A magnificent adaptation of Aeschylus's Oresteia by award-winning playwright Rory Mullarkey
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Aeschylus (525-456 BC) The father of Greek tragic drama, usually considered the first great writer in the Western theatrical tradition. Only seven plays, of over 70 known titles, are extant. These are The Persians (472 BC), Seven Against Thebes (469 BC), Prometheus Bound (c. 460 BC), The Suppliant Women (c. 460 BC), and the Oresteia trilogy (458 BC), comprising Agamemnon, Choephoroi, and Eumenides. He also wrote numerous satyr plays, which have only survived in fragmentary form. Aeschylus's work is powerful and operatic, using majestic but often innovative language. His attitude to Greek society and religion was generally conservative, although he boldly depicted the sufferings of men and woman when moral systems, and the gods themselves, are in conflict. Legend says he was killed by a tortoise dropped by an eagle (to break the shell) on his bald head (mistaken for a stone). His tombstone makes no mention of his literary works, referring only to his service at the Battle of Marathon (490 BC).
Rory Mullarkey's original plays include Pity, The Wolf from the Door (Royal Court Theatre), Saint George and the Dragon (Royal National Theatre), Each Slow Dusk (Pentabus Theatre/UK Tour), Cannibals, Single Sex (Royal Exchange, Manchester), The Grandfathers (National Theatre Connections, then Bristol Old Vic/National Theatre) and On the Threshing Floor (Heat & Light Company, Hampstead Theatre). His adaptations/translations include The Cherry Orchard by Anton Chekhov (Bristol Old Vic/Manchester Royal Exchange), The Oresteia by Aeschylus (Shakespeare's Globe) and Remembrance Day by Aleksey Scherbak (Royal Court). He has written the libretti for The Skating Rink by David Sawer (Garsington Opera), Coraline by Mark-Anthony Turnage (Royal Opera House) and The Way Back Home by Joanna Lee (ENO/Young Vic). He has won the Abraham Woursell Prize (co-winner 2017), the James Tait Black Prize for Drama (2014), the George Devine Award for Most Promising Playwright (co-winner, 2014), the Harold Pinter Commission for the Royal Court (2014) and the Pearson Bursary for the Royal Exchange, Manchester (2011).
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