An introduction to theories of sound as they have been understood in critical discussions of theatrical productions and performances, underpinned by substantive case studies, this is a foundational text for students of theatre and performance.
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Susan Bennett is University Professor in the Department of English at the University of Calgary, Canada. She is the author of Theatre Audiences: A Theory of Production and Reception (1997, 2nd edition), Performing Nostalgia (1996), and Theatre & Museums (2013). Among her edited volumes are Shakespeare Beyond English (co-edited with Christie Carson, 2013) and Performing Environments: Site-Specificity on the Early Modern Stage (co-edited with Mary Polito, 2014). She was editor of Theatre Journal from 1997-2001 and has also edited or co-edited special issues of other theatre and performance journals.
Kim Solga is Associate Professor of English and Writing Studies at Western University, Canada.
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Zustand: New. Sound provides a lively and engaging overview of relevant critical theory for students and researchers in theatre and performance studies. Addressing sound across history and through progressive developments in relevant technologies, the volume open. Artikel-Nr. 257027315
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