A sketch of St. Francis of Assisi in modern English may be written in one of three ways. Between these the writer must make his selection; and the third way, which is adopted here, is in some respects the most difficult of all. At least, it would be the most difficult if the other two were not impossible.... he may try to do what I have tried to do here; and as I have already suggested, the course has peculiar problems of its own. The writer may put himself in the position of the ordinary modern outsider and enquirer; as indeed the present writer is still largely and was once entirely in that position. He may start from the standpoint of a man who already admires St. Francis, but only for those things which such a man finds admirable.
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Gilbert Keith Chesterton (29 May 1874 – 14 June 1936) better known as G. K. Chesterton, was an English writer, lay theologian, poet, philosopher, dramatist, journalist, orator, literary and art critic, biographer, and Christian apologist. Chesterton is often referred to as the "prince of paradox." Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out." Chesterton is well known for his fictional priest-detective Father Brown, and for his reasoned apologetics. Even some of those who disagree with him have recognized the wide appeal of such works as Orthodoxy and The Everlasting Man. Chesterton, as a political thinker, cast aspersions on both Progressivism and Conservatism, saying, "The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of the Conservatives is to prevent the mistakes from being corrected." Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify this position more and more with Catholicism, eventually converting to Roman Catholicism from High Church Anglicanism. George Bernard Shaw, Chesterton's "friendly enemy" according to Time, said of him, "He was a man of colossal genius." Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, Cardinal John Henry Newman, and John Ruskin.
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