Screening Statues: Sculpture and Cinema (Edinburgh Studies in Film and Intermediality) - Softcover

Über die Autorinnen und Autoren

Steven Jacobs teaches film history and film theory at Ghent University and the University of Antwerp.

Susan Felleman is Professor of Art History and Film and Media Studies at the University of South Carolina.

Vito Adriaensens is a scholar and filmmaker. He is currently Assistant Professor of Experimental Film and Media at New York University's Tisch School of the Arts.

Lisa Colpaert is a fashion designer and a film historian. She works as a curator for Cinea at the Royal Belgian Film Archive and is undertaking a practice-based PhD at the London College of Fashion (University of the Arts London).

Steven Jacobs teaches at Ghent University and the University of Antwerp.

Susan Felleman is Professor of Art History and Film and Media Studies at the University of South Carolina.

Vito Adriaensens is a visiting scholar and Adjunct Assistant Professor at Columbia University's Film Department with a Fellowship from the Flemish Research Council and the European Union's Horizon 2020 Project at the University of Antwerp.

Lisa Colpaert is a fashion designer and a film historian. She works as a curator for Cinea at the Royal Belgian Film Archive and is undertaking a practice-based PhD at the London College of Fashion (University of the Arts London).

Von der hinteren Coverseite

Edinburgh Studies in Film and IntermedialitySeries editors: Martine Beugnet and Kriss RavettoFounding editor: John OrrScreening Statues: Sculpture and CinemaSteven Jacobs, Susan Felleman, Vito Adriaensens and Lisa ColpaertWhereas sculpture is an artistic practice that involves not only static but also material, three-dimensional, and durable objects, the cinema produces kinetic, immaterial, two-dimensional, and fleeting images. However, the history of cinema amply illustrates the attraction of these opposites: statues coming to life in early cinema and disturbing the peace in Surrealist and trance films; the optical and haptic exploration of sculptural volumes in art documentaries and artists’ films; the lure of the wax museums in horror films; the statuary metaphors of post-war modernist cinema; the mythological living statues of the peplum genre; and contemporary art practices in which film is used as sculptural medium.Dealing with a wide range of magical, mystical, cultural, historical, formal, and phenomenological interactions between film and sculpture, this book examines key sculptural motifs in film and cinematic sculpture in eight chapters and an extensive reference gallery.Steven Jacobs teaches at Ghent University and the University of Antwerp.Susan Felleman is Professor of Art History and Film and Media Studies at the University of South CarolinaVito Adriaensens is a visiting scholar and Adjunct Assistant Professor at Columbia University’s Film Department with a Fellowship from the Flemish Research Council and the European Union’s Horizon 2020 Project at the University of AntwerpLisa Colpaert is a fashion designer and a film historian. She works as a curator for Cinea at the Royal Belgian Film Archive and is undertaking a practice-based PhD at the London College of Fashion (University of the Arts London)