Precisely, perhaps, because they are so immediately absorbing, narrative films can also be profoundly confusing and disorienting. This fascinating book neither proposes foolproof methods for avoiding confusion; nor does it suggest that disorientation is always a virtue. Instead it argues that the best way to come to terms with our confusion is to look closely at exactly what is confusing us, and why. At the heart of the book are original close readings of four important recent films: David Lynch's INLAND EMPIRE (2006), Leos Carax's Holy Motors (2012), Pedro Costa's Colossal Youth (2006) and Jean-Luc Godard's Goodbye to Language (2014). Clearly written but critically and theoretically bold, The Cinema of Disorientation: Inviting Confusions explores both how we get (or fail to get) our bearings with respect to a film, and what we might discover by (and while) doing so.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Dominic Lash is a film scholar and musician. His writing on film has appeared in Screen, Movie: A Journal of Film Criticism, and Cinergie. He has taught film studies at the Universities of Bristol and Reading, and at King's College London.
Perhaps because they are so immediately absorbing, narrative films can also be profoundly confusing and disorienting. This fascinating book neither proposes fool-proof methods for avoiding confusion, nor does it suggest that disorientation is always a virtue. Instead, it argues that the best way to come to terms with our confusion is to look closely at exactly what is confusing us, and why. At the heart of the book are original close readings of four important recent films: David Lynch’s INLAND EMPIRE (2006), Leos Carax’s Holy Motors (2012), Pedro Costa’s Colossal Youth (2006) and Jean-Luc Godard’s Goodbye to Language (2014). Clearly written but critically and theoretically bold, The Cinema of Disorientation: Inviting Confusions explores both how we get (or fail to get) our bearings with respect to a film, and what we might discover by (and while) doing so.Dominic Lash is a film scholar and musician. His writing on film has appeared in Screen, Movie: A Journal of Film Criticism, Senses of Cinema and elsewhere. He has taught film studies at the Universities of Bristol and Reading, and at King’s College London.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: PBShop.store US, Wood Dale, IL, USA
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Artikel-Nr. FV-9781474462785
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Artikel-Nr. FV-9781474462785
Anzahl: 10 verfügbar
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
Zustand: New. Artikel-Nr. 389425023
Anzahl: 3 verfügbar
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 2022. Paperback. . . . . . Books ship from the US and Ireland. Artikel-Nr. V9781474462785
Anzahl: Mehr als 20 verfügbar
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Paperback. Zustand: Brand New. 208 pages. 9.21x6.14x0.32 inches. In Stock. Artikel-Nr. x-1474462782
Anzahl: 2 verfügbar
Anbieter: moluna, Greven, Deutschland
Zustand: New. Über den AutorDominic Lash is a film scholar and musician. His writing on film has appeared in Screen, Movie: A Journal of Film Criticism, and Cinergie. He has taught film studies at the Universities of Bristol and Reading, and a. Artikel-Nr. 539767161
Anzahl: Mehr als 20 verfügbar