Adult Themes: British Cinema and the X Certificate in the Long 1960s (Global Exploitation Cinemas) - Hardcover

Über die Autorinnen und Autoren

Anne Etienne is Lecturer in Modern and Contemporary Drama at University College Cork, Ireland. Her research focuses on theatre censorship and Arnold Wesker. Her publications include Theatre Censorship: from Walpole to Wilson (2007); a special issue of Coup de théâtre on Wesker's Shylock (2014); Populating the Stage: Contemporary Irish Theatre (2017) co-edited with Thierry Dubost; Arnold Wesker: Fragments and Visions (2021) co-edited with Graham Saunders. She is currently co-editing two volumes on theatre censorship.

Benjamin Halligan is the Director of the Doctoral College of the University of Wolverhampton, UK. His publications include Hotbeds of Licentiousness: The British Glamour Film and the Permissive Society (2022), Desires for Reality: Radicalism and Revolution in Western European Film (2016) and Michael Reeves (2003), and the co-edited collections: Politics of the Many (2021); Stories We Could Tell (2018); The Arena Concert (2015); The Music Documentary (2013); Resonances (2013); Reverberations (2012); and Mark E. Smith and The Fall (2010).

Christopher Weedman is Assistant Professor of English at Middle Tennessee State University, USA, where his research focuses on mid-twentieth century British and American cinema. His scholarship has appeared in Film International, Jewish Film and New Media, Journal of Cinema and Media Studies, Quarterly Review of Film and Video, Senses of Cinema, and multiple edited scholarly collections. He is co-editor of the collection Liminal Noir in Classical World Cinema (forthcoming 2023, with Elyce Rae Helford).