My little dominatrix . . .
Dust can be such a bitch sometimes. Well, not just sometimes. All the time, but she wants to change. She has to if she ever wants to get back together with Machoponi. But other ponies and the Princess really try her patience sometimes. For one thing, the Dark Princess has decided to go preppy! Seriously, with the sweater tied around her neck and everything. She should be punished. For another thing, Brogene is annoying, as usual. So of course, the Princess sends her on a quest for caulk.
But the quest turns into a sexual journey when the Sexual Awakening occurs, in which the repressed sexuality of all the creatures of Poniworld gets unrepressed. Dust starts exploring things, things like pleasure, pain, and punishment. Lots of punishment. But she has her pink Thong of Protection to protect her. (Though at one point she has to have it talked off her.) And she also learns to wield a magical riding crop she gets from a female Nazi she meets. She also meets Strawberry Spit-take, a girl with a spit-take fetish, a rhino in a tutu named Tipsy Gorer who wants to ban cock rock, Ms. Cap-Man, black-and-blueberries and Gardens of Pain!
Poniworld is going through changes, and Dust is going through sexual exploration.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
The Poniworld Chronicles
MachoPoni: A Prance With Death
Mein Poni-Kampf: A Biography of the Leader of the Nazi Ponies
My Brootal Poni: A Very Butch Poni Tale
Dust in Your Eyes: An Erotic Poni Tale Mötley Hüerd, the Pony Glam Metal Band
Dust on the Wind: Journey to Redemption
OctoponyHow the Alien Pony Princess Fell in Love
Lotus Rose writes delightfully weird tales about young characters in strange situations. At times dark, silly, or bawdy, his writing owes much to such influences as Alice in Wonderland and Roald Dahl, Piers Anthony and Douglas Adams, and explores themes like disillusionment, and the corruption of innocence. If his books were movies, they'd likely be directed by Tim Burton. He often writes in a style that is a more edgy, "grown-up" version of children's literature interspersed with his poetry and songs.
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