The Museum as a Cinematic Space: The Display of Moving Images in Exhibitions (Edinburgh Studies in Film and Intermediality) - Hardcover

Buch 14 von 16: Edinburgh Studies in Film and Intermediality

Mandelli, Elisa

 
9781474416795: The Museum as a Cinematic Space: The Display of Moving Images in Exhibitions (Edinburgh Studies in Film and Intermediality)
Hardcover
ISBN 10: 1474416799 ISBN 13: 9781474416795
Verlag: EDINBURGH UNIV PR, 2019

Inhaltsangabe

Takes an intermedial approach to examine how film has influenced exhibition design

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Über die Autorinnen und Autoren

'Elisa Mandelli is Postdoctoral Research Fellow at Link Campus University (Rome). Her primary research interests include cinema and visual arts, moving images in museums, film installations. Her writings have appeared in various edited collections and national and international journals.



Elisa Mandelli is Postdoctoral Research Fellow at Link Campus University (Rome), where she teaches 'Theory and techniques of new media'. She is member of the editorial board of the film studies journal 'Cinergie'.

Von der hinteren Coverseite

Edinburgh Studies in Film and IntermedialitySeries Editors: Martine Beugnet and Kriss RavettoFounding Editor: John OrrA series of cutting-edge scholarly research monographs covering core aspects of film studies. The series’ internationally respected authors contribute analytical and often controversial volumes, offering a critical intervention into their subject.‘In her innovative work, Elisa Mandelli traces the fascinating history of films and moving images in exhibition design. Combining careful archival research with sharp analyses of contemporary museums, The Museum as a Cinematic Space offers an invaluable addition to our understanding of the theories and practices of audio-visual media displays in exhibitions.’Leonardo Quaresima, Professor of Cinema Studies, University of UdineMoving images have become an increasingly common feature in a wide range of museums, with screens and audio-visual projections frequently encountered by museum visitors. But when did films start to be displayed in museum galleries? And what are the issues at stake when showing moving images in exhibition spaces?With an innovative and strongly interdisciplinary theoretical framework, this book offers an extensive investigation of the use of audio-visuals in exhibition design. Highlighting the continuities and fractures between different periods, contexts and practices, Elisa Mandelli shows the deep influence of audio-visuals on the configuration of the exhibition space, as well as on the relationship between museums and their visitors.Elisa Mandelli is Postdoctoral Research Fellow at Link Campus University (Rome). She is member of the editorial board of the film studies journal Cinergie, and her writings have appeared in various edited collections and national and international journals.Cover image: Museo Diffuso della Resistenza, Turin (Ph. Fabrizio Esposito, courtesy of Museo Diffuso della Resistenza).Cover design: Stuart Dalziel[EUP logo]edinburghuniversitypress.comISBN 978-1-4744-1679-5Barcode

Aus dem Klappentext

Edinburgh Studies in Film and IntermedialitySeries Editors: Martine Beugnet and Kriss RavettoFounding Editor: John OrrA series of cutting-edge scholarly research monographs covering core aspects of film studies. The series internationally respected authors contribute analytical and often controversial volumes, offering a critical intervention into their subject. In her innovative work, Elisa Mandelli traces the fascinating history of films and moving images in exhibition design. Combining careful archival research with sharp analyses of contemporary museums, The Museum as a Cinematic Space offers an invaluable addition to our understanding of the theories and practices of audio-visual media displays in exhibitions. Leonardo Quaresima, Professor of Cinema Studies, University of UdineMoving images have become an increasingly common feature in a wide range of museums, with screens and audio-visual projections frequently encountered by museum visitors. But when did films start to be displayed in museum galleries? And what are the issues at stake when showing moving images in exhibition spaces?With an innovative and strongly interdisciplinary theoretical framework, this book offers an extensive investigation of the use of audio-visuals in exhibition design. Highlighting the continuities and fractures between different periods, contexts and practices, Elisa Mandelli shows the deep influence of audio-visuals on the configuration of the exhibition space, as well as on the relationship between museums and their visitors.Elisa Mandelli is Postdoctoral Research Fellow at Link Campus University (Rome). She is member of the editorial board of the film studies journal Cinergie, and her writings have appeared in various edited collections and national and international journals.Cover image: Museo Diffuso della Resistenza, Turin (Ph. Fabrizio Esposito, courtesy of Museo Diffuso della Resistenza).Cover design: Stuart Dalziel[EUP logo]edinburghuniversitypress.comISBN 978-1-4744-1679-5Barcode

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Verlag
EDINBURGH UNIV PR
Erscheinungsdatum
2019
Sprache
Englisch
ISBN 10 
1474416799
ISBN 13 
9781474416795
Einband
Gebundene Ausgabe
Anzahl der Seiten
192
Kontakt zum Hersteller
Nicht verfügbar
Verantwortliche Person
Nicht verfügbar

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Softcover