Takes a transnational, feminist approach to the oeuvre of Palestinian director, Annemarie Jacir An entirely different approach to Palestinian film culture, in that the focus on a singular woman filmmaker who works internationally informs our insights into the contemporary Arab world Rejection of the typical Western view that Arab cinema is a cinema of male auteurs, and instead offer a concrete description of a strong Arab woman filmmaker's career Interlace Jacir's contemporary poetic/written, her filmic/visual and her critical/curatorial work with historical and political theory.Focused critical analysis of the visual representation of Palestine in the global perception of place Opens new vistas of discovery and interest into Palestinian film culture and its persistent focus on space and land. With this book, we root our work in the geospatial reality of Palestinian film culture and move towards a deeper understanding of transnationalism, refugeeship, and the power of a global identity Draws attention to Palestinian women directors and their contribution, which often gets lost in the geopolitics Palestinian film culture is unique due to its geopolitical circumstances, including continued colonialism and occupation, and the refugeeship of its citizens. The scholarship on the politics of film and its role in the Israeli-Palestinian conflict including activist work, international solidarity films, and work on Palestinian documentaries is usually defined by historical overviews of geopolitical events and developments. In contrast, this book offers an auteur-focused study of a global artist influenced by but not limited to the political discourse surrounding the Occupied Palestinian Territories. Jacir is a Palestinian woman whose work is recognised globally as innovative, politically challenging, and genre-crossing. The book offers an in-depth study of her films and other works by locating it in a geospatial, sociocultural, and critical theoretical framework. It critically analyses Annemarie Jacir's development as an artist, filmmaker, and curator of film.
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Iqra Shagufta Cheema is an Assistant Professor in Humanities at Graceland University, Iowa.
Stefanie Van de Peer is Reader in Film & Media at Queen Margaret University. She has published Negotiating Dissidence (EUP 2017), Women in African Cinema (Routledge 2020) and ReFocus: The Films of Annemarie Jacir (EUP 2023). She has also edited several edited collections on diverse topics including Jocelyne Saab’s work, Arab Stardom and Global Feminist Film Archives. She sits on the Executive Committee of the British Association of Film, TV and Screen Studies, is series editor for EUP’s ReFocus: The International Directors series, and is associate editor for the journal Studies in World Cinema.
Annemarie Jacir is a Palestinian filmmaker whose work is recognised globally as innovative, politically challenging, and genre-crossing. Most scholarship on the politics of film and its role in political conflicts is usually marked by historical overviews of geopolitical events and developments. In contrast, ReFocus: The Films of Annemarie Jacir offers an auteur-focused study of Jacir’s transnational cinematic oeuvre, which is informed by the Palestinian experiences as well as the geopolitics and the political discourse around the Occupied Palestinian Territories.Shagufta Cheema and Van de Peer offer an in-depth study of Jacir’s oeuvre by locating it in a geospatial and sociopolitical framework to critically analyse her development as an influential contemporary artist, filmmaker, and curator of film.Iqra Shagufta Cheema is an Assistant Professor in Humanities at Graceland University, Iowa.Stefanie Van de Peer is Reader in Film & Media at Queen Margaret University.
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Buch. Zustand: Neu. Neuware - Annemarie Jacir is a Palestinian filmmaker whose work is recognised globally as innovative, politically challenging, and genre-crossing. Most scholarship on the politics of film and its role in political conflicts is usually marked by historical overviews of geopolitical events and developments. In contrast, ReFocus: The Films of Annemarie Jacir offers an auteur-focused study of Jacir's transnational cinematic oeuvre, which is informed by the Palestinian experiences as well as the geopolitics and the political discourse around the Occupied Palestinian Territories. Shagufta Cheema and Van de Peer offer an in-depth study of Jacir's oeuvre by locating it in a geospatial and sociopolitical framework to critically analyse her development as an influential contemporary artist, filmmaker, and curator of film. Iqra Shagufta Cheema is an Assistant Professor in Humanities at Graceland University, Iowa. Stefanie Van de Peer is Reader in Film & Media at Queen Margaret University. Artikel-Nr. 9781474480918
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