Contemporary Musical Film (Music and the Moving Image) - Hardcover

Über die Autorinnen und Autoren

Professor Kevin Donnelly is Professor of Film and Film Music at the University of Southampton. He has written or edited 12 books, including Occult Aesthetics: Sound and Image Synchronization (Oxford University Press, 2013; which received an award from the American Musicological Society), The Spectre of Sound (BFI, 2005, second edition 2020), Magical Musical Tour: Pop and Rock in Film Soundtracks (Bloomsbury, 2015; which received an award from the Southwest Popular and American Cultural Association), Pop Music in British Cinema (BFI, 2001), British Film Music and Film Musicals (Palgrave, 2007) and The Shining (Columbia University Press, 2018). He is co-series editor of EUP’s Music and the Moving Image series, and co-edited Contemporary Musical Film for the series (EUP, 2019)

Dr Beth Carroll is a Lecturer in Film at the University of Southampton. She is the author of Feeling Film: A Spatial Approach (2016) and co-editor of Contemporary Musical Film (EUP).

Von der hinteren Coverseite

Contemporary Musical FilmEdited by K.J. Donnelly and Beth CarrollSince the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have reinvigorated the popularity of the screen musical. This edited collection, bringing together a number of international scholars, looks closely at the range and scope of contemporary film musicals, from stage adaptations like Mamma Mia! (2008) and Les Miserables (2012), to less conventional works that elide the genre, like Team America: World Police (2004) and Quentin Tarantino’s Kill Bill (2003/04). Looking at the varying aesthetic function of soundtrack and lyric in films like Disney’s wildly popular Frozen (2013) and the Fast and the Furious franchise, or the self-reflexive commentary of the ‘post-millennial rock musical’, this wide-ranging collection breaks new ground in its study of this multifaceted genre.Beth Carroll is a Lecturer in Film at the University of SouthamptonK. J. Donnelly is a Reader in Film Studies at the University of Southampton

Aus dem Klappentext

Contemporary Musical FilmEdited by K.J. Donnelly and Beth CarrollSince the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have reinvigorated the popularity of the screen musical. This edited collection, bringing together a number of international scholars, looks closely at the range and scope of contemporary film musicals, from stage adaptations like Mamma Mia! (2008) and Les Miserables (2012), to less conventional works that elide the genre, like Team America: World Police (2004) and Quentin Tarantino s Kill Bill (2003/04). Looking at the varying aesthetic function of soundtrack and lyric in films like Disney s wildly popular Frozen (2013) and the Fast and the Furious franchise, or the self-reflexive commentary of the post-millennial rock musical , this wide-ranging collection breaks new ground in its study of this multifaceted genre.Beth Carroll is a Lecturer in Film at the University of SouthamptonK. J. Donnelly is a Reader in Film Studies at the University of Southampton