Edith Wharton was one of the most famous American authors of the early 20th century. Wharton’s writings were known for their witty presentation on upper class society in America.
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Edith Wharton was at the height of her enormous literary powers when she published The Reef in 1912, and everything about this novel suggests a mastery so complete that it can achieve nothing higher. The plot, which tells of the drastic effects of a casual sexual betrayal on the lives of four Americans in France, is expertly turned, suspenseful, continually compelling. An assured, unhurried dramatic instinct governs the great moments of confrontation and revelation. The central characters, two of whom are innocents and two of whom are burdened by experience and tinged with desperation, are perfectly delineated: their relationships to one another are constructed with a classical feeling for harmony, proportion, and balance. And the entire novel is imbued with a clear-eyed wisdom about both the possibilities and the limitations of human love. Wharton would go on to write splendid books after completing The Reef, but nowhere does she display a finer command of her art than she does here.
Anna Leath, an American widow living in France, has renewed her relationship with her first love, diplomat George Darrow. But on his way to her beautiful French chateau, Givre, where he hopes to consolidate their marriage plans, Darrow encounters Sophy Viner, who is as vibrant and spontaneous as Anna is reserved and restrained. Sophy's subsequent employment as governess to Anna's daughter means that her fate becomes inextricably entwined with that of the family at Givre. And what to Darrow is a forgotten interlude becomes the reef on which the lives of four people are in danger of foundering.
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