“With its tight, staccato chapters and cast of dangerous wraiths lurking everywhere, The Sandman is a nonstop fright.” —Janet Maslin, The New York Times
The #1 internationally best-selling thriller from the author of The Hypnotist tells the chilling story of a manipulative serial killer and the two brilliant police agents who must try to beat him at his own game.
Late one night, outside Stockholm, Mikael Kohler-Frost is found wandering. Thirteen years earlier, he went missing along with his younger sister. They were long thought to have been victims of Sweden's most notorious serial killer, Jurek Walter, now serving a life sentence in a maximum security psychiatric hospital. Now Mikael tells the police that his sister is still alive and being held by someone he knows only as the Sandman. Years ago, Detective Inspector Joona Linna made an excruciating personal sacrifice to ensure Jurek's capture. He is keenly aware of what this killer is capable of, and now he is certain that Jurek has an accomplice. He knows that any chance of rescuing Mikael's sister depends on getting Jurek to talk, and that the only agent capable of this is Inspector Saga Bauer, a twenty-seven-year-old prodigy. She will have to go under deep cover in the psychiatric ward where Jurek is imprisoned, and she will have to find a way to get to the psychopath before it's too late--and before he gets inside her head.
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LARS KEPLER is the pseudonym of the critically acclaimed husband and wife team Alexandra Coelho Ahndoril and Alexander Ahndoril. Their internationally best-selling Joona Linna series has sold more than thirteen million copies in forty languages. The Ahndorils were both established writers before they adopted the pen name Lars Kepler, and have each published several acclaimed novels. They live in Stockholm, Sweden. Translated by Neil Smith.
***This excerpt is from an advance uncorrected copy proof***
Copyright © 2018 Lars Kepler
It’s the middle of the night, and snow is blowing in from the sea. A young man is walking across a high railroad bridge, toward Stockholm. His face is as pale as misted glass. His jeans are stiff with frozen blood. He is walking between the rails, stepping from tie to tie. Fifty meters beneath him, the ice on the water is just visible, like a strip of cloth. A blanket of snow covers the trees. Snow is swirling in the glow from the container crane far below, and the oil tanks at the harbor are barely visible.
Blood trickles down the man’s lower left arm and drips from his fingertips.
The rails sing as a night train approaches the two-kilometer-long bridge.
The young man sways and sits down on the rail, then gets to his feet again and carries on walking.
The air is turbulent in front of the train, and the view is obscured by the billowing snow. The locomotive has already reached the middle of the bridge when the engineer catches sight of the man on the track. He blows his horn and the figure almost falls. The man takes a long step to the left, onto the other track, and grabs hold of the flimsy railing.
His clothes flap around his body. The bridge shakes violently under his feet. He stands still with his eyes wide open, his hands on the railing.
Everything is swirling snow and enveloping darkness.
His name is Mikael Kohler-Frost. He went missing thirteen years ago and was officially declared dead six years later.
1
The steel gate closes behind the new doctor with a heavy clang. The sound echoes down the spiral staircase.
Everything suddenly goes quiet, and Anders Rönn feels a shiver run down his spine.
Today is his first day working in the Secure Criminal Psychology Unit at Löwenströmska Hospital.
For the past thirteen years, the strictly isolated bunker has been home to the aging Jurek Walter.
The young doctor doesn’t know much about his patient, except the diagnoses: Schizophrenia, nonspecific. Chaotic thinking. Recurrent acute psychosis, with erratic and extremely violent episodes.
Anders shows his ID at the entrance, removes his cell phone, and hangs the key to the gate in his locker before the guard opens the first steel security door. He goes in and waits for the door to close before walking to the next door. When a signal sounds, the guard opens the second door. Anders walks along the corridor toward the isolation ward’s staffroom.
Chief Physician Roland Brolin is a thickset man in his fifties, with sloping shoulders and cropped hair. He is smoking under the exhaust fan in the kitchen, leafing through an article on the pay gap between men and women in the health-care industry.
“Jurek Walter must never be alone with any member of staff,” he says. “He must never meet other patients. He never has any visitors, and he’s never allowed out into the exercise yard. Nor is he—”
“Never?” Anders asks. “Surely it’s not policy to keep someone . . .”
“No, it isn’t,” Roland says sharply.
“So what’s he actually done?”
“Nothing but nice things,” Roland says, heading toward the corridor.
Even though Jurek Walter has committed the most heinous crimes of any serial killer in Swedish history, he is completely unknown to the public. The proceedings against him in the Central Court House and at the Court of Appeal were held behind closed doors, and all the les are strictly confidential.
Anders and Roland pass through another security door, and a young woman with tattooed arms and pierced cheeks winks at them.
“Come back in one piece,” she says cheerily.
“There’s no need to worry,” Roland says to Anders in a low voice. “Jurek Walter is a quiet elderly man. He doesn’t fight, and he doesn’t raise his voice. Our cardinal rule is that we never go into his cell. But Leffe, who was on the night shift last night, noticed that he had made some sort of knife and hidden it under his mattress, so, obviously, we have to confiscate it.”
“How do we do that?” Anders asks.
“We break the rules.”
“We’re going into Jurek’s cell?”
“You’re going in. To ask nicely for the knife.”
“I’m going in?”
Roland laughs loudly and explains that they’re going to pretend to give the patient his normal injection of risperidone but will actually be giving him an overdose of Zypadhera.
The chief runs his card through yet another reader and taps in a code. There’s a bleep, and the lock of the security door whirrs.
“Wait,” Roland says, holding out a little box of yellow earplugs.
“What are these for?”
Roland looks at his new colleague with weary eyes, and sighs.
“Jurek Walter will talk to you, quite calmly, probably perfectly reasonably,” he says in a grave voice. “He will convince you to do some things you’ll regret. His words will play in your mind over and over again, and later this evening, when you’re driving home, you’ll swerve into oncoming traffic and smash into a semi, or you’ll stop off at the hardware store to buy an ax before you pick the kids up from preschool.”
“Should I be scared now?” Anders smiles and puts a pair of the earplugs in his pocket.
“No, but hopefully you’ll be careful,” Roland says.
Anders doesn’t think of himself as lucky, but when he saw the advertisement in a medical journal for a full-time, long-term position at Löwenströmska Hospital, he had a good feeling. It’s only a twenty- minute drive from home, and it could well lead to a permanent appointment. Since working as an intern at Skaraborg Hospital and in a health center in Huddinge, he has had to get by on temporary positions at the regional clinic of Sankt Sigfrids Hospital. The long drives to Växjö and the irregular hours proved difficult to manage with Petra’s job in the Parks Department and Agnes’s autism.
Only two weeks ago, Anders and Petra had been sitting at the kitchen table trying to work out what on earth they were going to do.
“We can’t go on like this,” Anders had said.
“But what alternative do we have?” she whispered.
“I don’t know,” Anders replied, wiping the tears from her cheeks.
Agnes’s teaching assistant at her preschool had told them that Agnes had had a difficult day. She had refused to let go of her milk glass, and the other children had laughed. She hadn’t been able to accept that break time was over, because Anders hadn’t come to pick her up as he usually did. He had driven straight back from Växjö but hadn’t reached the preschool until six o’clock. Agnes was still sitting in the dining room with her hands around the glass when he arrived.
When they got home, Agnes had stood in her room, staring at the wall beside the dollhouse, clapping her hands in that introverted way she had. They don’t know what she can see there, but she says that gray sticks keep appearing, and she has to count them, and stop them. She does that when she’s feeling particularly anxious. Sometimes ten minutes is enough, but that evening she stood there for more than four hours before they could get...
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