binary theme that engages with key concepts in television studies. Epic / everyday explores how both the epic and the everyday inform creative practice in television, arguing that a fuller consideration of these two modes can revitalise TV criticism and interpretation, enabling fresh perspectives on the value of television, its essential qualities and aesthetic significance.
The chapters in Epic / everyday are inspired by moments drawn from an eclectic range of TV fictions, dramatic and comedic. Sustained, sensitive attention to features of the epic and the everyday persuasively illuminate the book’s chosen programmes in new ways. Contributors from diverse perspectives expand and enrich the kind of close analysis most commonly found in television aesthetics. Each chapter attends to one carefully chosen programme, evoking its particular qualities and appraising its achievements, while situating it within historical, technological, institutional, cultural, creative and art-historical contexts. The programmes examined here are The Incredible Hulk, Game of Thrones, Detectorists, Community, Doctor Who, The Second Coming, Years and Years, The Americans, Columbo and Lost.
Epic /everyday is essential reading for those interested in how closer attention to the presence of the epic and the everyday might enhance our critical appreciation and enjoyment of television.
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