Few directors have played such a prominent role as Francis Veber in shaping the cinematic identity of France over the past forty years, yet in many ways his chosen genre of comedy has relegated his work to the margins of Film Studies. Using an auterist lens to challenge the notions of taste, genre and aesthetics that are commonly used to form the cinematic canon, this book explores the twelve films Veber directed between 1976 and 2008. These include Le Jouet (1976), Les fugitifs (1986) and L’emmerdeur (2008). Considering also Veber’s extensive work as a playwright, theatre director and screenwriter – as well as the numerous remakes and adaptations of his films in Hollywood – author Keith Corson focuses on issues of class, labour and politics to examine the ways in which Veber embeds serious social critiques in his mainstream films.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Keith Corson is an Assistant Professor in the Department of Film, Theatre and Creative Writing at the University of Central Arkansas. He is the author of Trying to Get Over: African American Directors After Blaxploitation, 1977-1986 and has published numerous journal articles and book chapters relating to film, identity and media industries.
Few directors have played such a prominent role as Francis Veber in shaping the cinematic identity of France over the past forty years, yet in many ways his chosen genre of comedy has relegated his work to the margins of Film Studies. Using an auterist lens to challenge the notions of taste, genre and aesthetics that are commonly used to form the cinematic canon, this book explores the twelve films Veber directed between 1976 and 2008. These include Le Jouet (1976), Les fugitifs (1986) and L’emmerdeur (2008).Considering also Veber’s extensive work as a playwright, theatre director and screenwriter – as well as the numerous remakes and adaptations of his films in Hollywood – author Keith Corson focuses on issues of class, labour and politics to examine the ways in which Veber embeds serious social critiques in his mainstream films.Keith Corson is an Assistant Professor in the Department of Film, Theatre and Creative Writing at the University of Central Arkansas.
Few directors have played such a prominent role as Francis Veber in shaping the cinematic identity of France over the past forty years, yet in many ways his chosen genre of comedy has relegated his work to the margins of Film Studies. Using an auterist lens to challenge the notions of taste, genre and aesthetics that are commonly used to form the cinematic canon, this book explores the twelve films Veber directed between 1976 and 2008. These include Le Jouet (1976), Les fugitifs (1986) and L emmerdeur (2008).Considering also Veber s extensive work as a playwright, theatre director and screenwriter as well as the numerous remakes and adaptations of his films in Hollywood author Keith Corson focuses on issues of class, labour and politics to examine the ways in which Veber embeds serious social critiques in his mainstream films.Keith Corson is an Assistant Professor in the Department of Film, Theatre and Creative Writing at the University of Central Arkansas.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
EUR 5,71 für den Versand von Vereinigtes Königreich nach Deutschland
Versandziele, Kosten & DauerAnbieter: Speedyhen, London, Vereinigtes Königreich
Zustand: NEW. Artikel-Nr. NW9781474429498
Anzahl: 1 verfügbar
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Few directors have played such a prominent role as Francis Veber in shaping the cinematic identity of France over the past forty years, yet in many ways his chosen genre of comedy has relegated his work to the margins of Film Studies. Using an auterist lens to challenge the notions of taste, genre and aesthetics that are commonly used to form the cinematic canon, this book explores the twelve films Veber directed between 1976 and 2008. These include Le Jouet (1976), Les fugitifs (1986) and L'emmerdeur (2008).Considering also Veber's extensive work as a playwright, theatre director and screenwriter - as well as the numerous remakes and adaptations of his films in Hollywood - author Keith Corson focuses on issues of class, labour and politics to examine the ways in which Veber embeds serious social critiques in his mainstream films.Keith Corson is an Assistant Professor in the Department of Film, Theatre and Creative Writing at the University of Central Arkansas. Artikel-Nr. 9781474429498
Anzahl: 1 verfügbar
Anbieter: moluna, Greven, Deutschland
Kartoniert / Broschiert. Zustand: New. Using an auterist lens to challenge the notions of taste, genre and aesthetics that are commonly used to form the cinematic canon, this book explores the twelve films Veber directed between 1976 and 2008. These include Le Jouet (1976), Les fugitifs (1986) a. Artikel-Nr. 389990470
Anzahl: 1 verfügbar
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Artikel-Nr. GB-9781474429498
Anzahl: 1 verfügbar
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
Zustand: New. In. Artikel-Nr. ria9781474429498_new
Anzahl: 1 verfügbar
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
Zustand: New. Artikel-Nr. 392710844
Anzahl: 3 verfügbar
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. . . 2021. Paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9781474429498
Anzahl: 1 verfügbar
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Paperback. Zustand: Brand New. 176 pages. 9.21x6.14x0.38 inches. In Stock. Artikel-Nr. x-1474429491
Anzahl: 2 verfügbar