Shadow Cinema: The Historical and Production Contexts of Unmade Films - Softcover

Über die Autorinnen und Autoren

James Fenwick is a senior lecturer in the Department of Media Arts and Communication at Sheffield Hallam University, UK. He is the author of Stanley Kubrick Produces (2020), editor of Understanding Kubrick's 2001: A Space Odyssey: Representation and Interpretation (2018), and co-editor of Shadow Cinema: The Historical and Production Contexts of Unmade Films (2020).

Kieran Foster is an AHRC funded PhD student at De Montfort University, UK. His research focuses on the British Company Hammer's Films unmade projects. He has published in peer-reviewed journals, with an piece on Hammer's failed adaptation Vlad the Impaler appearing in the Journal of Adaptation in Film and Performance. He has also co-written a chapter on an unmade Loch-Ness monster film- Nessie, for a recently published book entitled Beasts of the Deep: Sea Creatures in Popular Culture. In 2016, he presented the keynote at the Bram Stoker Film Festival in Whitby, and helped organise the Hammer Film Exhibtion at De Montfort University, where over its 12 month run, he did a number of public talks and tours on Hammer's unmade films. Last July, he was part of a DMU Global/AHRC funded 12-day research trip to the Margaret Herrick and Warner Brothers Archive in Los Angeles.

David Eldridge is senior lecturer in Humanities at the University of Hull, UK. He is the author of Hollywood's History Films (2006), American Culture in the 1930s (2008) and co-editor of Shadow Cinema: The Historical Production Contexts of Unmade Films (2020), Dr. Eldridge specialises in cultural history, with a focus on the representation and suppression of marginalised voices in popular culture.