This issue offers a theoretical and methodological imagining of what constitutes trans* before the advent of the terms that scholars generally look to for the formation of modern conceptions of gender, sex, and sexuality. What might we find if we look for trans* before trans*? While some historians have rejected the category of transgender to speak of experiences before the mid-twentieth century, others have laid claim to those living gender-non-conforming lives before our contemporary era. By using the concept of trans*historicity, this volume draws together trans* studies, historical inquiry, and queer temporality while also emphasizing the historical specificity and variability of gendered systems of embodiment in different time periods. Essay topics include a queer analysis of medieval European saints, discussions of a nineteenth-century Russian religious sect, an exploration of a third gender in early modern Japanese art, a reclamation of Ojibwe and Plains Cree Two-Spirit language, and biopolitical genealogies and filmic representations of transsexuality. The issue also features a roundtable discussion on trans*historicities and an interview with the creators of the 2015 film Deseos. Critiquing both progressive teleologies and the idea of sex or gender as a timeless tradition, this issue articulates our own desires for trans history, trans*historicities, and queerly temporal forms of historical narration.
Contributors. Kadji Amin, M. W. Bychowski, Fernanda Carvajal, Howard Chiang, Leah DeVun, Julian Gill-Peterson, Jack Halberstam, Asato Ikeda, Jacob Lau, Kathleen P. Long, Maya Mikdashi, Robert Mills, Carlos Motta, Marcia Ochoa, Kai Pyle, C. Riley Snorton, Zeb Tortorici, Jennifer Louise Wilson
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Leah DeVun is Associate Professor of History at Rutgers University and author of Prophecy, Alchemy, and the End of Time.
Zeb Tortorici is Associate Professor of Spanish and Portuguese Languages and Literatures at New York University and author of Sins against Nature: Sex and Archives in Colonial New Spain, also published by Duke University Press.
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